Not A Sound. Heather Gudenkauf

Чтение книги онлайн.

Читать онлайн книгу Not A Sound - Heather Gudenkauf страница 13

Not A Sound - Heather  Gudenkauf

Скачать книгу

and packaging of forensic evidence from the crimes.

      We bonded during the breaks and chatted about our lives. We had daughters the same age—Nora and Lane. We talked about our husbands and how challenging it could be balancing home life and nursing. During the first domestic violence case that we worked together, I was the on-call SANE nurse and was summoned to the Queen of Peace to collect the evidence. Gwen was also there, covering a shift in the emergency room. The victim, a thirty-year-old mother of two, was so distraught, striking and lashing out at the EMTs who brought her in that she managed to kick one of them squarely in the face, causing a fountain of blood to erupt from his nose. Gwen somehow managed to calm the badly beaten woman with her low, soothing voice while I collected the evidence.

      Our friendship was sealed that night. Though after the fact the injured woman insisted that she fell down the steps, the evidence I was able to gather clearly showed that she was beaten with a leather belt, sending the husband to jail at least for a few days. Gwen and I talked every day after that. We met for coffee once a week, set up playdates for our girls. Then I was injured, started drinking and lost touch with just about everybody. About six months ago, though, Gwen had left me a phone message. When I read the transcript I found it to be just a regular, run-of-the-mill, “how’re you doing, we haven’t talked in a while” message. I hadn’t bothered to call her back.

      I have so many regrets. If only I hadn’t taken that first drink to deaden the pain of being plunged into sudden silence. Which sounds so selfish now. It wasn’t just losing my hearing, it was the loneliness that came with it, the sense of always being separate, apart from everyone I loved. What I wouldn’t give to go back in time and make different choices.

      Once the movie credits start, Stitch moves to the door and looks at me expectantly. My cue that he needs to go outside. I go through the whole rigmarole of opening the curtains, removing the wooden stick and sliding open the glass door. Stitch dashes outside and spends an inordinately long time doing his business. The air is heavy with the scent of oncoming rain. Rainstorms in the fall have a scent that is uniquely their own. A fetid, moldy, earthen smell. As if their sole purpose is to urge the remaining flora and fauna that it’s time to rest, covering them in a soggy blanket and tamping them down close to the earth, which is ready to claim them for the winter.

      I consider staying up to watch the ten o’clock news and see if they actually air my 9-1-1 call, but I really don’t want to see my frantic words emblazoned across the screen. I turn off the television and toss a few more pieces of wood into the stove before I call Stitch back in. Despite my long nap and even though it’s only a little bit after eight, I’m exhausted. I switch off the main floor lights, and Stitch and I head upstairs. I slip under the covers and Stitch takes his usual spot at the foot of the bed.

      As conflicted as I am about how I feel about David, I miss turning over at night and finding his solid, comforting form right next to me. When David and Nora came into my life, I was the one who willingly, without question, opened my arms to them when they were at their lowest point. I was more of a mom to Nora in the last six years than her biological mother ever was and though legally David doesn’t have to, he still lets me see her. Supervised of course. I miss, no matter how late we’d get home from the hospital, how David and I always made sure to kiss the other good-night and say I love you. Our little ritual.

      I try to shake away the past. It does no good to mourn what was. All I have is the here and now, no matter how meager. But in the here and now, I hate nighttime. The absence of sound combined with the absence of light is terrifying. Now, just like I do every night before I go to sleep, I make sure my flashlight is in my bedside table drawer where it should be and I make sure my cell phone is fully charged and within hand’s reach. My little ritual. Only now, with lights blazing and Stitch nearby am I able to close my eyes and rest.

       5

      I wake to Stitch’s paw raking down my back. I roll over to my side. My bedside lamp is still burning and the clock reads twelve thirty. The sliver of black sky that I see between a gap in the blinds lets me know it’s still the middle of the night. I squint up at Stitch who, for good measure, paws at me one more time, leaps from the bed and waits for me in the doorway.

      Based on Stitch’s training, I’m pretty confident that one of four things could have caused him to rouse me from a dead sleep: the phone is ringing, someone is at the door, the house is on fire or Stitch really has to go to the bathroom. I rarely get visitors or phone calls during the day, let alone at night, and I don’t smell smoke, so I’m guessing that Stitch needs to go outside.

      I groan and blearily follow Stitch down the steps, turning on lights as I go. Stitch makes a beeline for the sliding glass door and takes a seat. This small action causes me to freeze in place.

      Communication between a person and their service dog is built on the ability to interpret the thousands of different nuances in each other’s movements. If Stitch needed to go outside he would have simply stood by the door. When he sits I know that someone is standing on the other side.

      My pulse quickens. Who would be knocking at twelve thirty in the middle of the night? Maybe it’s Jake and he has some news about Gwen’s murder or maybe someone is here to tell me that something bad has happened to Nora or my brother or dad. My stomach clenches at the thought, and then I notice the way the hair on Stitch’s scruff is standing at attention and that he is warily eyeing the slight sway of the drapes moving back and forth.

      In his excitement has Stitch bumped the curtains, causing the movement? My eyes slide to where the broomstick stands in the corner where I left it earlier. I must have forgotten to return it to the metal track when I was getting ready for bed.

      Stitch’s jaws are opening and closing wildly. Something is out there. Or someone. Cautiously, I push aside the drapes and peek out into the darkened yard. I can’t see a thing. I unlock the door and slowly slide it open. Stitch wriggles through the small gap and dashes out into the rainy night.

      “Stitch,” I call. “Ke mne!” He doesn’t comply. “Ke mne!” I yell again. I’m torn. I should go after him but the night is all encompassing and it’s so dark that the weak light from above the door only spills a few feet into the yard, but I’d feel a hell of a lot safer if Stitch was back inside the house with me.

      I step outside. The concrete steps are rough and cold beneath my feet. A soft mist dampens my skin. “Stitch,” I call into the blackness. I have no idea which direction he’s run off to and if I’m going to go find him I’m going to need to get dressed and put some shoes on.

      I go back inside and set the wooden stick into its place. How could I have forgotten to do this before I went to bed? I’m disgusted with myself. I press my face against the glass and strain my eyes for any sign of Stitch. Nothing. I should call the police, but the thought of my home being overrun by officers probing and prying makes my stomach roil. A woman was murdered, a small voice in my head chastises me—as if I could forget. What if the killer figured out that I was the one to find Gwen? What if he thinks that I know more than I do? What if he saw the news report of my call to 9-1-1 and figured out who I was? Again, how many deaf women live along Five Mines? It wouldn’t take much for someone to figure out it was me. What if he crept through my yard and was going to try to break in and Stitch scared him off?

      Keeping my eye on the door, I move slowly backward toward the telephone. I don’t want to turn around to pick up the phone and dial but I have to be able to see the display in order to communicate. Reluctantly, I turn and with shaking hands dial. It seems to take forever but finally a string of letters appears across the telephone display. “Dtrenkltve Shrader, this butter begud.”

      My transcribing service

Скачать книгу