The Shell Collector. Anthony Doerr
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The shell collector was wading, feeling for shells with his toes. It had been a year since he’d been bitten.
Tumaini perched on a rock and sniffed at the horizon where a line of birds threaded along beneath stacks of cumulus. Seema was on the reef with them, as she had been nearly every day, her shoulders free of her wraparound. Her hair, usually bound back, hung across her neck and reflected the sun. What comfort it was to be with a person who could not see, who did not care anyway.
Seema watched as a school of fish, tiny and spear-shaped, flashed just below the surface of the water. They stared up at her with ten thousand round eyes, then turned lazily. Their shadows glided over the rutted sand, over a fern-shaped colony of coral. Those are needlefish, she thought, and that is Xenia soft coral. I know their names, how they rely on each other.
The shell collector moved a few meters, stopped and bent. He had come across what he thought was a bullia—a blind snail with a grooved, high-spired shell—and he kept his hand on it, two fingers resting lightly on the apex. After a long moment, waiting, tentative, the snail brought its foot from the aperture and resumed hauling itself over a ridge of sand. The shell collector, using his fingers, followed it for a while, then stood. “Beautiful,” he murmured. Beneath his feet the snail kept on, feeling its way forward, dragging the house of its shell, fitting its body to the sand, to the private unlit horizons that whorled all around it.
It was the hunter’s first time outside of Montana. He woke, stricken still with the hours-old vision of ascending through roselit cumulus, of houses and barns like specks deep in the snowed-in valleys, all the scrolling country below looking December—brown and black hills streaked with snow, flashes of iced-over lakes, the long braids of a river gleaming at the bottom of a canyon. Above the wing the sky had deepened to a blue so pure he knew it would bring tears to his eyes if he looked long enough.
Now it was dark. The airplane descended over Chicago, its galaxy of electric lights, the vast neighborhoods coming clearer as the plane glided toward the airport—streetlights, headlights, stacks of buildings, ice rinks, a truck turning at a stoplight, scraps of snow atop a warehouse and winking antennae on faraway hills, finally the long converging parallels of blue runway lights, and they were down.
He walked into the airport, past the banks of monitors. Already he felt as if he’d lost something, some beautiful perspective, some lovely dream fallen away. He had come to Chicago to see his wife, whom he had not seen in twenty years. She was there to perform her magic for a higher-up at the state university. Even universities, apparently, were interested in what she could do.
Outside the terminal the sky was thick and gray and hurried by wind. Snow was coming. A woman from the university met him and escorted him to her Jeep. He kept his gaze out the window.
They were in the car for forty-five minutes, passing first the tall, lighted architecture of downtown, then naked suburban oaks, heaps of ploughed snow, gas stations, power towers and telephone wires. The woman said, So you regularly attend your wife’s performances?
No, he said. Never before.
She parked in the driveway of an elaborate and modern mansion with square balconies suspended at angles over two trapezoidal garages, huge triangular windows in the facade, sleek columns, domed lights, a steep shale roof.
Inside the front door about thirty name tags were laid out on a table. His wife was not there yet. No one, it seemed, was there yet. He found his tag and pinned it to his sweater. A silent girl in a tuxedo appeared and disappeared with his coat.
The foyer was all granite, flecked and smooth, backed with a grand staircase that spread wide at the bottom and tapered at the top. A woman came down. She stopped four or five steps from the bottom and said, Hello, Anne, to the woman who had driven him there and, You must be Mr. Dumas, to him. He took her hand, a pale bony thing, weightless, like a featherless bird.
Her husband, the university’s chancellor, was just knotting his bow tie, she said, and laughed sadly to herself, as if bow ties were something she disapproved of. Beyond the foyer spread a vast parlor, high-windowed and carpeted. The hunter moved to a bank of windows, shifted aside the curtain and peered out.
In the poor light he could see a wooden deck encompassing the length of the house, angled and stepped, never the same width, with a low rail. Beyond it, in the blue shadows, a small pond lay encircled by hedges, with a marble birdbath at its center. Behind the pond stood leafless trees—oaks, maples, a sycamore white as bone. A helicopter shuttled past, winking a green light.
It’s snowing, he said.
Is it? asked the hostess, with an air of concern, perhaps false. It was impossible to tell what was sincere and what was not. The woman who drove him there had moved to the bar where she cradled a drink and stared into the carpet.
He let the curtain fall back. The chancellor came down the staircase. Other guests fluttered in. A man in gray corduroy, with BRUCE MAPLES on his name tag, approached him. Mr. Dumas, he said, your wife isn’t here yet?
You know her? the hunter asked. Oh no, Maples said, and shook his head. No I don’t. He spread his legs and swiveled his hips as if stretching before a foot race. But I’ve read about her.
The hunter watched as a tall, remarkably thin man stepped through the front door. Hollows behind his jaw and beneath his eyes made him appear ancient and skeletal—as if he were visiting from some other leaner world. The chancellor approached the thin man, embraced him, and held him for a moment.
That’s President O’Brien, Maples said. A famous man, actually, to people who follow those sorts of things. So terrible, what happened to his family. Maples stabbed the ice in his drink with his straw.
The hunter nodded, unsure of what to say. For the first time he began to think he should not have come.
Have you read your wife’s books? Maples asked.
The hunter nodded.
In her poems her husband is a hunter.
I guide hunters. He was looking out the window to where snow was settling on the hedges.
Does that ever bother you?
What?
Killing animals. For a living, I mean.
The hunter watched snowflakes disappear as they touched the window. Was that what hunting meant to people? Killing animals? He put his fingers to the glass. No, he said. It doesn’t bother me.
The hunter met his wife in Great Falls, Montana, in the winter of 1972. That winter arrived immediately, all at once—you could watch it come. Twin curtains of white appeared in the north, white all the way to the sky, driving south like the end of all things. They drove the wind before them and it ran like wolves, like floodwater through a cracked dyke. Cattle galloped the fencelines, bawling. Trees toppled; a barn roof tumbled over the highway. The river changed directions. The wind flung thrushes screaming into the gorge and impaled them on the thorns in grotesque attitudes.
She was a magician’s assistant, beautiful, sixteen years old, an