and Betts would have disagreed, she imagined them as all coming from fabulously wealthy homes.
How different their worlds must be to hers!
She wondered if they could imagine the terrible stream of life that flowed daily through her home city – the small boy without hands who clip-clopped along the broken pavements with blocks of wood tied to his arms and who sounded for all the world like a horse, or the skeletal old rickshaw drivers, almost too weak to work, who slept day-long under the dusty trees. And there were those who were even worse off, men who could easily be mistaken for bundles of rags, men whom even the beggars scorned.
Rani’s parents worked as servants, but although she owned little more than the clothes she stood in, she’d had more education than most children of her caste, and the thing she was most proud of was her reading. Not even her parents could manage as well as she. Her favourite reading by far was a simplified version of a book called the Panchatantra. She was determined to tell one of the stories from it.
She turned from the window she had been gazing out of, and taking a deep breath, faced into the room and said, ‘I too can tell a story.’
Hasan, Liam and Betts were so surprised to hear her speak that their conversations froze in mid-sentence.
Encouraged by the way the Giant smiled at her, Rani hurried across the library and, smoothing down her dress, dropped down beside the fire at his feet.
‘Yes, I can tell one. It is from our very famous book, the Panchatantra.’
‘The what?’ Betts looked down at the young Indian girl, amused by her enthusiasm.
‘The Panchatantra. It is one of the great, great books of Indian literature. It is our masterpiece,’ Rani said with pride.
With her delicate hand she beckoned the other children to sit beside her, for that’s how stories were told, she knew, sitting and sharing in a circle.
‘It contains the best stories in the world,’ she said when they’d joined her.
‘What about our stories?’ asked Hasan. ‘Aren’t ours as good?’
‘Tell us, Rani,’ said the Giant. ‘And Hasan, hush.’
‘Well,’ said Rani, ‘in the last story, the soldier is returning home from a war, but in mine a poor man is wondering what the point of wars might be.’
THE TRAMP AND THE OUTCOME OF WAR
A TRAMP HAD BEEN WANDERING LOST FOR WEEKS THROUGH a strange country that had been devastated by war. The war had been over for many years, but it had been so terrible that neither the land nor the population had recovered. Crops had been burned, once-fresh streams had been polluted, and the poor people had fled their homes taking everything they could carry with them. There was nothing for the tramp to eat or drink except the grubs he found under stones and the dew he licked from the grass at dawn. He was going mad with thirst and hunger and knew he would soon die unless he found food.
He had no idea why there had been a war. It was something he brooded over simply to help keep his mind off hunger. Every time his stomach rumbled, every time his lips cracked, he tried to think instead about the reason behind the war.
Wandering beside a small wood one day he heard a noise that disturbed him. Frightened, he crouched in the tangled roots of a giant oak tree and listened. Thump-a-rump-rump, thump-a-rump-rump.
The sound was repeated over and over again, and seemed to be coming from the far side of the wood.
The tramp edged his way slowly and carefully through the wood to investigate the noise. He was amazed at what he found on the other side.
The sound was being made by the seed heads of poppies being blown against the skin of an old war-drum. He had discovered the very place where the last of the country’s great battles had been fought. And on this battlefield, among the worm-eaten butts of rifles and the skeletons of soldiers, was a wonderful sight.
There were apple trees and plum trees, pear trees and cherry trees, wild asparagus, and all manner of strange fruit and vegetables.
When the two armies had fallen, the fruit and other foods they’d carried with them into war had rotted into the earth. The soil had been nourished by the decomposing bodies of the dead, and in time an orchard had sprung up among the ragged skeletons.
The tramp sat on the old war-drum and began eating a delicious plum.
‘I may never discover the reason for the war,’ he thought to himself, ‘but the outcome is obvious. The end result of all this carnage and misery has been to feed a single tramp.’
The Giant was delighted that Rani, the most timid of the children, had suddenly blossomed. He knew the story already – it would have been too much to hope that his unknown tale could turn up so quickly.
He remembered back to when he’d first heard it, when the world had seemed almost new to him. He’d lived elsewhere then. In Kashmir, in a remote region of snow-capped mountains near a tribe that – because in those days he had not been so expert at concealing himself – had spotted him from time to time. They’d called him the Yeti, and thought him still there.
He had heard a very different version of the story back in those days. He tried to remember exactly how long ago it had been, alarmed at how moth-eaten his memory was becoming.
Had it been two – or even three thousand years ago? Whichever, the story had existed before then, even before written language as the world now knew it had been invented. His second memory of the story was seeing a Himalayan priest copying it down from a local tribesman. And how long ago had that been? Two or three hundred years before the birth of Christ? About that. Copying it had been a laborious task for the priest. The poor peasant had had a stutter.
And had it been only eleven centuries ago that he himself had passed the story on to a travelling scholar, some of whose texts still existed in Islamic museums to this day? The man had written in Sanskrit, an ancient language the Giant loved. And now here was the same story again, tripping lightly off a child’s tongue, mangled, simplified, but recognizable all the same.
Rani telling her story re-affirmed for him his belief that the Castle he had created was indeed a special place. If children like Rani were not able to tell their stories, how would any stories survive? Without re-telling they would stagnate and die, or be entombed forever in a forgotten language. All things perish if they are left unnourished, he thought: stories without retelling, humans without love.
His delight in hearing the story again lifted his spirits, and he began to remember some of his own favourite tales. There were four in particular that shone in his imagination. He cleared his throat.
‘I’ve four small jewels to share with you,’ he announced. He closed his eyes, and resting his head back in the chair he addressed the room.
THE DIFFERENCE BETWEEN HEAVEN AND HELL
A YOUNG PANDA WAS SITTING UNDER A TREE CHEWING A bamboo shoot. It was a very inquisitive panda and like many very young creatures was always asking questions that were almost impossible to answer. Questions such as, ‘Why is water
