The German Numbers Woman. Alan Sillitoe

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so that he wouldn’t feel entirely cut off from Laura and the rest of the house. She liked it that way, though with earphones clamped on he was deaf to whatever might happen beyond his aetherised world.

      Sometimes he took the phones off and pulled out the plug, let morse ring from the speaker and ripple through the house, telling the walls he was alive to their constrictions, though hoping such self-indulgent noise didn’t worry Laura.

      He dropped an arm to compensate the disappointed cat, fingers riffling through fur, thinking he could tell the difference in texture while crossing from black to the small white patch near its nose, as the whorls of milk mixing with the coffee might, he imagined, be felt by a slowly stirring spoon. He could trace flowers on the wallpaper and notice where colours changed. No, it was all in the mind, except that sometimes his fingers had eyes.

      She picked up the coffee cup. ‘Anything interesting this morning?’

      He touched her hand. ‘I’m just trawling. There’s a liner called the Gracchi, calling Rome International Radio, and getting no reply. Then again there’s a Russian ship leaving England and heading for Lithuania with a hundred used cars on board. Wouldn’t like to say where they came from.’

      She took the cat for company. ‘Come on, Ebony.’

      His wireless room was at the weather end of the house, the wind a fine old comb-and-paper tune today. A slit of the window left open took his pipe smoke away. That’s how the music was made, a howling and forlorn oratorio playing from wall to wall. So much noise gusting would disorientate his senses if he went for a walk, so it was as well to be sheltered.

      Headphones back in place, he tuned in to the German Numbers Woman, who spoke continuous numbers in a tone suggesting she was the last woman on earth, enunciating from a bunker in the middle of some Eastern European forest, her voice on the edge of breathlessness, as if fearful of an assassin breaking in: ‘SIEBEN – ACHT – EINS – NEUN – DREI – FUNF – VIER – ZWEI – SECHS – ACHT – EINS – SECHS – EINS – NEUN.’

      On and on. She spoke in the ghostly tone of a person who might have a gun by the microphone, and Howard had listened so often to the deliberately mesmerising recitation of figures that he felt he knew much about her. The question was whether anyone else was listening, and taking down her endless numbers, and if so not only who, but what use they were making of them.

      On this earth everything was for a purpose, but what hers was he could never know. Or could he? He could but go on intercepting, though he only did so now and again to check that she was still there, and she always was. She spoke on several frequencies simultaneously (he’d found her on eleven different ones already. Others he hadn’t bothered to log) so her equipment was not simple. She was no pirate of the airwaves prating for the fun of it, though if she had been a classical pirate he could imagine her making people walk the plank, counting them one by one down to the sharks in her deliberate, impersonal, cold-hearted voice.

      And yet, and yet, perhaps she was misjudged. By eternally speaking numbers she was merely doing her job, and not for much money, either. Occasionally the frequencies were closed down, and she was off the air for a time. Then it could be she had caught the bus like any ordinary person, and gone home to feed her children – after shopping on the way to find what treats she could buy for their supper.

      She bathed them and put them to bed and sang them songs and told them stories in a voice utterly unlike that with which she shelled out numbers on the air. Her husband had left her years ago because he couldn’t stand the numbers voice being used in their quarrels, the ruthlessly catalogued recriminations of his misdeeds. Life on her own was hard. With the children in bed she cleaned her tiny flat, darned and washed their clothes and, if there was half an hour to spare before sleep time, and she wasn’t too done-for (she never was) she would play some Mozart or Beethoven on the record player.

      Family who would have helped in her lonely life had been killed, or sent off to camps by the Russians at the end of the war, or were maybe lost in one of those air raids Howard had taken part in, sitting hour after hour at his TR1154/55 Marconi on those cold and terrifying nights during the last winter of the war, the happiest moment when, driving through the flak, the tonnage went down and the bomber lifted, and they could turn for home.

      And now someone called Ingrid von Brocken came on the air to taunt him with his guilt at having, albeit at some risk, unloaded the wrath of God on her family, though she would have been only a baby at the time.

      The headset brought her clearly into mind, queen of the shortwave spectrum naked under a red plastic mac reading off numbers from a pile of sheets by her left hand, the voice as always loud and precise. Maybe there was no woman at all, only an endless leftover tape playing in a forgotten East German bunker transmitting instructions to various agents. No one had thought to switch it off, current still pumped so that it would go on forever, even when all the spies were dead.

      The German Numbers Woman made him sweat, so he couldn’t listen for long; but she filled his darkness with Brünnhilde eyes, and a gleam of red hair which she tied back at work, though made into braids on Sunday. He couldn’t think she was all that fearful because she made him see, thought no ill of her because in his world she was real and he knew her well, his only fear being that she might become bigger and more immediate than Laura. But that’s another matter, he soothed himself, one between me and my conscience, letting me enjoy whatever secret compensations are available.

      Somewhere she must exist, and could be utterly different to the way he imagined her, but that did not matter, because whatever he made out of the voice was solidifying grist to him. He switched on the tape recorder so that he could play the voice to Laura and ask what she thought of it.

       She was knitting a beige cardigan for the winter, had been on it for weeks, the body and one arm done, halfway through the other. The work settled on her lap. ‘German, isn’t it? Numbers?’

      ‘Yes, but what does it suggest?’

      ‘I can’t say. She’s counting, by the sound of it. I’ve no idea what it can be.’

      Ingrid would smile if she could hear this. ‘You don’t wonder what she looks like?’

      ‘Well, I can’t imagine. Ordinary, I suppose. Plain. Could be middle aged, but you can’t always tell from a voice, can you?’

      He switched the machine off. ‘No, I don’t suppose you can.’ He had done his duty: no secrets between them. No secrets on the airwaves, either, even when items came through in morse. Someone was always listening, so who was the person, or people, writing down the text from the German Numbers Woman? What did her figures mean? Were they weather codes, or spy instructions? ‘There’s no way of finding out,’ he said when she asked.

      ‘Does it bother you?’

      ‘No, but I’d like to know. Two receiving stations can get a cross bearing on the transmitter to find out roughly where it is, but I don’t have the equipment to be one of them. If I knew another shortwave listener we could talk about it, and maybe rig something up.’

      She held the knitting to her chest, and fetched a pattern from the other side of the room, thinking how often an advertisement for the local paper had gone through her mind: ‘Wireless operator, ex-RAF, blind, would like to meet similar with sight to send morse code and talk radio matters. Two hours a week. Terms, if necessary, can be arranged.’

      A hint to Howard that she would put it in showed that he needed all his self control not to be angry. And she couldn’t think why, except that he saw it as a blow to his pride, an assault on his privacy which he prized above all else.

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