grasped the posy firmly, pulled back my arm, and hurled it with a force which lifted me on to the balls of my feet. It shot out of my hand and flew down. I heard the faintest splash, then saw it quickly borne away, spinning gently in the whorls and eddies which studded the surface of the river. In a few hours, I reflected, it would reach the open sea.
‘Your turn now,’ I said.
‘Right,’ declared Amber with a fierce little laugh, ‘I’m going to change my life too!’ She opened her bag, and removed from it a well-thumbed copy of The Rules. She smiled sweetly, ripped it clean in half, then tossed both bits over the side. ‘I’m not interested in “capturing the heart of Mr Right”!’ she yelled. ‘I’m not going to give a damn about being single either!’ she added. At this she took out Bridget Jones’ Diary, and flung it as far as it would go. ‘Bye bye, Bridget Bollocks!’ she called out gaily as it hit the Thames. Then she took out What Men Want. Up that went too, high into the air, then down, down, down. ‘I don’t care what men bloody well want!’ she yelled, to the amusement of a couple passing by. ‘It’s what I want. And I don’t want babies. I don’t even want marriage. But I do want my books to win prizes!’
Ah. That was a tricky one. I tried to think of something tactful.
‘Maybe you’ll get the Romantic Novelists’ Prize,’ I said, with genuine enthusiasm. But Amber gave me a dirty look and I knew that I had blundered.
‘It’s the Booker I was thinking of, actually,’ she said tartly. ‘And the Whitbread, not to mention the Orange Prize for Fiction. Of course, I wouldn’t expect to win all three,’ she added quickly.
‘Of course not, no,’ I replied. ‘Still, there’s a first time for everything,’ I said, with hypocritical encouragement as we walked down the steps to the car.
‘You must understand that my books are literary, Minty,’ she explained to me yet again, as she opened the door. ‘The Romantic Novelists’ Prize is for’ – she winced – ‘commercial books.’
‘I see,’ I said, though I didn’t. Because I’ve never really understood this literary/commercial divide. I mean, to me, either a book is well written, and diverting, or it isn’t. Either it compels your attention, or it doesn’t. Either the public will buy it, or they won’t. And the public don’t seem to buy very many of Amber’s. I wanted to drop the subject because, to be frank, it’s a minefield, but Amber just wouldn’t let it go.
‘I have a very select, discerning readership,’ she acknowledged, ‘because I’m not writing “popular fiction”.’ This was absolutely true. ‘So I accept that I’m never going to be a bestseller,’ she enunciated disdainfully, ‘because I’m not in that kind of market.’
‘But …’ I could hear the ice begin to crack and groan beneath my feet.
‘But what?’ she pressed, as we drove up Eversholt Street.
‘But, well, writers like, say, Julian Barnes and William Boyd, Ian McEwan and Carol Shields …’ I ventured.
‘Yes?’
‘ …Helen Dunmore, Kate Atkinson and E. Annie Proulx.’
‘What about them?’ she said testily, as she changed up a gear.
‘Well, they’re literary writers, aren’t they?’
‘Ye-es,’ she conceded.
‘And their books are often bestsellers.’
Amber looked as though she had suddenly noticed an unpleasant smell.
‘Clearly, Minty,’ she said, as the speedometer touched fifty-five, ‘you know nothing about contemporary fiction. No, I’m really going to go for it,’ she vowed as we hurtled through our third red light. ‘I’m simply determined to break through.’
As for me, I’d decided I was simply determined to survive.
‘Erectile problems? Try – NIAGRA!’ said the cheery pseudo-American voice-over artist as I pushed on the revolving door. I entered the building, flashed a smile and my ID at Tom, then walked slowly up the stairs. London FM’s output poured forth from every speaker; it’s a bit like pollution – hard to avoid. It’s in the reception area, the corridors and the lifts. It’s in the boardroom and the basement canteen. It’s in every single office, and the stationery cupboard. It even seeps into the loos.
‘So remember – NIAGRA! Get out £9.99 and get it UP!’
Delightful, I thought, as I studied my pale reflection in the Ladies on the third floor. And then I thought, oh dear. You see, whenever London FM is going through a bad patch, the ads get worse and worse. In fact, they act as an unofficial barometer for the station’s health, which is not very good right now.
‘Unsightly fat on your upper arms?’ enquired a solicitous female voice. No, I thought as I lifted them up to brush my long, dark hair. ‘Ugly dimples on hips and thighs?’ I gazed at my shrunken middle. Nope. ‘Introducing the new Bum and Tum Slim – THE fast, effective way to lose inches.’ I don’t want to lose any more inches, I thought – I’d lost half a stone in a week.
I glanced at my watch, and a sharp surge of adrenaline began to make my heart race. Nine thirty. No putting it off. I’d have to go in and face them all now. At least then it’d be over with, I thought wearily, as I picked up my bag. The staring. The stifled titters. The sudden silences when I walked by; the giggles by the coffee machine, the furtive conversations by the fax.
Breathing deeply, I walked through the newsroom, passed the sales department and went into the Capitalise office. Mayhem met my eyes. Once again, the cleaners had failed to show. Books and papers spilled across desks; wastepaper bins overflowed. A spaghetti of editing tape lay on the floor, while an upturned cup dripped tea on to the carpet. In one corner a printer spewed out sheets of script which no one bothered to collect. Where was everyone? I wondered. What on earth was going on? Then, from the adjacent boardroom came a shrill, familiar voice, and I realised that the planning meeting had started early. I opened the door and crept in. Good. They were too busy arguing to notice me.
‘CWAP!’ screeched Melinda Mitten, our ‘star’ presenter, and I marvelled yet again at how a woman with a serious speech impediment could have become a professional broadcaster. Actually, there’s a simple explanation for this: a) her uncle owns the station and b) her uncle owns the station. He’s Sir Percy Mitten, the hosiery king. Very big in tights. And his stockings were always said by those who knew to be the ‘denier cri’. But two years ago he sold Pretty Penny for, well, a pretty penny, and decided to buy London FM. Like many a business baron he wanted to move into the media, and owning a radio station had become de rigueur. Once derided as brown-paper-and-Sellotape outfits struggling to survive, commercial radio stations had acquired a certain cachet. In fact, they were the ultimate accessory for the successful industrialist with his eye on a seat in the Lords. And so we turned up for work one day to find we’d been the target of a takeover. Our owners had sold us, like a used car, to the Mitten Group. No one had had a clue. Not even Jack. It was a fait accompli. He’d been informed about it on his mobile phone as he made his way into work. For a while, chaos reigned. No one knew what to expect. Words like ‘rationalisation’ and ‘belt-tightening’ were bandied about like balls. Anyone over
