to start haggling about the price of the two prize heifers.
Wherever she went Katharine Tempest invariably created a flurry of excitement, for there was a magical quality about her, one that evoked the most romantic of images. It was compounded of a variety of ingredients: the spectacular looks that startled with their impact; the innate sense of personal style; the instinctive flair for selecting and wearing with great panache the most eye-catching of clothes, and finally, but by no means the least, the dignity in her bearing. All of these added up to the kind of magnetism that was spellbinding, and so, not unnaturally, attention was centred on her when she entered the Arlington Club. And, as always, she eclipsed everyone present, especially the women, who all paled in comparison.
Katharine did not slavishly follow current fashion trends, except for skirt lengths, and all her clothes reflected a very personal and individualistic taste; they were made by a dressmaker, mostly from Katharine’s own designs. Her choices might have looked outré, even ridiculous, if worn by others, but on her they simply added to the ravishing looks and underscored her appeal. Today she cut quite a swathe in her newest outfit, and more than a few women in the club envied her ability to carry it off with such aplomb. She was wearing a full flared cape, cut like a highwayman’s cloak, and made of the softest wood in the brightest of scarlets. Underneath the cape was a matching skirt, full and gathered at the waist and cinched by a wide black suede belt. Her sweater, made of the finest, silkiest cashmere, was also black, and against this gleamed a heavy gold chain holding a large gold Maltese cross. Black suede boots and a matching bag, plus her white kid gloves, completed the outfit, which was elegant yet youthful and dashing and a dramatic counterpoint to her altogether dramatic looks.
Her thick, dark-chestnut hair, pulled back severely from her face and held firmly in place by a red-velvet hair band, fell almost to her shoulders in a soft page-boy style. After her brisk walk to the club, her usually pale complexion had a tinge of natural colour across the high cheekbones, and the luminous eyes were set off by a touch of turquoise eye shadow so that they looked even larger and more compelling than ever.
Katharine was early for her luncheon date and so she swept up to the small bar adjoining the restaurant and slid onto a stool. Joe, the bartender, raised a hand in greeting and waved from the other end of the bar, where he was serving a customer. Katherine proffered him one of her most dazzling smiles, as always the glittering and vivacious actress in public. Years before she had made her stage debut in the West End in 1955, she had begun to mentally perfect the image she would project when she was a star. This image sprang from her own inner vision of herself, along with her idealized conception of how a star should look and behave. In essence, this was based on the Hollywood screen goddesses of the late ‘thirties and early ‘forties, those legendary ladies who were the embodiment of glamour and allure, with their gorgeous clothes, exquisite grooming and ineffable charm. Although not particularly vain personally, Katharine, nonetheless, consciously set out to create that identical aura of glamour for herself. She did so very simply because she thought it was an essential element in the persona of a star, and therefore professionally desirable, if not, indeed, an imperative.
‘Hello, Joe,’ she said gaily, as the bartender positioned himself in front of her.
‘Top of the morning to you, Miss Tempest.’ After giving her an appreciative glance, he asked, ‘And what’s your pleasure today?’
Katharine wrinkled her nose. ‘I think I’d like one of your special concoctions, Joe, please.’
‘What about a mimosa, Miss Tempest? It seems to me it’s just the thing on this lovely day.’
‘That sounds delicious. Thank you, Joe.’
Joe moved off to mix the drink and Katharine looked around, pulling off her gloves in the process. She nodded to a couple of Fleet Street journalists she knew, who were propping up the bar, and then tucked her gloves in her bag to keep them clean, as she always did. She was glad she had chosen the Arlington Club, commonly known as ‘Joe’s’ after the bartender, who was something of a character and had a large following. It was an intimate and congenial spot, patronized by well-known newspapermen, writers and film people. Also, being located in Arlington Street, directly opposite the Caprice, it was a popular watering hole for stars, directors and producers, who dropped in for a drink either before or after lunch at the Caprice. For all these reasons, Katharine thought it was an excellent place to be seen, and also to observe.
‘Here you are, Miss Tempest,’ said Joe, placing the mimosa before her. ‘And thanks again for the tickets. I loved you in the play. You were right smashing.’
‘Why thank you, Joe. I’m glad you enjoyed it,’ Katharine said.
Joe went to take orders from two new arrivals, whom Katharine knew to be the editor of the Sunday Express and the paper’s show business columnist, John Logan. The latter had interviewed her and written a glowing story, and he was something of a fan, both professionally and personally. She returned their friendly waves and smiles, and then shifted her position slightly on the stool and took a sip of her drink. She reached into her handbag for a cigarette and immediately changed her mind, thinking of her throat.
Katharine worried a great deal about her health, since she had a somewhat delicate constitution, and was particularly prone to chest colds and bronchial attacks. Her throat was no longer sore, but she did not want the condition to recur, especially with the screen test imminent; smoking was hardly conducive to the crystal-clear tones she had perfected so assiduously.
At the age of twenty-one Katharine was already a highly complex young woman, and there was a curious duality in her personality, as Nicholas Latimer suspected. Talented to a point of true brilliance, she nonetheless strove endlessly to perfect her craft in ways not always necessary, and despite her immense belief in herself there were times when she was in need of reassurance about her acting ability. Sweet of nature, she had an understanding heart and great generosity of spirit, and would go to extraordinary lengths to help a friend or colleague. She was loyal, devoted and considerate almost to a fault, and nothing was ever too much trouble for her. Yet cold calculation, self-interest, and a ruthless determination to get her own way at all costs, stamped the reverse side of this otherwise glittering medallion, and she had no qualms about using anyone to suit her own ends.
And now, as she sat at the bar, toying with her drink, her mind turned once again to the material she would use for the test, the words she would say. She knew she had to compel and convince in a way she never had before. Everything depended on that. Damn, she thought, if only Nicholas Latimer hadn’t been so difficult and indifferent, I wouldn’t be facing this problem today. She was wondering what stratagem to use, to get the material adapted, when a voice behind her said, ‘You’re Katharine Tempest, aren’t you?’
Katharine swung her head swiftly, and found herself staring at a heavy-set girl with a florid complexion and the brightest of carrot-red hair. She was a vision, if a somewhat eccentric one, in a suit of violent purple and a small emerald felt hat with a long purple feather. What a strange outfit, Katharine thought, but said, ‘Why, yes, I am.’ A crease puckered her brow. For a moment she was at a loss, and unable to identify the girl. Then she exclaimed. ‘And of course, you’re Estelle Morgan! How are you?’ Katharine extended her hand, smiling warmly. Adept at self-promotion, she was never one to slight a journalist. Even those she considered to be insignificant were treated to a very large and compelling dose of the inimitable Tempest charm, since they might be important one day and therefore useful.
The carrot-haired girl took hold of Katharine’s hand and squeezed it tightly, grinning with delight. ‘I’m feeling pretty dandy. And how
