that?”
“No. I just felt it. I shouldn’t say anything about it. I don’t have any right to. But I care about you. And Livy is just trying to keep you from hurting her father.”
“She hasn’t asked me to do anything like that. You don’t really know her. In some ways she hates her father.”
“Some ways. But not all.” Caitlin’s eyes hold wisdom far beyond her years. “And she’s too smart to be overt. Maybe she just wants to distract you. Maybe she doesn’t even admit her real motives to herself. But that’s what she’s doing. Protecting her father.”
“Message received, okay?”
“May I ask one more question?”
“All right.”
“Did your wife like her?”
A hollow feeling spreads from the pit of my stomach. “No.”
Caitlin looks away as though embarrassed by forcing me to admit this. I am about to speak when she grabs the video camera, zooms in on the office door, and begins recording.
“What is it?”
“The object of your obsession is parking in front of her father’s office.”
Peering through the rain, I see a silver Lincoln Town Car parked in front of Marston, Sims. A woman with shoulder-length hair sits behind the wheel. She could be Livy, but I’m not sure. Until she gets out. She walks briskly through the rain to the mahogany door, her regal carriage as distinctive as a fingerprint.
After Livy unlocks the door, Leo’s huge frame emerges from the passenger door of the Town Car, his close-cropped hair gleaming silver under the light of the street lamp.
“What the hell are they doing?” Caitlin whispers.
“Let’s wait and see.”
Livy holds the door open for Leo, scanning the dark street as she waits. I want to believe the best of her, but even from this distance her eyes look full of purpose. She lays a hand on Leo’s shoulder as he passes through the door, then takes one more look up the street, seeing us but not seeing. I am suddenly back in the motel room last night, being led through a carnal labyrinth with Livy as my guide, dissolving and reforming inside her until I lay inert, my mouth dry as sand, my skin too sore to touch—
“Shit,” Caitlin hisses. “We can’t see anything now. We should call Judge Franklin.”
“Calm down. They could be doing legitimate work. Preparing his case. Livy is an attorney, you know.”
“I’ll bet they’re shredding the files you asked for right this minute.”
“Let’s just sit tight, okay? See what happens.”
The seconds pass in tense silence, with Caitlin tapping the door the entire time. My walkie-talkie crackles from the edge of Caitlin’s seat.
“I’ve got lights in the building,” Kelly says.
“We’ve got visitors. We’re not sure what they’re up to. Just stay put.”
“I’m here if you need me.”
Suddenly the mahogany door opens, and Leo backs out of the alcove with two large file boxes in his arms.
“Would you look at that?” Caitlin breathes. “The son of a bitch is guilty.”
“Is the time-date stamp working?”
“I think so. It’s displayed in the viewfinder.”
As Leo loads his boxes into the backseat of the Town Car, Livy emerges from the office carrying another one.
“She’s helping him!” Caitlin cries. “You’ve got to call the judge.”
“We don’t know what’s in the boxes. They could be using those records to prepare Leo’s case.”
She shakes her head with manic exasperation as Leo returns with another box. Livy soon does the same, and one more trip by Leo makes six. Livy locks the door behind them.
Caitlin takes her cell phone from the holster on her belt and shoves it at me. I push it back at her.
“No. Let’s see where they’re going first.”
“Jesus. She’s got you wrapped around her little finger.”
“Enough!”
I start the car and wait for Livy to pull out.
“What about Kelly?” Caitlin asks.
I pick up the walkie-talkie and press Send. “I’m following Livy Marston, Kelly. You keep watching the back. I’ll call if I need you.” I drop the radio on the floor and glance at Caitlin. “Less for them to notice.”
I stay several car lengths behind the Town Car, but I needn’t have worried. Livy drives straight to Tuscany. The mansion is set far back from the road, with eight acres of trees shielding it from sight and sound of passing traffic. A motorized gate closes after the Lincoln passes through, leaving us locked outside.
Livy jumps out of the car even before I’ve stopped, video camera in hand. I shut off the engine and follow her, which requires some fast footwork, as she has already scaled the gate and run on by the time I reach it. My feet crunch on the wet pea gravel as I race after her up the long, curving drive.
Tuscany was built in 1850 by a retired English general who imported the Italianate craze to Natchez from London. Three stories tall, the mansion is a splendor of northern Italian design, with an entrance tower, front and side galleries, marble corner quoins, huge roundheaded windows with marble hood moldings, and balustrade balconies on the second floor. Yet despite its grandeur, the overall effect of this transplanted villa is surprisingly tasteful.
The great door of the mansion closes just as Caitlin and I come within sight of it. From where we stand—beneath a dripping oak with a trunk as thick as ten men—Tuscany looks like an epic film set, floodlit, surrounded by trimmed hedges, azaleas, moss-hung Southern hardwoods, and luxurious magnolias. The broad, waxy leaves of the magnolias glisten with beads of rainwater.
“Do you know your way around the house?” Caitlin whispers.
“I used to.”
“I’ll bet. Come on.”
She starts toward the house in a running crouch. Soon our faces are pressed to the panes of a ten-foot-tall window, with spiky hedges pricking our backs. The window glass is more than a century old, full of waves and imperfections, but Caitlin is videotaping through it anyway. Through the distorting medium I see Leo Marston standing before an enormous marble fireplace. Above the fireplace is a portrait of Livy as a teenager, or perhaps Maude. Leo bends, obscuring part of the fireplace, then straightens up and puts his hands on his hips. Beyond his knees, yellow flames billow up from a gas jet.
“He’s building a fire,” Caitlin says in a tone of disbelief. “It’s seventy-five degrees and he’s building
