3-Book Victorian Crime Collection: Death at Dawn, Death of a Dancer, A Corpse in Shining Armour. Caro Peacock
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‘May I see him, please?’
She led the way inside, still purring ‘Pauvre petite, oh pauvre petite.’ Her husband in his cloud of pipe smoke fell in behind us. There were flies buzzing around the low ceiling and a smell of vinegar. The evening sun came in through the slats of the shutters, making bars of red on the whitewashed wall. Three rough pinewood tables took up most of the space in the room but only one of them was occupied by a shape covered in a yellowish sheet. The woman put her arm round me and signed to the man to pull the sheet back. I knew almost before I saw his face. I suppose I made some noise or movement because the man started pulling the sheet back over again. I signed to him to leave it where it was.
‘Your father?’
‘Yes. Please …’
He hesitated, then, when I nodded, reluctantly pulled the sheet further down. They’d put my father in a white cotton shroud with his hands crossed on his chest. I took a step forward and untied the strings at the neck of the shroud. The woman pulled at my arm and tried to stop me. Trust your own eyes and ears, he’d said. Never let anybody persuade you against them. He’d been talking at the time about the question dividing some of his naturalist friends as to whether squirrels were completely hibernatory, standing in some beechwoods with Tom and me on a bright January day. I tried to keep the sound of his voice in my head as I lifted up his right hand, cold and heavy in mine. I pulled the shroud aside with my other hand and looked at the round hole the pistol ball had made in his chest, right over the heart, and the livid scorch-marks on his skin surrounding it. No blood. They’d have sponged his body before they put it in the shroud. That probably accounted for the vinegar smell. It would have been done by the same plump, liver-spotted hand that was now pulling at my arm, trying to make me come away. The thought of that hand moving over him made me feel sick. I pulled the shroud up, crossed his right hand back over his left and watched while they covered him up again.
‘His clothes?’ I asked.
She looked annoyed and left us, wooden clogs clacking over the cobbles. The flies buzzed and circled. After a minute or two she was back with an armful of white linen, streaked with rusty stains. Breeches, stockings, a shirt. On the left breast of the shirt was a small round hole. I bent over it and smelled, through the iron tang of blood, a whiff of scorched linen and black powder. I think the woman imagined I was kissing it, holding it so close, because her arm came round me, sympathetic again. The man was repeating some question insistently.
‘You will need an English priest?’
‘I don’t think … Oh, I see. For the burial. Yes.’
He produced a dog-eared calling card from his pocket. I heaped the linen back into the woman’s arms and took the card. She’d tried to be kind to me so as I left I slid some coins from my bag into the pocket of her apron. It struck me as I walked away that they were English coins and of no use to her, but then in Calais she could find somebody to change them. It came to me too that she hadn’t shown me his outer clothes, shoes, hat or jacket. One of the perquisites of her job, probably. Some lumpish son or cousin of hers might be wearing them even now. There should have been rings as well. I made myself picture the crossed hands against the shroud. They’d let him keep the narrow silver ring on his left hand that he wore in memory of my mother. He usually wore a gold one with a curious design on his right, but I was certain that the hand I’d held had been bare. The thought of somebody else wearing his ring made me so angry that I almost turned back. But that was not sensible, and I must at all costs be sensible. I walked by the sea for a long time, watching the sun go down. Then I found a pile of fishing nets heaped in a shed, curled myself up in them and alternately slept and shivered through the few hours of a June night. In the shivering intervals, every word of the note that had jolted my world out of its orbit came back to me.
Miss Lane,
You do not know me, but I take the liberty of addressing you with distressing news. Your father, Thomas Jacques Lane, was killed this Saturday, seventeenth June, in a duel at Calais …
Everybody knows the place in Calais where gentlemen go to fight duels, the long stretch of beach with the sand-hills behind. People point it out to each other from the deck of the steam packet. By the time the first grey light came in through the doorway of the fisherman’s hut I knew that the one thing I wanted to do was follow the route my father would have taken three days before, at much this time of the morning. I unwrapped myself from the nets, brushed dry fish scales from my dress and walked along the harbour front, past shuttered houses and rows of tied-up fishing boats. Eventually the cobbled road runs out in a litter of nets and crab pots, just above the fringe of bladder wrack and driftwood that marks high tide line. They would have left their carriage there.
No carriage this morning, nothing but a fisherman’s cart made of old planks, bleached silver by the wind and sea, with shafts just wide enough for a donkey. No pony, even the most ill-used one, could be so thin. The owner of the cart probably lived in one of the little row of hovels built of rocks and ships’ timbers, so tilted and ramshackle they looked as if some especially high tide had dropped them. The windows were closed with warped wooden shutters. There was nobody looking out of them so early in the morning, not even a fisherman’s wife watching for her husband. In any case, a fisherman’s wife would know there was no use looking out for boats with the tide so very low, almost at its lowest, the silver strip of sea hardly visible across the wide sands. Would it have been so low at first light three days ago? I thought I must buy or borrow an almanack when I go back into the town. It might be of some importance to know. Anything might be of some importance, it was simply a matter of knowing what.
Later, I’d come back and try to talk to the fishermen’s wives. It’s easier, usually, to talk to women than to men.
‘I am sorry for disturbing you, madame, but can you recall a carriage drawing up there where the road runs out, three mornings ago? Just as it was getting light, it would have been, or even while it was still dark.’
They might quite easily have arrived in the dark, perhaps waited in the carriage until that first strange, flat light that comes before sunrise, when they could see to walk along the beach. I’m sure if he had met a fisherman’s wife that morning, he’d have raised his hat and wished her good day. But almost certainly he did not meet her, the morning being so early. And even if she had met him or seen the carriage standing there, I don’t suppose for one moment she’d tell me. The men and women who live in that ruckle of cottages must be used to seeing carriages drive up in the early morning, dark silhouettes of gentlemen against the pale dawn sky walking across the sands, but I’m sure they don’t talk about them to strangers. These gentlemen and their purposes have nothing to do with the fishermen’s world, any more than if they’d come down from the moon, and the fishermen will know there is no good in what’s happening, nothing but harm and blame. So I should ask, but nobody would tell me. It was simply one of those things which must be done.
Now that I considered, there should have been two carriages, not one. But then, he might not have come by carriage. It was only a short walk out here from the town and he was never one for taking a carriage when he could go on foot. He might have slipped out of the side door of an inn while it was still dark, the horses asleep in their stalls, only the dull glow of a fire through the kitchen window, where some poor skivvy was starting to poke up the fire for coffee. I dare say he’d have liked a cup of coffee, only he couldn’t wait. So he might have walked here and seen the other carriage drawn up already and gone on without pausing over the