I have over twenty bucks in nickels; my hands are full, my pockets bulging. I keep giving handfuls to Billy so he can lose them. I want to get the hell out. Something in me doesn’t want to win; I don’t want to take any of those nickels with me.
But it takes an hour of hard work before we finally do it. We’d be down to ten nickels and I’d hit another jackpot. Bells would ring and girls dressed like twirlers would come over to help me! Thank God, Billy’s having such awful luck or we’d still be there, pumping machines with bloody hands while slots spat nickels.
We go out in the heat and drive on, looking for something to eat. We both want a Mexican restaurant for our last Western tacos, but settle on a place called Pizza Hut. We go in; more air conditioning; checkered tablecloths. We split a pitcher of beer and have a pizza each. I’m beginning to feel I just might, at last, be getting away; going home.
It’s past three in the afternoon when we roll again. We’re pushing to make Zion. I know a good motel there, right at the opening to the park. But I make a mistake between Zion and Bryce. We drive through my place and it’s eleven o’clock before we get to Bryce. There are no restaurants open and we can’t find a motel. I’ve really screwed us up royally but Billy isn’t complaining; not out loud, anyway.
Finally, we find a small bar, just closing up. The counterman makes us pork sandwiches with mayonnaise. He serves us a beer each. This guy also phones some cabins in Bryce and there’s room. One of the great things about traveling is you find out how many good, kind people there are.
We drive up into a wooded area, right in the park; the cabins cost fourteen dollars a night. I take a shower, hoping it will calm me. I’m jittery, nervous. I have some Seconal but I won’t use it if I don’t need to. I have Valium, too. I’ve gotten to be quite the pill freak from this whole experience. I’d never taken a tranquilizer or sleeping pill in my life before.
I lie back and decide to give myself an hour. If I’m not asleep by then, I’ll do something. That’s the last thought I have.
It was just after New Year’s Day and we were down at the moulin for Christmas vacation.
The moulin is an old water mill we bought ten years ago and fixed up. It’s in an area of France called the Morvan. We spend most summers and other school holidays there.
We were having unusually warm weather for winter in that part of the country, so I’m out painting. I’m wearing three pairs of socks and gloves but it’s good painting light. There’s something special about painting landscape in the cold when it isn’t snowing. The colors are toned down, muted, and the forms are much more visible.
I’m on the road out to the woods where Billy built his cabin. There are beautiful views from there toward our village, with rolling hills behind. There’s a pair of tall poplars closing the left side and a spreading linden leaning over a road twisting under on the right. I’m doing a horizontal composition on a size 25 Figure, about two feet by three feet.
The weather’s warm enough so the paint doesn’t thicken but I’ve turned cold, so I’m packing my way in for some vin chaud. I have the box on my back with the canvas strapped to it. I’m lazing along, pretending I’m walking into my own painting, when I see Jacky, our youngest, running up the road toward me. He has a blue paper in his hand.
I recognize it, even at a distance, as a French telegram. They write them in longhand so they’re almost impossible to understand. I’m old-fashioned enough so a telegram starts my adrenaline going, especially in this deep country. I’m feeling open, vulnerable, there’s nothing to prepare me.
I put down my box. Jacky’s wearing boots and a jacket with a hood. He ran out without buttoning his jacket.
‘Daddy! Mommy said, “Give this to Daddy.”’
He hands me the telegram. I hug him and button his jacket. I really don’t want to open the damned thing.
Jacky doesn’t ask to look at the painting. None of our kids are interested in my work. It’s as if I work for IBM. It’s what Daddy does. He puts a wooden box on his back, goes out and paints pictures for money.
I pick up my box and we begin moving toward home. The ground’s hard but there’s no ice. I open up the telegram; it’s from my sister.
MOTHER HAD A SERIOUS HEART ATTACK
STOP CAN YOU COME STOP LOVE JOAN
Well, that shakes me. In her special way, my mother has always seemed so indestructible.
When we get back to the mill, I show the telegram to Vron. I sit down but I’m not hungry. It’s obvious I must go back. Joan is not a panic type. If she says it’s serious, it is.
With Vron’s help, I start packing. She’s so calm, so reassuring; definitely the cool head in our menage. I’m still not believing what I’m doing. I’m going to be leaving all this quiet beauty. Within a day I’ll be in Los Angeles, in Palms, on the dead-end street where my parents live. I try to be calm, try not to frighten Jacky. I tell him his grandmother’s sick and I must go see her. It’s hard for an eight-year-old to comprehend what it means. He has no idea how long I’ll be gone; neither do I, for that matter.
Vron drives me to the train for Paris and I catch an Air France flight direct to L.A. Eight hundred and fifty dollars for a twenty-one-to-forty-five-day excursion ticket. Excursion, hell! But it’s significantly cheaper than a regular ticket.
I’ve telegraphed from Paris, giving my flight number, so when I step out of the plane, Joan and her husband, Mario, are there.
We pile my things into their VW camper. Joan and Mario always drive either a camper or a station wagon; they have five kids. We’re pulling up onto Sepulveda when Joan starts telling me what’s happened.
She came over to see Dad and Mom but they weren’t home. She took the opportunity to vacuum and wash some windows. Then she began to worry. They’re probably shopping, they don’t go much of anywhere these days; but it shouldn’t be taking so long.
She drives over and finds them in the shopping mall. Mother is sitting on a bench next to the Lucky Market, white-faced. Dad, not knowing what to do, not believing what’s happening, is packing and unpacking groceries in the trunk of the car.
Joan’s frightened by the way Mom looks. She drives them home in their car, leaving hers in the parking lot. At the house, she tells Dad to put the groceries away and rushes Mom off to the Perpetual Hospital. Mother doesn’t want to go. She’s a hypochondriac who likes doctors but doesn’t like hospitals.
At the hospital they spot immediately she’s having a coronary crisis. They rush her into an intensive care unit and plug her onto monitoring systems, IV, oxygen; give her tranquilizers, blood thinners.
On that first night in the hospital, she’d had the big coronary. If you must have a coronary, an intensive care unit is a good place for it. They tell Joan it was massive and if she’d had it outside the hospital, she’d never have survived. The final tests aren’t all in, but they’re sure she’s lost a significant part of her lower left ventricle.
Well, she isn’t dead, but it doesn’t sound good.
We go directly
