Earthquake. Aprilynne Pike
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He gives me a very small smile and slips his hand into mine as we follow the team of doctors down a ramp and out of the helicopter, leaving the rest of the crew behind. I take a moment to covertly glance around at the huge but dim space, surrounded by the other helicopters I saw from the air, all quiet and still along the perimeter of what looks like an enormous landing pad. The area is hexagonal, and a bunch of bright lines are painted on the floor. Tools line two of the six sides, and the next wall over is covered by some kind of radar-looking thing, with ropes and other supplies mounted on the fourth.
A huge feather and flame symbol is painted across the entire fifth wall, and my stomach twists at the similarity to the Reduciata symbol in the prison we were just in.
We’re not exactly prisoners here—at least I don’t think so. They’re letting us walk together without our hands tied or any weapons pointed at us, but still, I don’t feel free.
In the center of the sixth side is a set of gray double doors that look thick and soundproof. A woman in the lead—not one from the helicopter, a new one who was waiting for us when we landed—stops and turns, her eyes seeking me out. “When we walk through those doors you will enter the headquarters of the Curatoria. It’s a privilege we never allow Earthbounds who have not sworn themselves to our cause.” I’m about to tell her that I have no intention of swearing anything to anyone when she continues, “But you two will be an exception.” She eyes us both carefully, her attention lingering on me. It’s clear that she’s not a fan of this idea. “While you’re here,” she adds, “we ask that you remain entirely peaceful, that you don’t interfere with our work, and”—she hesitates—“that you have no communication with the outside world whatsoever.”
Like I have anyone to communicate with. My parents, Sammi, Mark, Elizabeth—all dead.
Benson … good as dead.
And Logan, but he’s here with me now. I feel a shiver of pleasure ripple down my spine at that thought and squeeze his hand.
I fix my gaze on the stern-looking woman and ask, “Why?”
“For our safety. It’s not something we ask of our sworn members. But we have extra restrictions on you.”
“Why let me in at all then?”
“Because Daniel wants to see you.”
Every cell in my body freezes at the name.
Daniel: the leader of the Curatoria. He’s here.
Not merely here, expecting me.
I don’t know whether I just became exponentially safer or more at risk. But I’m pretty sure it’s one or the other.
I shoot Logan what I hope is a meaningful glance, but he obviously doesn’t understand any of this. Regardless, we’re led into a space that feels more … domestic, for lack of a better word. Once the doors close behind us, the noise of the helicopter engine, the slowing blades, the crew shouting instructions to each other are all gone. I hadn’t realized until now how loud they were. Now, even the noise of our footsteps is muffled by thick, soft carpet that feels absolutely luxurious on my tired feet.
I take a few quick steps to follow the still-nameless woman as she heads down a dimly lit, long hallway that reminds me of one from a hotel, albeit a nicer hotel than the type I’ve been staying at lately. Doors line each side, and pretty little tables abut the walls, which themselves are covered in pleasant—if generic—pastel paintings. I glance back and see that everyone else has peeled off and disappeared, and part of me wishes Audra were still here. Although I only just met her, she seemed to genuinely care about our well-being.
The woman before us evidently does not, however. “It won’t be today that you meet him, of course,” she says without turning to face us, and I have to strain my ears to hear. “He wants you to rest. To sleep. We reported the condition you were held under for the last three days—”
“Three days?”
“Thursday,” she responds automatically, not missing a beat. “As I was saying, Daniel insisted you be fed and rested before he meets with you.” The tone of her voice tells me just how ridiculous she finds all of this. “Now, we’ll house you here—where all of our Earthbounds-in-Residence live—and you can simply pick up the phone if you need anything.” She pauses, then sneers, “Daniel has ordered us to be at your service.”
“Really?” Logan pipes up. “Why would he—”
“This is you,” she says, cutting him off. She raps sharply on a door with a silver number seven on it and then hands us each a key. “We have duplicates,” she warns, and I wonder just where the hell she thinks we might go. What we might do in this classy, but nonetheless clearly fortified, underground fortress. One of us powerless, the other with abilities that last for five minutes. Maybe we could rip those sconces from the wall and stage an incredible escape. Right.
I mumble a quiet thank you, not wanting to get even more on this woman’s bad side. Logan says nothing, just pockets his key and squeezes my hand.
“Daniel left you a gift on the table,” she says as she pushes the door open, which swings silently on well-oiled hinges. “He says you’ll know what to do with it.”
Curiouser and curiouser, I think wryly. But I’m anxious to get out of this woman’s sight and be able to talk to Logan without overly attentive eavesdroppers. “We’ll be fine,” I say aloud.
“Food,” Logan blurts, then looks at me apologetically. “I’m starving.”
The truth is I am too, so I can hardly blame him. The dried fruit only went so far in making up for three days with only one meal.
“I’ll have something sent up.” She looks Logan up and down and adds, “Something substantial,” in a tone that makes me want to smack her.
Whatever. As soon as she’s through the doorway I close it behind her, just inches shy of knocking her over. “Finally,” I say, my back to the door.
We’re in a very large room that seems to be part kitchenette, part bedroom. Like a studio apartment, really, with a sitting room around the corner on one side and what looks like a doorway to the bathroom on the left.
Logan is standing a few feet from an elegantly made king-size bed, and he runs his fingers through his hair awkwardly. Trusting me, even holding my hand, is one thing; being shoved into a bedroom with only one bed after being told to “get some rest” is another.
I look away, giving him a few seconds to get his bearings, scoping out the room instead. The hallway was elegant and nice, but this room is a completely different kind of elegance. It’s sparse and a bit artsy, with silver and black trim on pretty much everything. In place of paintings, black and white photos of buildings and cityscapes dot the walls. Here and there a touch of maroon breaks up the color palette: a throw on the back of a plushy chair, a vase that stands empty on a high shelf, one pillow in a pile of several on the bed.
I remember the woman’s cryptic comment about a gift from Daniel and look around for the