A Small Dog Saved My Life. Bel Mooney

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Music Festival and worked tirelessly to promote it. It was he who had taken me to my first big classical concert at the Festival Hall in 1968, although in my late teens I did begin a small collection of budget classical LPs. When we met he was rather entertained that I could be so admiring of his piano playing, since I knew so little about technique. When I was 30 a friend took me for the first time to the Royal Opera House, Covent Garden, and my tears at the end of La Bohème began a craze for opera which took me to some of the great opera houses of the world and led me to study the famous Kobbé guide so that I knew all the stories. Yet by 2003 I had grown tired of the form, and returned to jazz and blues as my cooking music of choice, as well as classic pop tracks (‘Leader of the Pack’ etc.), cajun, country, not to mention urban grooves like Fishbelly Black. Our musical tastes had slightly diverged, although we shared a love of chamber music.

      I remain unsure of exactly how it came about but this is what I know. Just after our anniversary J had been asked to interview Susan Chilcott where she lived, in a village called Blagdon, not far from Bath and Bristol. The article was to appear in the local evening paper, its purpose to promote the long-established Mid-Somerset Festival, invaluable for its encouragement of young performers each March. Later it was to amaze people that somebody as well known as J should agree to write for a local paper; at the time I hardly knew this was happening because I was planning a trip to Milwaukee as well as starting work on a public lecture at Bath University on the subject of pornography. Still, had it registered on my radar I would have attributed it to his good will. And I do know for certain that there was nothing suspicious about the meeting – on one level. Yet they had liked each other enormously at that dinner party four months before, and she told a mutual friend (I heard later) that she was excited to see him again.

      In her case, I should probably have felt the same. Over the years she must have sat next to any number of self-centred men at dinner – you know the ones – who never ask a question yet, puffed up with needy masculine ego, assume you will uncover every achievement and interest in their lives. Sitting next to J she would have dazzled but been enchanted too, since he, the consummate interviewer, would always be sure to find out what made the most humble person tick, let alone a beautiful soprano.

      He went to Blagdon that day.

      They fell in love.

      How can I know what happened? The novelist in me could write the scene and invest it with heady tension. But I never asked how it all came about, and speculation is irrelevant. What’s more, in the days following I noticed no change. Our life was hurtling on in its normal way, and I had no inkling of any undercurrent tugging my husband into deeper water. But just as one reads a novel, listens to music or looks at a great painting differently once you know the circumstances of its composition or future, so it is impossible to look back without seeing clouds mass over our farm, our life.

      So now I see everything we did after 23 February in the light of what was to come. Evenings with friends in London during which we argued about Iraq; me interviewing Ben Okri at the Bath Literature Festival; our children visiting for weekends to tell us how their jobs were progressing; one special evening when J and I ate caviar (a gift from a friend), blinis and sour cream helped down by shots of bison grass vodka, followed by pot-roasted pheasant and mashed potato with good red wine and then home-made rhubarb crumble and my own ice cream – all by candlelight in front of a crackling dining-room fire. Good times, all – yet now overshadowed.

      My own days were made gloomy by work on my lecture for Bath University. Despite the laisse-faire attitude of so many of my peers, my attitude to pornography and the insidious ‘pornogrification’ of society – a subject I’d visited often in journalism – has remained constant over the years: I detested it for reasons that went beyond feminism and perhaps might be called humanist. And now the cruel hydra of internet porn is indestructible. I investigated, read – and became depressed. The dark world I uncovered revolted me even more than I expected. With hindsight it was a mistake to take it on; the task made me withdrawn, and perhaps less observant of what was going on in J’s life than I might otherwise have been. A diary entry is very telling:

      20 March: The farm is bathed in sunlight but I proceeded to make myself miserable by doing a trawl of porn sites to see what can be accessed freely and easily. It was far, far worse than expected and as I went on I became so overwhelmed by the scale of the horror that my mouth was dry – and at one point I had to walk out into the garden for air. The birds were singing, the crocuses pale gold in sunlight, and sweet little Bonnie rushed about at my feet – all white, all innocence. Yet not even she could make me feel better. That other world was ‘in’ my computer, ‘in’ the very air that I had breathed in my study. I felt polluted. Everything spoiled by it. The violence, the hatred against women defies description. This wretched lecture is a terrible black burden pressing down on me.

      Meanwhile J was spending much time in London making extra programmes about the war in Iraq and besides writing the lecture I was planning a trip to Kenya for the charity Plan International, to visit my sponsored child and write about the trip for the London Evening Standard. I was also unwell; not in pain but afflicted by inconvenient female problems which grew worse and worse. And amidst the repetitive exhaustion of my diary I see one entry, laden now with irony. I went to visit a friend who had recently moved to Bath and wrote: ‘What would it be like to be middle aged and alone, your husband having departed? I should realize, perhaps, just how lucky I am.’

      Two months later, I was in the Bath Clinic. My womb had gone, but my room was full of flowers. When the anaesthetist came to see me he admired them and I said, ‘Yes, I’m lucky.’ He was tall, middle-aged, South African. He smiled and said, ‘You make your luck.’

      In the silence after his departure I wondered if that was true. I had just learned that my husband was in love with somebody else – and yet that was not the worst thing. During the previous weeks he had seemed so weighed down. It was inevitable that he would have to share it with me – because, after all, we shared almost everything. When, after many years, a married couple become linked symbiotically, they may perhaps live as brother-sisterly best friends and soulmates rather than lovers, yet know what the other is thinking, before the thought has formed. As Judith Thurman puts it (writing about Colette), ‘A marriage may be sustained by a deep complicity between two spouses, long after the extinction of desire.’ You are attuned to nuances of mood – unless, that is, you allow work and other preoccupations to blind you. The lecture given, the programmes completed, everything else laid aside because of my physical health and the urgency of the hysterectomy, I became aware again, woke up to the real world. And the horizons all around our home filled with his unhappiness.

      Dates and details do not matter. The simple truth was this: J and Susan Chilcott had fallen passionately in love, but their affair was not to last long – as such. For only about three months later she discovered that the breast cancer for which she had been treated two years earlier had returned, spread to her liver and would not let her live. The beautiful woman of 40, at the very height of her powers (although perhaps not, since opera singers grow in maturity), with a four-year-old son whom she adored and called the light of her life, had been given her sentence. She could expect perhaps another three months. I lay in my room at the clinic, minus my womb, looking at my flowers, full of sorrow for her, brooding hopelessly on the pitiless inevitability of it. Like J, I wondered how people could believe there is a god.

      Morphine-induced imaginings chill the soul. I had a dream in that scented room. I am a woman who has lost many children, yet I am outside her, looking on. She goes with my husband to visit a certain church, running through the flowery graveyard as if for refuge. She is drawn to ascend the winding stair into the gallery and her husband follows. Up there is an elaborate monument, covered with dust and spider webs. It is black and grey marble, with skulls beneath. She is looking up and sees that the names of the dead on the tomb are those of her own children, and as she stares in disbelief something is rearing up, a carved figure come to life, arms stretching out towards her. And she is plucked, carried up into the air, then hurled

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