this morning, preoccupied as she was with her brother’s well-being, her speculation about the future revolved solely around him. She picked up her pen and began the letter. When it was finished she sealed it quickly, addressed the envelope and found an airmail stamp in the desk drawer. There, it was done! She leaned back in the chair and regarded the letter propped up against a malachite bookend. It was articulate and persuasive and so lovingly couched, Kim would be unable to reject her invitation, of that she was absolutely convinced. She thought then of the postscript at the end of his letter, and she made a solemn vow to herself: 1979 was going to be a better year for him, no matter what was entailed or what she had to do to ensure this outcome.
Francesca pushed back the chair, filled with a sense of purpose and renewed energy. She smiled happily to herself as she hurried upstairs to change her clothes and refresh her make-up, in readiness for the day’s appointments. Kim would come to New York and she would help him to recover from his hurt and pain and melancholy. She would help to make him whole again. Everything was going to be all right.
Estelle Morgan was too early for her appointment with Francesca Avery, and as the taxi sped up Madison Avenue she decided to alight a few blocks away from the apartment, and walk the rest of the way. She paid off the cab at Seventy-Fourth Street and Madison and stepped out into the crisp afternoon air. It had stopped snowing at lunch time, and a watery sun was trying to penetrate the bloated etiolated clouds with scant success.
As she turned onto Fifth Avenue and approached the palatial and imposing building where the Averys lived, a self-congratulatory smile slipped onto her face, giving her a smug look. How right she had been to wear her mink coat. The doormen of these apartment buildings where the very rich lived were invariably snootier than their privileged inhabitants, and she wasn’t going to have even one of them look her over with disdain and treat her dismissively.
Estelle had hesitated about the coat at first, because it was snowing hard at eight o’clock and she did not want to get it wet. But it looked far better than her raincoat, and so she decided to take a cab to the office. It had been a worthwhile investment. The coat made her feel chic and bolstered her self-confidence. It was her pride and joy really. To complete the outfit Estelle had chosen a red dress, black patent knee-high boots and a large black patent shoulder bag, a copy of a famous Italian design. Earlier that morning as she had surveyed herself in the mirror, she had nodded at her reflection with complete gratification. She thought she was the epitome of a glamorous, successful international journalist. Sadly, Estelle Morgan did not think very deeply about anything, and so it never occurred to her that an outfit could not transform her into all the things she believed herself to be.
She glanced at her watch as she waited for the traffic lights to change at Seventy-Ninth Street. It was a few seconds to four, but she was almost there and would arrive exactly on time. Punctuality was not one of her strong suits, but she recalled that Francesca Avery, the cold bitch, was a stickler about time and, not wanting to start off on the wrong foot, she had made a concerted effort not to be late. After giving her name and being announced, she was permitted to enter the grandiose building at Eighty-First Street.
She was greeted at the Avery apartment by a middle-aged woman in black, undoubtedly the housekeeper, who asked for her coat, laid it carefully over a chair, and then ushered her across the hall. Estelle had been to many elegant homes during the course of her career, but she had never seen anything quite as impressive as the Avery entrance hall, particularly in New York City. Jesus, it looks as if it’s been transported lock, stock and barrel from Versailles, she thought as she followed the housekeeper in silence, her eyes popping.
After she had shown Estelle into the library, the housekeeper gave her a small cool smile and said, ‘I’ll tell her Ladyship you’re here.’ Estelle murmured her thanks as the housekeeper departed.
She crossed the room to the fire, her boots sinking into the deep silken pile of the antique Chinese carpet. Her eyes flicked around yet again, curiosity glittering in them. They took in the antiques, and moved on to regard the paintings gracing the panelled walls. She was not particularly well informed about art, but Estelle had acquired a smattering of borrowed knowledge about innumerable subjects. And so she was able to recognize at once that these were not merely good copies, nor hardly likely to be in this apartment. They were originals and quite famous enough to identify, masterpieces from the Post-Impressionist period. That’s undoubtedly a Van Gogh on the far wall, she decided, hurrying over to examine it, delighted with her accurate guesswork when she saw the signature. She scrutinized the others with lightning speed. A Seurat. A Cézanne. A Gauguin.
A moment later the door swung open and Francesca Avery was standing there, her eyes sparkling with vitality, a smile on her tranquil face. ‘Estelle!’ she exclaimed, moving forward with grace and elegance, swaying slightly on the precariously high heels that drew attention to her fine ankles and long slender legs.
As she approached the fireplace, Estelle noted that the English-rose complexion was still quite flawless and the burnished amber-blonde hair as silky and luxuriant as it had ever been. Why, she hasn’t changed at all, Estelle commented to herself in astonishment, and with a stab of annoyance.
‘Do forgive me for keeping you waiting,’ Francesca apologized. ‘But here I am. And it’s so nice to see you again.’ She stretched out her hand.
The journalist arranged a pleasant smile on her face and grabbed Francesca’s long cool fingers clumsily. ‘I’ve only been here a few minutes, my dear. I didn’t mind waiting at all. And especially in this lovely room. What marvellous taste you have.’
Francesca extracted her hand, wincing inside. Estelle had always been something of a sycophant and time had apparently not tempered her obsequiousness. Although this was nauseating, she supposed it was harmless enough. Francesca moved away from the fireplace and murmured, ‘How kind of you to say so. Now I think we might be more comfortable over there.’ She indicated the sofa and chairs grouped against the back wall underneath the Gauguin painting of a Tahitian girl. Estelle followed her hostess’s suggestion and bounced over to the seating arrangement. She took her time settling comfortably and then she looked at Francesca, smiled with a fraudulent sweetness and said, ‘And I must say, my dear, it’s lovely to see you too, after such a long time. It seems like centuries.’
‘Not quite that,’ Francesca responded with a dry laugh. ‘About five years. I think the last time we ran into each other was in Monte Carlo, wasn’t it?’
‘Yes, at Grace’s benefit. She’s such a lovely person, and Rainier is quite the charmer. I’m so fond of them both,’ she gushed.
Francesca was astounded at this blatant boasting of friendship with the Grimaldis, knowing it to be utterly false. Estelle was no more on intimate terms with the Prince and Princess of Monaco than she was with the Queen of England. Reluctant to embark on a conversation that could only prove embarrassing to Estelle, she refrained from passing comment, and asked in a brisk tone, ‘Can I offer you something? Tea, coffee or a drink perhaps?’
Disappointment flooded through Estelle, was quickly replaced by aggravation. But she caught herself in time. ‘Tea would be very nice, thank you.’ And then in an effort to conceal her annoyance at being deprived of an opportunity to show off, she went on, ‘With lemon please, and a sweetener if you have it. Must keep my figure, you know.’
‘Of course,’ said Francesca. ‘I’ll go and ask Val to make it, and then we can catch up, and get on with the interview. Please excuse me.’ She hurried to the door, wondering with dismay how she would cope with Estelle for the next hour.
