Crown of Dust. Mary Volmer
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‘Alex?’
A shadow drapes itself across her. She whips around, but it’s only David, squinting up at the crater, down at her hand. He’d come up so silent.
‘What is it you have there?’
David steps closer. Alex backs away a bit, opens her mouth to answer, then looks down at the rock in her hand. She holds the solid mass out to David.
‘Gold?’
Of course, as soon as she says the word gold she begins to doubt, and while David does not deny her statement, he does not confirm it either. He drops to his knees and bows his head as if in prayer, rubbing ore between his fingers. He touches his fingers to his tongue, and his eyes grow round. His eyes track the angle of the ravine from base to skyline.
‘David?’ says Alex, but he’s up now and striding out of the clearing. He looks back once, a gesture she receives as an invitation to follow.
Men attach, like links in a chain, as they weave down the trail. The only sound is the sucking of boots in the mud; even the birds are silent, watching this strange migration. The afternoon sun, magnified and reflected through drops of water beading from tree leaves and rooftops, creates a million shimmering lights dripping to the ground. Alex jogs to keep up with David and ahead of those boots behind her. She’s surprised to find a small knot of men already waiting outside the general store.
‘What in the Sam Hill is going on? Back in ten minutes, you said. What is everyone…?’
Limpy pushes his way through the men. He wipes snot off his nose and moustache with the back of his hand and spits a mass of yellow to the ground at Alex’s feet.
‘David?’ he says.
The crowd contracts, tightening around her like the constricting segments of an earthworm, becoming one animal with eighty eyes. She’s afraid to look and find a fist full of mud. The gold she’s seen came in flakes of colour, or minted coins with heads and letters stamped like epitaphs, or gleaming nuggets filling the pages of the steamship fliers and travel bills. This had been a lump of jagged edges, just the size of her palm, a heavy lustreless stone like any of the hundreds she’d thrown as a child. She looks to David for reassurance, but David’s teeth clamp over his lower lip. His arms are crossed before him.
‘Best just to relax,’ says Micah, even as the vein of his empty socket strains through the skin. He swipes his hands down his apron. ‘Can’t tell by looking.’
‘Hell, I know gold when I see it,’ says Limpy. ‘When I see it, Alex…’ A murmur of agreement ripples through the crowd. She steps back and up the first step of the general store, and every head follows.
‘Now, shit, son, shit. Think this is funny? Think gold is funny business?’ says Micah.
‘Could be all you got is pyrite, make fools of us all,’ says Harry.
‘Wouldn’t want that, would you, Alex?’ says Limpy, his heavy hand on her shoulder. ‘To make fools of us?’
‘Best just to relax,’ Micah says again.
She opens her fingers, slow for the stiffness, expecting something larger, more substantial to match the way she suddenly feels.
Emaline has a drawer full of men’s clothing, shirts mainly, for it’s easier to walk out of a room without your shirt than your trousers. She has moth-eaten flannels with frayed collars and missing and mismatched buttons; silky-white dress shirts with embroidered initials, looking very official and somewhat smug next to blue muslin and tough, weathered buckskin. There are ruffled sleeves and holes in seams and stains in unusual places. Orphans all, which might explain why she can’t bear to throw them out, or even give them away. Lord knows, only a fool keeps more than she needs, but she smiles now as she digs through the musty pile of cloth, looking for one article in particular. Her ears prick and tingle at the sound of gunshots fired skyward. The echo rebounds back and forth between the ravine walls with the sharp unnerving staccato of firecrackers. Somebody gonna be bitten by one angry mosquito if they’re not careful, and she’s in no mood to be plucking bullets from a miner’s ass. She closes the drawer with her hip and holds up a blue calico shirt, remembering the buck-toothed young man she’d taken it from.
He was just off the boat from Italy or Chile or some such place and had tried to slip away without paying. ‘Everyone pays,’ she told him, catching him by the scruff of the neck, ‘even if it is with the shirt off your back.’
She’d laughed as the scrawny little bloke hightailed it down the hall, his backbone sawing holes through his skin. But as the evening wore on and the night howled cold and angry off the bay, she found herself clutching the shirt. Three days later, when the city of San Francisco was coated in a thin sheen of white, Emaline huddled warm by the fire as her stomach churned ice cubes, and resolved that, from now on, she would demand payment first. Of course, there was no way to tell if one of the fifty frozen bodies found the next morning was her Italian, but she’d kept the shirt just the same, carrying it to Sacramento, and now to Motherlode.
She spreads it on her bed, running her hands over the wrinkles. She’d washed it twice, but never managed to get rid of the smell of him. Cloves, was it? He had been chewing on cloves, and his black hair had streaks of brown that matched his eyes. He should be, he would be, too big for the shirt now, with broad shoulders and muscles filling in the wiry sinew of his arms. She shook her head and blew a curl from her face. It will be a relief to get rid of the thing, a redemption of sorts—the only motive she considers as she knocks on Alex’s door. She flings it open to the sickly glow of the candle, half expecting, hoping in fact, to find him in all his newborn glory, skinny as the Italian.
Alex sits fully clothed on the bed. He wrenches himself upright. The boy is skittish, Emaline thinks, but as she becomes accustomed to the dark, her gaze falls upon a solid lump nestled like an egg on the blanket. The Victoria hatches before her, shedding its rough skin and primitive décor for a dreamed-of elegance. She’ll have the downstairs floors redone in smooth milled redwood, stained dark brown to hide whisky spills; replace the make-do bar with a hard oak one, with shelves beneath to keep the good stuff and new shelves on the wall to hold the cheap. She’ll build a proper kitchen, add a cellar and a dining room with a long maple table. A wonder of woodwork. Oak for the doors, sweet cedar for the chairs, ash for the two upholstered settees that will sit by the new stone fireplace. Plush carpeting. Green with red roses and dyed canvas tapestries to cover the plain wooden walls. Glass for all the windows, a mahogany nightstand with a finished ceramic washbasin in every room. A new bed for herself, four-poster, with sheets of pure silk and—Alex snatches the golden lump from the bed and holds it to his chest.
Emaline’s