couples, frequently advanced by the non-Jewish partner as she attempted to get her mind around the idea of letting some nut with a scalpel come after her baby’s little thing.
“But who knows?” I continued. “None of their other parts have to match. They could have different eye color, different hair, different noses, differently shaped heads. One of them could have a fissured tongue or a rudimentary third nipple.” I have a rudimentary third nipple, which was why this particular example occurred to me. “What’s the big deal about the penis? By the time this guy here gets old enough that he starts making a critical study of penises, he probably won’t be seeing his brother’s very often.”
“Yeah,” she said, letting the argument flutter to the ground like a losing lottery ticket.
We had been through all of the standard arguments – hygiene, cancer prevention, psychological fitness, the Zero Mostel tradition – the first time around, with our oldest son, and found that they are all debatable at best, while there is plenty of convincing evidence that sexual pleasure is considerably diminished by the absence of a foreskin. But I never know how to think about that one. It is like in A Princess of Mars, in which we are informed that on the red planet Barsoom they have nine colors in their spectrum and not seven; I have tried and failed many times to imagine those extra Barsoomian colors.
“What?” my wife asked, sensing my abstraction from the matter at hand.
“I was thinking about the Mars books of Edgar Rice Burroughs,” I said glumly.
“Do they feature ritual genital mutilation?”
“Not that I recall.”
The baby popped off the breast, and sighed, and considered one of the anemone wisps of drifting smoke, like the aftermath of a bursting skyrocket, that I imagined his thoughts to resemble. At seven days he gave evidence of a melancholy or even mournful nature. He sighed again, and so I sighed, thinking that we were about to confirm, in the worst possible way, all the lugubrious ideas about the world that he already seemed to have formed. Then he burrowed back in for another go at his mother.
“If it was a girl,” my wife said, “we would never.”
“Never.”
We had been through this, all of this, before. Every time some brave doctor or grown victim spoke out against the ritual mutilation of girls’ labias in certain subcultures, we were duly outraged.
“It’s not one bit less barbaric than what they do over there,” my wife said. “Not one.”
“Agreed.”
“It’s madness. The more I think about it, the more insane it seems.”
I said I thought that was probably true of everything our religion expected us to do, from burying a pot in the ground because one day a meatball accidentally rolled inside of it, to replacing the hair you had shaved off, out of modesty, with a fabulous-looking five-thousand-dollar wig. In fact, I said, most human social behavior probably fit the formula she had just proposed – for example, neckties. But my observation failed to impress or even, it seemed, to register with my wife. She was gazing down at our little boy with the eyes of a betrayer, filled with pity and tears.
“You have to at least promise me,” she said, “that it’s not going to hurt him.”
As with the first time, we had shopped around the mohel market, looking for a guy who used, or would permit us to use, an anesthetic cream. Traditionally, the only painkiller was a drop of sweet wine introduced between the lips on the wine-soaked tip of a cloth, and a lot of mohelim stuck to that way of doing things. Some of them would suggest giving the boy Tylenol an hour beforehand. And then there were those who prescribed a cream such as Emla. The mohel who was coming tomorrow had given us complicated instructions that involved filling a bottle nipple with the Emla well before the procedure, then fitting it right over the penis, having first enlarged the hole in the tip of the nipple to permit the flow of urine. It was reassuring to think of the entire organ being immersed, steeped in numbing unguent, for hours beforehand. But even the absence of pain, if we could assure it, did not really detract from the fundamental brutality of the business.
“It’s not going to hurt,” I told her, though of course, having never immersed my entire penis in anesthetic cream and then subjected it to minor surgery, I had no idea whether it was going to hurt him or not. That was one of the skills you learned as a father fairly early on, and it had roots as ancient as whatever words Abraham had crafted to lure his son Isaac up that mountainside to the high place where he would bare his beloved child’s breast to the heavens, as he had been commanded to do by the almighty asshole or by the god-shaped madness whose voice was rolling like thunder through his brain. It was not the making of a covenant that the rite called Brit Milah commemorated, but the betrayal of one. Because you promised your children, simply by virtue of having them, and thereafter a hundred times a day, that you would shield them, always and with all your might, from harm, from madness, from men with their knives and their bloody ideas. I supposed it was never too soon for them to start learning what a liar you were.
I reached down and stroked the baby’s cheek.
“It’s not going to hurt,” I promised him, and he looked up at me, his gaze solemn and melancholy, without the slightest idea of what lay in store for him in this world but ready – born ready – to believe me.
One night when she was thirteen, my older daughter opened the discussion at dinner with something that had apparently been troubling her: a problem in the interpretation of rock lyrics. Since she saw the film Across the Universe, her interest in the Beatles had intensified, and lately, I had been fielding many such interpretative queries in my capacity as Senior Fellow in Beatle Studies – deciding whether or not, at the end of “Norwegian Wood,” the singer burns down the girl’s house because she makes him sleep in her bathtub; and working hard not to have to explain to my older son, not quite eleven at the time, what delectable treat was signified in Liverpool slang by the phrase “fish and finger pie.” (So tasty that the singer orders four of them!)
“Dad,” my daughter said, “when he goes ‘I get high with a little help from my friends,’ is he talking about getting high high? Or is he just saying that being around his friends makes him feel really, really, like, happy?”
The ten-year-old was at the kitchen counter pouring himself a glass of milk, but in the instant that preceded my reply, without even looking his way, I could feel him training his detectors on me, his array of receiving dishes all swiveling in my direction. Every time somebody fired one up in a movie, the kid looked simultaneously troubled and intrigued by the sight. He is a clear thinker who likes his questions settled, and I had seen him wrestling for some time with the mixed messages our culture puts out about the pleasures and disasters of drug and alcohol use.
“High high,” I said.
My daughter’s cheeks colored as I met her gaze, in embarrassment and in pleasure, too, I thought, as though her insight had been confirmed in a way that gratified her sense of her own sophistication.
I could remember this moment in my own life, when I was exactly her age and had yet to encounter actual marijuana: the sudden consciousness, a flower of preteen lore and hermeneutics, that the lyrics to Beatles songs were salted with and in some cases constructed entirely from sly and overt references to drug use. Not just “Lucy in the Sky
