In Babylon. Marcel Moring
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A clockmaker, even though he travelled about and carried all his wordly possessions in a chest upon his back, was good enough for Rebekka Gans. Her father, Meijer, a dealer in livestock, had also started from scratch. He knew that the Jews in neighbouring countries, and even in some parts of the Lowlands, lived by the grace of the good-naturedness of their local administrators. He had been in the North, where no more than three Jewish families were allowed to live in town, where Jews were only allowed to be butchers, tanners, or peddlers, and were forbidden to build synagogues. The tolerance in this region, and especially in the prosperous West, had made him a wealthy man, but he had never forgotten his own humble beginnings.
That was why, even though Magnus was poor and had no home, Meijer Gans looked at the character of the man who wanted his daughter and not at his position or means. He peered into Magnus’s soul, seeking ambition and a spirit of enterprise. He was pleased with what he found.
The couple were given Salomon Coster’s clock and a dowry in silver when, two months later, they left for West Holland. In Rotterdam, a cousin of Meijer Gans’s who dealt in grain helped them find a house. The widower himself – Rebekka’s mother had died of childbed fever shortly after her birth – remained behind in the East. He would miss his daughter the way a man misses an arm, yet he wished her happiness and good fortune, things that, in his opinion, were best found in the West. Magnus embarked on a new life and, as if to show how much he wanted to be and belong here, he changed his name to Hollander. He knew of no better way to stress his wholehearted devotion to this rich land of luscious grass, creamy milk, and golden yellow cheese.
A son was born, one, whom they named Chaim. He became a clockmaker and met a girl called Zipporah Leib. The son married the Leib girl. They had a son, who was named after Grandfather Meijer and, scarcely three years after his birth, died of galloping consumption. Chaim thought he had provoked the Lord of the Universe by not giving his firstborn son the name he should have had, and so, seven years later, when another son was born, he was called Heijman, the Dutch version of Chaim, which means ‘life.’ The boy was strong and healthy and, like his father, became a clockmaker. He married, as had every other man in the family, late. He took Chava Groen as his wife, and when they were nearly forty she had a son whom they called Heijman. He married Lenah Arends, and from their alliance, too, came one son: Heijman Three. He took Rebecca van Amerongen as his wife, who bore him Heijman Four. The nineteenth century was two years old by then. Heijman Four and his wife, Esther de Jong, had a child at the age of forty-three. It was a son: Heijman Five. This descendant of the house of Hollander, a clockmaker, married young. He was twenty-three when he met Anna Blum and twenty-four, Anna twenty-five, when they knew the joy of offspring: Heijman Six.
The tide of time (Magnus’s words) had driven the Hollanders to the West, to Rotterdam, that boisterously expanding merchant city on the North Sea coast, and there it seemed as if they had finally landed in a peaceful haven. Seven generations of Heijmans (if we count the first, who was called Chaim) grew up there. Magnus and Rebekka lived to see their children’s children, but could sense that the younger generation were ashamed of the family’s humble origins; embarrassed by Magnus’s old work-coat, the wooden chest Rebekka had hung on the wall and the modest trade in matzos, dried fruit and nuts that she and her friend Schoontje ran from a little shop in the Jewish quarter.
‘That’s the way it goes,’ said Magnus, in keeping with the analysis that my grandfather, the last Heijman Hollander, liked to make of The Journey to the West. ‘You start with a stone, a piece of rope and a threadbare coat, and you build a house so your children will have a roof over their heads, a safe place to live, but once they’ve grown, they say: Come, Father, throw away that stone and that rope and that old coat. Everyone wants a house, no one likes to be reminded of all the grief that came before it.’
The last Heijman in the series took Sarah van Vlies to be his bride. He didn’t succeed his father in the clockmaking business, but studied physics instead and eventually became a professor in Leiden. His parents had left him a jewellery shop and renowned repair studio, and enough money to enable him to take his doctoral degree. Heijman became a respected, though not exceptional, physicist. His greatest claim was the development of a standard formula for bridge construction. At a time when physics was becoming increasingly experimental, he was more of an engineer than a researcher, more of a clockmaker than a thinker.
And so, eight generations of the family started by Magnus and Rebekka had been born in Rotterdam. They had lived, prospered, prayed, sung, and died there. They had seen the fishing village grow to become the second merchant city of Holland and ultimately – after the Nieuwe Waterweg had been dug and another Jew – Pincoffs – had founded the Rotterdamse Handelsvereniging and had the harbours built on Feijenoord – the largest harbour in the world. They had prospered, the Hollanders, just as the city had prospered, and, like the city, had set their sights on the West, on all that was modern and new. Together, they had opened themselves to the world, yet felt deeply and firmly rooted in that land of Holland. When, in 1939, the eighth and ninth generations stood on board the ship that was to take them from Rotterdam to New York, their departure was more than the leaving of a place. It was the resumption of the journey, the loss of the place that had allowed them to take root in the world. It was the loss of a place that was just like them, a city that, unlike Amsterdam, had never boasted about her tolerance for the Jews, yet was often more tolerant. Rotterdam had become their heart and they had felt cherished in her arms. Moving on was second nature to the Hollander family, yet for eight generations, from Magnus’s son Chaim to the last Heijman, they had been Rotterdamers, born and bred. They had all but forgot where they began.
1648 was the year Magnus slung his pack on his back, turned round, and left the region where he had been born, raised, and expected to die. Twenty-one years later he arrived in the Lowlands.
‘Twenty-one years to walk from Poland to Holland?’ I once asked him, amazed at the duration of the journey.
‘He lost his way,’ said Uncle Chaim. ‘Didn’t know he was going to Holland. Knew he was headed West. Took a wrong turn.’ ‘I … Things were different then,’ said Magnus.
‘I understand that. But twenty-one years?’
‘Magnus,’ said Uncle Chaim. ‘Dear dear dear … nephew. Worthless boy scout.’
So for twenty-one years Magnus was on his way and what he did in all that time no one really knew. He himself said that he worked a bit here, stayed for a while there, turned South when he thought he was going West. A journey … If you were to try and draw the route, you would end up with a tangle of wool.
Two and a half centuries later, in Rotterdam, my father and mother met.
‘The Lord of the Universe, whether you believe in Him or not,’ was Uncle Herman’s version, ‘decided in 1927, or, God knows, perhaps even from the genesis of creation, to bring together the light and the darkness, and that He would do this in the form of a marriage. That is why – pay attention! – He arranged for your parents to fall into each other’s arms during the fireworks on Midsummer Night. Good fortune, some people would call it, bad luck say those who know better. Others (by that, Uncle Herman was referring to himself) call it a disaster. He came from a family of clockmakers and physicists, she was old money. He was a promising engineer, she, a young lady who had life figured out long before life understood her. He lived in the shadow of his father, your grandfather, who placed physics above all else, and she thought that physics was merely re-inventing the wheel. She was a free spirit.’
Uncle Herman had the tendency to devote quite a bit of attention to the setting in his stories, the backdrop against which a particular event took place. Perhaps this is something peculiar to sociologists. Whatever the case: ever since he first told me his version of the downfall, I was impressed by the way in which he linked the fate of our family to the history of this century, particularly