being released from prison, so it would cost him nothing to tell the truth. And if there was a God, it might even save his soul.
Alex knew better than to approach the matter with anything so presumptuous as expectation. He would approach it, instead, with cautious hope.
But first he had to be sure that he had understood the terms of the deal correctly. He turned toward the governor.
‘So let me get this straight. The deal is, if Clayton Burrow reveals where the body is buried, he gets clemency and will serve a sentence of life without parole.’
‘That’s right,’ Dusenbury responded with a nod of his patrician head.
Alex considered for a moment asking to have the terms set in writing. But from the look on Esther Olsen’s face he knew that this would be needlessly cruel. And, from the governor’s firm handshake, it was also unnecessary.
‘Life without parole,’ Alex had said. The man in the car couldn’t believe it.
There was no doubt. The offer was on the table.
The man’s mind was reeling. When the governor had invited Alex to come early for the meeting, he had wondered about what was going down. He had known that it was likely to be something unusual. But he hadn’t expected that.
He kept running over the conversation in his mind.
Nathaniel Anderson was not a G-man. Neither was he a cop, nor a journalist, nor a hired assassin. He had recently graduated from law school and was working as a legal intern while preparing for his bar exams. He had done a lot of Public Defender work in his final year of law school, helping indigent clients plea bargain down their sentences in the proverbial meat-grinder that was the criminal law system.
It had taken time to win their respect. They saw him as a stuck-up white boy, like most lawyers. But he had worked like a dog and won them over through his sheer tenacity and hard work. And because he worked for the Public Defender he had also built up a powerful list of contacts in the criminal community. It was a list that had come in very useful.
So the governor was offering Burrow clemency in return for revealing where the body was located. He wondered how the public would react to that—not that the governor or Alex would reveal it until it was a done deal.
Nathaniel looked round at the traffic on Golden Gate Avenue. Parked a few cars down the road was a limousine. He looked up. The sun was higher now: the day was wearing on. Just under fourteen hours till Burrow was due for the lethal injection—unless Alex could save him.
He looked back at the limousine and wondered if it was the vehicle that had brought Mrs Olsen here. Her proximity left him feeling uneasy. But that was all right. He knew that they would both be gone in a minute.
Keeping his eyes on the rearview mirror, he waited while the next couple of minutes went by. Finally there was activity from the entrance to the building and several people emerged at the same time: Mrs Olsen, the limo driver and Alex Sedaka. Alex watched while the limo driver led Mrs Olsen back to the car, opened the door to let her in, closed it behind her and went to the driver’s seat. He continued watching while the limo drove off past him, heading east toward Larkin Street.
As Alex turned away, Nathaniel strained to see the look on his face in the rearview mirror.
As Alex approached, Nathaniel pulled out the earpiece and put it away in the glove compartment. He reached forward for the ignition key as Alex opened the front passenger door and got in.
‘I assume you got all that, Nat?’ said Alex, pointing to Nat’s cell phone.
‘Every word. So what’s it to be? The office?’
‘No, I think we’ll pay a little visit to San Quentin first.’
A shrine.
That was the only way you could describe it: a shrine that radiated outward from the mantelpiece above the mock fireplace.
The picture sat there in the center of the mantelpiece—a teenage girl smiling at the camera, or at least trying to smile. With Dorothy you could never tell if the smile was real, because she had learned from an early age to wear her face as a mask. Was it a smile of joy? Or the painted greasepaint smile of the clown who had to go on and perform even when she was grieving on the inside?
The picture was flanked by a pair of candles and the surrounding area of the wall was adorned by her tennis certificates and poems. Round the room trophies were liberally distributed across several coffee tables and glass-fronted cabinets.
Apart from the memorabilia, the only furniture in the room was an armchair and a small TV set.
The young man stood before the picture, staring into Dorothy’s eyes, trying to decipher the enigma. Were they happy? Had she ever been happy? Had she ever had the chance to be?
She had always treated him with love and kindness, however badly she was treated herself. He felt the tears in his eyes. Why couldn’t they have loved her as she loved him?
He felt himself choking and he switched on the TV to distract himself. There was bound to be rolling news about the impending execution of Clayton Burrow. He looked at his watch. It would all be over in less than fourteen hours.
‘Do you think he’ll bite?’ asked Nat, keeping his eyes on the road. He had just taken the first left at Larkin Street and was about to take another at Turk.
‘I don’t see why not. He wants to live…I think.’
‘Even if it’s behind bars? For the rest of his life?’
‘He’s a narcissist,’ Alex explained. ‘He likes to be the center of attention and to be told what a great guy he is. He wants to be The Fonz.’
‘The Fonz?’
‘Fonzie…from Happy Days.’
‘Happy Days?’ echoed Nat, betraying his youth, as they hung a right at Van Ness.
Nat was half-pretending. In truth, he enjoyed watching the re-runs of it and he knew perfectly well who ‘The Fonz’ was. But he still didn’t see what it had to do with his question about Burrow taking the deal.
‘The Fonz was the local school drop-out who didn’t care about anything except being cool. That was his trademark phrase. The thing was, everybody liked him, the guys and the dolls.’
‘And this is relevant because…?’
‘Because that’s what Clayton Burrow always wanted to be. Cool. A hit with the clique. Numero
