a seventeen-year-old electronic musician, techno’s latest wunderkind. Eyes skulk out from the page in imitation menace. Puffa jacket expands the frame. I make a note to track him down.
SUNDAY, NEARLY A WEEK LATER
A suburban train trundling west. Daniel the wunderkind meets me at the station, dressed in an outsized hip-hop hooded coat. The same uncertain flicker on the face. The same aura of indifference.
‘Hello Daniel.’ I meet his eye.
‘Yeah, hahaha,’ he roars, refusing to hold my gaze, ‘let’s go.’ And with that, he marches through the station, strides across the road, speeds along a genteel street filled with cheap antiques shops and mock Parisian cafés, and swings into a long residential road, dragging me panting behind him.
We are standing in an Aladdin’s cave posing as a kitchen. The room is strangled in stuff: papers, envelopes, posters, pictures, milk bottles, flower pots, tins of floor polish, spare curtains, photos, books, ancient magazines, biscuits, scissors, drainers, pans, packets of crisps, flowers, fruit, memo pads, wine bottles, telephones, pencils on string, children’s drawings, hairbrushes, highchairs, napkins, drying cloths, fridge magnets, a bath sponge, the whole finished off by the smell of a warming oven and roasted garlic. Daniel’s mother appears, looking far away and harassed.
‘Would you like a cup of coffee?’
‘That’s OK,’ I smile, ‘I’m sure Daniel can make it.’
‘No, actually, I can’t.’ Daniel contradicts me with an awkward sort of playfulness. ‘I broke the cappuccino machine, hahaha.’
‘I’ll have instant coffee then.’ Daniel reaches for the jar, tips it towards me for inspection and adopts a helpless air. ‘Uh, haha, Mum uses it to dye fabrics.’ The thin black crust clings to the bottom. A young woman walks into the kitchen, takes note of Daniel’s lost-boy look, says:
‘I’ll make the coffee, OK?’
‘OK,’ says Daniel.
Later, we’re sitting at the kitchen table cupping our coffee mugs. I ask:
‘Was that the au pair?’
Daniel throws me a strange look, catches my eye fleetingly, and, pretending he thinks the whole thing a joke, blusters: ‘Hahaha, that was my younger sister.’ Daniel has four younger sisters and no brothers. I guess that can’t be easy.
You wouldn’t believe the Daniel household existed unless you’d seen it for yourself. On the ground floor oak chests crammed into every corner, dolls, toys, rocking horses pressed against the windows, paintings, prints, posters on the walls, walls thick with layered paint and images, Turkish kelims fighting for space with knotted Persian rugs, cushions everywhere, never-watered plants clinging on to life, books, magazines from the seventies, goldfish in lime green aquaria. One storey up, angelic-looking toddler twins chasing from room to room followed closely by a six-year-old throwing dolls about, phones ringing, the sound of ascendant violins from the father’s study, more oak chests spewing bits of paper and embroidery from their stuffed drawers, a dust crust lying over everything.
We climb to Daniel’s bedroom on the third floor. Bed unmade, smell of skin, magazines in piles fanning out from every horizontal surface, posters of Orbital, snowboarding and computer games on the wall, in the centre of the room a home-made horseshoe consisting in keyboard, four-track and Atari computer.
‘So,’ says Daniel, fitting himself into a chair behind the horseshoe, ‘I suppose you’ll be wanting to hear Bedroom.’
Bedroom is Daniel’s first and recently released album, the thing that got him written up in iD. He was sixteen when he made it. In his bedroom. He takes a copy from its jewel box, hands me the CD cover.
‘See that?’ He points to a red smear on the cover. ‘That’s my shit robot I had like when I was six, and that bit’s a piece of wall, hahaha, you’ll probably think it’s crap and yeah, so this is the first track, I like this bit where it goes …’
A resonant boom fills the bedroom. Daniel reaches down for the track skip button.
‘And then this is one, which I think’s shit, really, although Morris likes it, hahaha and listen to this track, “Underwater”, which has this wicked noise I taped in the toilets at school, and here’s …’ Each track in turn a throb, a series of sound pictures. Nothing you’d call a tune, quite. Daniel races through the tracks, two seconds per track, talking at ten to the dozen. He moves along his CD collection, extracting jewel cases, flinging them in the player. ‘So this one’s Wagon Christ,’ pulling them out again. ‘Yeah, listen to this MLO track, it’s really cool,’ casting them aside and moving onto the next. ‘And this bit by the Aphex Twin, wicked, better than some of his other stuff, hahaha, although I like him and this is David Toop who I’m gonna do some work with, but hahaha you’ll probably think it’s crap …’
‘Daniel,’ I say, looking up from the magazine I’m leafing through. ‘Why aren’t there any pictures of supermodels in your bedroom?’
‘I am not gay,’ says Daniel emphatically, his face developing a reddish glow which makes me feel as mean as a scalded dog. ‘Although I’m not saying it would matter if I was, except to my dad.’
‘Who’s Morris?’ I change tack while Daniel fights off his embarrassment, but at this he looks up momentarily, decides it’s a joke and giggles.
‘No, really,’ I pursue, ‘Who is Morris?’
Daniel is stunned. Uncomprehending. Speechless. I don’t know who Morris is? Mixmaster Morris? Morris of the mixdesk? Morris of the music scene? DJ Morris, top bloke Morris? Ambient techno’s own Mixmaster?
‘Not Morris as in dancing, then?’
Daniel ignores the jibe, or maybe just pretends he hasn’t heard it.
‘So,’ he says, blustery once more, ‘you’ll probably be wanting to see this really crap Yamaha keyboard, which my parents bought me for my birthday when I was like a kid, hahaha, and then this is the four-track, and this really cool keyboard, which is a Korg Wavestation and …’
‘Daniel,’ I say, ‘can we go and have some lunch now?’
Lunch turns out to be a benign chaos of toddler demands and counter-demands, mother organizing, au pair sister rushing about, curly haired six-year-old banging her spoon on the table, oven timer going off, kids wanting gravy, no potatoes, or potatoes and no carrots, more carrots, fewer potatoes, more orange juice, less meat. Daniel and his father sit in the midst of it all, unbowed. Phone ringing again, Daniel answering it, shouting through toddler cries:
‘Hahaha, yeah, can I ring you back? Thanks.’
‘Daniel doesn’t like my cooking,’ says the mother.
‘Yes I do,’ says Daniel.
After lunch Daniel makes a bold attempt to play me a few more selections from his CD collection, but I cut him short. I want to know where he made
