the distance, somewhere in the plantation compound, there came the chime of gongs and a burst of drumming. She guessed there was a rehearsal for the festival to mark the end of Ramadan. Later there would be a shadow play. She turned back into the house. All the while, as she was collecting her things to meet Robin, a faint metallic music hung about her efforts. It seemed the moist air finely shook, and took on almost discernible curlicues, insinuating tendrils of sound.
AT THE COAL HOLE night-club in Betterton Street, people were ready to dance again. The band was coming back after its break, and the spotlight waited, a large empty moon half-way up the spangled backdrop. From a table beside the dance floor Victor Warren stared into the illumination. Shortly, his wife would occupy it; tonight’s chanteuse. It was her lucky break.
Since he’d last seen Clarice, my father was not at all ruined in features. At first glance, his looks appeared quite dashing. Some negative quality, however, had certainly leaked into the rest of his appearance, and sitting with Tony Rice and Frances, the girl, he looked badly out of place. His grey flannel jacket was disreputable, his tie was skewed, and his shirt collar had too obviously been turned.
On closer inspection the face, which was thinnish with slightly Slavic lines, revealed a brow contracted and a mouth tightened. He wore his brown hair slicked away from his face, so that his dark moustache gave him a worn and dangerous cast. It belied his earnest eyes – and his twenty-six years.
He had good reason to look grim. The feeling all along that he’d been playing for the very highest stakes seemed entirely borne out. Having done his best with Phyllis, he was sure she was trying to destroy him. In fact, it could have been the circle of his own death that glittered back at him from the stage. He, like Dr Pike, felt mightily scared. As he touched his drink to his lips he tried to convince himself he was being irrational.
The club was full. In one of Covent Garden’s least promising streets, the Coal Hole was something of a find for a certain set. Or it was stumbled upon by theatre-goers after a meal at Monty’s or L’Escargot, who told their friends. From a narrow, sandbagged door in the face of an old tobacco warehouse, a staircase led down to the cellars, where there was not only late-night alcohol but a resident dance band of four black jazzmen. If it hadn’t been for the war, people said, the Coal Hole would have been set to ‘take off’. In the absence, so far, of bombing or gas attacks, it was still open, still defiantly humming. For once, thank God, the idiotic situation across the Channel could be shoved firmly to the back of the mind – so long as the band proved authentically rhythmic, the singer sufficiently charming.
At the Coal Hole it wasn’t a requirement to be dressed to the nines. Ordinary suits mingled with evening wear; there might be artists, addicts, a boxer or two, even an obstinate Blackshirt. There were types of unescorted girl. The Saturday-night clientele was unpredictable, and a frisson of intermixture ran in the smoke-filled air. The only real entrance qualification was a little spare cash, a commodity Vic clearly lacked. It was Tony Rice who’d brought him and Phyllis along, and it was Tony Rice, the perplexing, charmed and upwardly mobile gang boy, whose hand lay over Phyllis’s career.
Yet it wasn’t Tony of whom my father was afraid – it wasn’t a physical fear at all. His desperation lay deeper. He was permanently wrought up, on edge.
He picked his wife out as she emerged from a side door. Her slim figure made its way towards the light. The stage was a shallow pedestal, no more than a foot high, and he watched her pause in front of it as her long dress threatened to trip her. Clutching the slink out of harm’s way, she stepped up. The gown’s plunge back exposed nearly the whole of her spine.
All week she’d been crippled with nerves. She despised her looks. She believed she was disfigured by a shame no amount of make-up, no glittery evening get-up could conceal. Her vocal cords, if she could force them open, would only humiliate her. All week he’d coaxed her through it, reassuring her that it was the actions of others that had left her so insecure; privately reminding himself that he’d put aside his feelings for Clarice in order to do what was right. Now he willed himself to believe that for once Phyllis could be straight with him.
When eventually she faced her audience he knew he’d been outwitted. She was completely at home, and the long wait seemed calculated. Her eyes glittered wide under plucked and pencilled brows, the cheeks were a rouged mask, the mouth a bait. For her sheer knowingness he was unprepared. She looked sly. When she let her head droop, he held his breath.
Light fell on her close-waved dark hair, the silver threads glinted in her gown, and the few bars of introduction poised on the arpeggio of a suspended chord. Chatter from the tables subsided. She lifted her eyes, childlike; and then the voice launched itself high, virginal, and with a fashionable flutter.
Think of what you’re losingBy constantly refusingTo dance with me
From behind her a saxophone and muted trumpet picked up the phrase, and the bass threw a squib of rhythm. It was a safe number. After the success of the Branksome Revue, everyone was singing it again. The lover needed encouragement; she delivered it. With her one gloved hand on the edge of the piano, she seduced.
Then she played the man’s role. Setting her head at just the coy angle, she scolded the audience with an artful smile.
Not this seasonThere’s a reason.
They held up with her, and she hit the refrain:
I won’t dance! Don’t ask me;I won’t dance! Don’t ask me;I won’t dance, madame, with you.
The brash denial swelled out. The band swung, the bass player’s free fingers vaulted the board to the springy dub-dub of the beat, and couples got up to dance. From the tables all around rose that buzz of relief which comes when the entertainment will do. Parties returned safely to their concerns: cigars were lit, and corks were popped. Aproned staff holding their trays high slid once again between casual encounters and established liaisons.
Where Vic sat a waiter hovered.
‘No more, thanks.’
‘I said I’ll get them, Victor. We’ll need three more of these, mate.’ Tony indicated the cocktail glasses in front of them. ‘No, make it four. Have one ready for Phylly when she comes back. Should really.’
Tony Rice was clean shaven, fleshy. He had the street looks of certain cruel young men and sported black silk lapels and neat white bow with all the sharpness Vic lacked. ‘A winner, isn’t she? You think so, don’t you?’
‘Yes.’ My father glanced at his wrist-watch again: half an hour after midnight. Every passing minute ticked up feelings he couldn’t cope with, costs he couldn’t cover. ‘She’s divine,’ he said. ‘It’s turned out a success. But I think we’d better leave as soon as she comes off. If you don’t mind, Tony. Thanks so much and a bad show to break up the party, but …’ He looked up at the waiter. ‘I’d like the bill, please, actually.’
Tony cancelled him and signed the man to leave with his order.
‘But our boy,’ said Vic. ‘Jack’s on his own. We really must go.’
‘Don’t throw it back in my face, Vic.’ There was an edge to Tony’s voice, a hint of the dockside razor. He held Vic’s gaze with narrowed eyes, then backed off. ‘It’s Phyllis’s night and she deserves a break. Doesn’t she, mate?’
Vic lit a cigarette, and looked over to where Phyllis was beginning her next number. Her body, such
