King of the Badgers. Philip Hensher

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      ‘You must know everyone in town,’ the photographer said.

      ‘Strange lot of people in Hanmouth this week. Don’t know them, never seen a one of them before. Never seen it so crowded. That little girl. I don’t know what they think they’ll see, though. Won’t see her. She’s missing.’

      ‘Human curiosity,’ the passenger said. ‘There’s no decent limit to it.’ He raised his camera, and quickly, with a series of heavy crunches, fired off some photographs.

      ‘Five pounds over, eight there and back,’ the boatman said. ‘Could have put up the fare this week, I dare say.’

      ‘I thought we agreed a price,’ the passenger said. ‘You said thirty.’

      ‘There and back in ten minutes is eight pounds,’ the boatman said. ‘To the middle and stay there as long as I say is thirty. Have you got permission from Mr Calvin to be taking photographs?’

      ‘We agreed a price,’ the passenger said.

      ‘Oh, yes,’ the boatman said. ‘We agreed a price. I can’t do you a receipt, though.’

      ‘That’s all right,’ the passenger said. ‘I can write my own receipt. There’s no law that says people need permission to take a photograph of a town. Whatever your Mr Calvin says.’

      The boatman lifted his oars and kept them in the air; in a second the boat drifted ten feet seawards.

      ‘Keep the boat where it was, please,’ the passenger said.

      ‘Mr Calvin, he’s keeping a register of all the press photographers. A lot of them. A hell of a lot. Keeps it nice and tidy, Mr Calvin says. Shame about that little girl.’

      ‘Did you know her?’

      ‘No,’ the boatman said. ‘I don’t know as I even recognized her when I saw her face in the papers. There’s twenty thousand live in Hanmouth and surroundings. You don’t know everyone.’

      He pulled hard at the oars, keeping the boat steady and parallel to the shore. They’d been out twenty minutes, he saw. Over half an hour and he’d start charging an extra pound a minute; it wasn’t this bugger’s money he’d be paying with. He kept an eye on his watch, worn on the inside of his wrist in good maritime fashion.

      ‘Of course,’ he said. ‘There’s those who won’t pay the five pounds. If they run off, I don’t chase after them. I phone Mike at the Loose Cannon and he takes the fare out of their change. Not much they can say to that. One lad says to me, last summer, “Five pounds? It’s only over there. I can walk that.” Thinking about low tide, he was. The estuary at low tide, I can’t row across, but they can’t wade across, neither. “No thanks, it’s not deep, we’ll walk across, doesn’t look like much.” I said, “Fair enough.” Fifteen yards out, he were up to his thighs in mud, couldn’t go forward, couldn’t go back. The estuary, it’s got its own mind. It shrinks and it quivers. The ducks walk on it; they’ve got webbed feet. He was in his trainers. I was in the window of the Flask, watching him. Come out and chucked him a ladder in the end. Went out making a hell of a din. Come back quiet as church mice. They only do that once. This town needs me.’

      In the rich riverine gloom, the photographer held the machine to his face, and fired off more shots, taking no account of the boatman’s story. From here, there was a low and extensive view of the Hanmouth estuary front, the lights in the windows shut off against the night. At the jetty, the crop-haired girl had sat down, her knees raised. Her thin body in its tight boyish denim made a geometrical figure. A half-illuminated line of smoke rose from a concealed cigarette beneath the raised knees.

      The boatman pulled against the current, and the boat held quite straight. On the jetty, another figure had joined the photographer’s assistant. He was talking softly to her. The low voice travelled across the water, and from the sound of it and the narrow-shouldered shape of the man, the boatman recognized Mr Calvin. He’d have something to say to a press photographer who hadn’t made himself known.

      ‘This for a newspaper, then?’ the boatman said.

      ‘Something like that,’ the passenger said, continuing to photograph.

      ‘It’s been five days,’ the boatman said. ‘We’ve been under siege, it’s been like. Everyone being asked, all the time, have you seen the little girl, do you know her mum, what do you know about her dad. Just to go to the butcher’s or the bank. I said to one, “If I knew anything, I’d go to the police, I wouldn’t be telling you.” And you can get photographs of Hanmouth anywhere, on the Internet, lovely sunny day. You won’t get much in this light, I wouldn’t have thought.’

      On the jetty, the small figure of indeterminate sex waved largely, as if she had a full-sized flag at a jamboree. Calvin, if that was who it had been, had gone. The swans and geese, misled by the wave, checked their paths and swam towards her. They were spoilt by feeders here, and took movement for the promise of generosity.

      ‘That’s enough,’ the passenger said. ‘Take me back.’

      ‘I can take you over to the Loose Cannon,’ the boatman said. ‘There’s no more to pay.’

      ‘We’ll be fine,’ the passenger said, and though they seemed to be facing in the correct direction, the boat swung round in the stream, pulled by one oar, in a full circle, facing in turn the city and the roar of the motorway over the estuary, the remote blue hills where the sun was setting, and then seawards, where everything goes in the end. And on the jetty, the small figure knelt, opening up a black-backed computer, the blue light of the screen illuminating what, after all, was the cropped hair and small face of a pretty girl, intent on her digital task.

      Hanmouth, that well-known town on the Hain estuary on the north coast of Devon, formed a stratified appearance whichever way you looked at it. The four streets of the place ran between and parallel to the railway line to the coast and the estuary itself. Less stately thoroughfares—alleyways, gennels, cut-throughs, setback squares of white-painted nineteenth-century almshouses and 1930s suburban ‘closes’ with front gardens made out of a bare foot or two of leftover land—squiggled more liberally across the four vertical and distinguished avenues. The first of those verticals ran seamlessly from Ferry Road in the north to the Strand in the south, knotting around the quay and rising to three historic pubs, a plaque commemorating the birthplace of a centuries-dead attorney general and, at its most expensive, unfettered views of the estuary and the hills beyond, crested with a remote and ducal folly-tower. On this first street lived newsreaders, property magnates, people who had made their money in computers and telecommunications. The first house in Hanmouth to sell for a million pounds was here, and pointed out by the innocent locals; but that had been seven years ago, and the figure was losing its lustre, and had long lost its uniqueness. The pinnacle of envy for miles around, for half a county, the Strand in the south was a series of Dutch-gabled houses, pink, cream, terracotta-red-fronted, and everyone, it was said, lived there, meaning that everyone, of course, did not.

      Only an odd few lived in the second avenue, the shopping street; the Brigadier and his wife in a wide, flat, shallow eighteenth-century one-house terrace of brick, facing the wrong direction as if it had turned its back on the commerce. The Fore street was holding up well; the community centre, built in municipal interbellum brick,

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