were beds of a great variety of unusual flowers that I wished I could destroy
In the laboratory I was left to myself in a corner and immediately began to seek manual comfort.
‘Leave off that, you young dog!’ said my uncle, looking up from his work at a crucible he had in the tongs. ‘Or you’ll feel my cane across you! I’m about God’s work here and I want none of your impurities.’ In my family I lived among lies and contradictions. Although I knew different about him, my odd uncle was held up to be a creature of the most absolute temperance, virginity, and, dare I say it, gravity. He even believed this himself. My mother and the College certainly did. He’d once quarrelled with another alchemist -Vigani, I think his name was – just because he’d told a lewd story about a nun. And yet I had earlier evidence that he suspected himself possessed and was tormented by the suspicion. The lies of adults were one of the reasons I could not speak. Their aggression was proportional to their denial. He came over and tied my right hand to a ring in the wall.
It was in the Corner of Fermentation. This corner of the laboratory had as its heart and nominator a great hot-box full of horse shit – a device used in those days before thermostatic heating elements by many a chymical projector for incubating any processes which needed generous room temperature over a long period. Sunk into the steaming rancidity of the hot-box my uncle had left a large vessel – a sort of glass bath – and in this vessel there was nothing except a grey, scum – plagued liquid.
I made noises at him equivalent to: ‘Are you using this at the moment, Uncle?’
He looked up with a certain suggestion in his eyes that he was sorry for the way he’d corrected me and saw in me the image of his soul.
‘What? Eh? What do you want? You can’t do any harm over there.’ Then he turned back to his torture of the metals.
With my free hand I could reach various piles of objects that lay about the Corner of Fermentation. It was, as it were, the slag heap of the operation – a dumping ground for sweepings, or for remnants of the process, or for forgotten things from former parts of the obsession.
I decided on a vaguely rebellious whim to drop everything shiny or attractive from the slag heap of bits into the bath. I looked at the prettier amalgams and lumps of pure metal. I thought of Elizabeth, whom I loved and could not come near. I thought of the curious composition of her name, and the way the sounds might be made in the throat. These were the sounds that denoted her. Remote breathy compositions: El-iz-a-b-e-rh. I thought of jewellery and murder and beautiful women with soft breasts with whom I was not in love. I thought of these metals lying upon the flesh, their sharpnesses just grazing the tender nipples. Then I plummeted them. I had no idea of their rarity or chemical composition or the fact that my uncle must have had them supplied from strange sources and then worked them, in incalculable ways, according to his books and recipes. They were an assortment of metallic substances probably never before or afterwards assembled so closely in one small dump, not counting the other shards and offcuts, stone chips, curios, corals, crystals, dried offal and organs, pastes, bladders, potions and gums which he was too preoccupied to notice me adding in once I’d lost scruple for the seriousness of my project. Thus into that glass bath went some very far-fetched chemical company. Soon the faintest steam began to lift from its surface, and the tiniest bubbles to appear at its rim. This was my first and momentous attempt at experimental science.
Things Whereof a Man Cannot Speak
In the evening the mathematician Nicholas Fatio arrived, unannounced and knocking at the locked door. He regarded me with intense curiosity. I regarded him with suspicion, while my uncle was put into a complete fluster such as I had never seen in him before. ‘It’s the son of my half-sister Barton,’ explained Isaac. ‘He means nothing. His mother left him here for some days. She has some business to transact. It’s a regular arrangement.’
When he had sat the man down he bundled me into my sleeping space and tied the tapes that crossed my arms again. He would have made me stay there out of sight but that the other man appeared in the doorway and started asking questions and opening a conversation. My uncle explained that I was dumb. ‘He is … distempered. His mother gets exhausted with him. There is a need for … unusual measures.’ But he did bring me to sit near, if not with them, in the main chamber by the furnace.
I had been sometimes stared at and mocked if I went into the streets, but next to my Uncle Isaac my looks must have achieved a slight advantage. He never dressed up or received company – he rarely washed, combed his hair or lurched as far as his wig, so preoccupied was he with the race against matter and, currently I guessed, the impossible disorder Fatio had already caused to his carefully cauterised feelings. Fatio had striking, somewhat petite features, a fashionable get-up, and unusual manners which I took to be French. In my experience no other like this had ever appeared in his chamber – such a young man of mode. I had never seen one. Behind my mask of exclusion from everything I gawped; while Isaac hastily and apologetically cleaned his face at the bowl, changed his coat from the one which was all burnt and spangled from molten metal, and made an attempt with a periwig.
Acknowledging myself half-animal I was very responsive to atmosphere. I picked up the ghastly tension in the air between the two men, although they preserved a brittle politesse, seeing that I occupied the third comer of a triangle. I was not exactly a public to their privacy, but I was, as far as they knew, sentient. As a result they were more open than they might have been in front of another, but yet cautious, and embarrassed. And still Fatio seemed to want to include me in the meeting. I felt there was some final passage of feeling, some quod erat demonstrandum, that one man wanted to engage in, but could not because of me; and some teasing defence or private cruelty that the other could better engage in because of me. So everything in the room felt more mad and distraught than ever.
He had brought no servant. Since Uncle rarely troubled the company in Hall at that time, they made a meal of some sort with what my mother had left and other scraps of food they could find. Isaac wouldn’t untie my hands but fed me pieces and a little wine. The other man joined in, laughing, and pressing the food against my lips when I already had a mouthful, to provoke me and see me snap. Nicholas Fatio drank the most wine. He’d been away, he said, since their former break, which had left him so desolated, he claimed. He’d taken a second tour, and had also visited his mother in Switzerland. He was now recovered and had called in for good fellowship, and to show there were no hard feelings. And to learn of the progress of the Great Work, to which he reminded my uncle he had contributed so much in former months.
As he came to feel the effects of the wine, and because my uncle seemed to have become almost as incapable of speech as I was, he began to grow rhapsodic – to fill the painful vacuum in the room. The tour was a great cure for the distempered soul. He recommended it to us both in his curious English. He was casual about it all – a much travelled man. But although I might have flown at him and bitten him had I been untied, or have scratched at my own ears to drown out the sound, I could not but listen and be overcome by the descriptions he made with his words. They threatened and compelled me as much as the stories I’d heard as a little boy when the children were eaten in the forest. From the camera obscura of my mind I saw, through his words, and through his memory, the exotic, damned, Papist lands to the South; the vineyards of Provence standing in the baking Summer heat, the enchanted white-walled cities and palaces; the pitiless Alps where the air bit and purified the lungs, and where wild mountaineers used women as currency; and then Italy herself, where no surface went unpainted, and where fornication was an Art. Seeing me half-snarling but listening, Monsieur Fatio engaged his wit. I believe I was the earpiece of a powerful Amplification. For me the Duomi were pressed all over with gold leaf; for me the cloves of European garlic opened like culinary sunflowers, ravishing the imagination of my brutalised taste with new and magic meals; for me the floating wonder of Venice reflected
