means us, Lavinia!’ whispered Francine.
The lights went out. The screen leaped to life.
‘Lavinia,’ whispered Helen.
‘What?’
‘As we came in, a man in a dark suit, across the street, crossed over. He just walked down the aisle and is sitting in the row behind us.’
‘Oh, Helen!’
‘Right behind us?’
One by one the three women turned to look.
They saw a white face there, flickering with unholy light from the silver screen. It seemed to be all men’s faces hovering there in the dark.
‘I’m going to get the manager!’ Helen was gone up the aisle. ‘Stop the film! Lights!’
‘Helen, come back!’ cried Lavinia, rising.
They tapped their empty soda glasses down, each with a vanilla mustache on their upper lip, which they found with their tongues, laughing.
‘You see how silly?’ said Lavinia. ‘All that riot for nothing. How embarrassing.’
‘I’m sorry,’ said Helen faintly.
The clock said eleven-thirty now. They had come out of the dark theater, away from the fluttering rush of men and women hurrying everywhere, nowhere, on the street while laughing at Helen. Helen was trying to laugh at herself.
‘Helen, when you ran up that aisle crying, “Lights!” I thought I’d die! That poor man!’
‘The theater manager’s brother from Racine!’
‘I apologized,’ said Helen, looking up at the great fan still whirling, whirling the warm late night air, stirring, restirring the smells of vanilla, raspberry, peppermint and Lysol.
‘We shouldn’t have stopped for these sodas. The police warned—’
‘Oh, bosh the police,’ laughed Lavinia. ‘I’m not afraid of anything. The Lonely One is a million miles away now. He won’t be back for weeks and the police’ll get him then, just wait. Wasn’t the film wonderful?’
‘Closing up, ladies.’ The druggist switched off the lights in the cool white-tiled silence.
Outside, the streets were swept clean and empty of cars or trucks or people. Bright lights still burned in the small store windows where the warm wax dummies lifted pink wax hands fired with blue-white diamond rings, or flourished orange wax legs to reveal hosiery. The hot blue-glass eyes of the mannequins watched as the ladies drifted down the empty river bottom street, their images shimmering in the windows like blossoms seen under darkly moving waters.
‘Do you suppose if we screamed they’d do anything?’
‘Who?’
‘The dummies, the window people.’
‘Oh, Francine.’
‘Well …’
There were a thousand people in the windows, stiff and silent, and three people on the street, the echoes following like gunshots from store fronts across the way when they tapped their heels on the baked pavement.
A red neon sign flickered dimly, buzzed like a dying insect, as they passed.
Baked and white, the long avenues lay ahead. Blowing and tall in a wind that touched only their leafy summits, the trees stood on either side of the three small women. Seen from the courthouse peak, they appeared like three thistles far away.
‘First, we’ll walk you home, Francine.’
‘No, I’ll walk you home.’
‘Don’t be silly. You live way out at Electric Park. If you walked me home you’d have to come back across the ravine alone, yourself. And if so much as a leaf fell on you, you’d drop dead.’
Francine said, ‘I can stay the night at your house. You’re the pretty one!’
And so they walked, they drifted like three prim clothes forms over a moonlit sea of lawn and concrete, Lavinia watching the black trees flit by each side of her, listening to the voices of her friends murmuring, trying to laugh; and the night seemed to quicken, they seemed to run while walking slowly, everything seemed fast and the color of hot snow.
‘Let’s sing,’ said Lavinia.
They sang, ‘Shine On, Shine On, Harvest Moon …’
They sang sweetly and quietly, arm in arm, not looking back. They felt the hot sidewalk cooling underfoot, moving, moving.
‘Listen!’ said Lavinia.
They listened to the summer night. The summer-night crickets and the far-off tone of the courthouse clock making it eleven forty-five.
‘Listen!’
Lavinia listened. A porch swing creaked in the dark and there was Mr Terle, not saying anything to anybody, alone on his swing, having a last cigar. They saw the pink ash swinging gently to and fro.
Now the lights were going, going, gone. The little house lights and big house lights and yellow lights and green hurricane lights, the candles and oil lamps and porch lights, and everything felt locked up in brass and iron and steel, everything, thought Lavinia, is boxed and locked and wrapped and shaded. She imagined the people in their moonlit beds. And their breathing in the summer-night rooms, safe and together. And here we are, thought Lavinia, our footsteps on along the baked summer evening sidewalk. And above us the lonely street lights shining down, making a drunken shadow.
‘Here’s your house, Francine. Good night.’
‘Lavinia, Helen, stay here tonight. It’s late, almost midnight now. You can sleep in the parlor. I’ll make hot chocolate – it’ll be such fun!’ Francine was holding them both now, close to her.
‘No, thanks,’ said Lavinia.
And Francine began to cry.
‘Oh, not again, Francine,’ said Lavinia.
‘I don’t want you dead,’ sobbed Francine, the tears running straight down her cheeks. ‘You’re so fine and nice, I want you alive. Please, oh, please!’
‘Francine, I didn’t know how much this has done to you. I promise I’ll phone when I get home.’
‘Oh, will you?’
‘And tell you I’m safe, yes. And tomorrow we’ll have a picnic lunch at Electric Park. With ham sandwiches I’ll make myself, how’s that? You’ll see, I’ll live forever!’
‘You’ll phone, then?’
‘I promised, didn’t I?’
‘Good night, good night!’ Rushing upstairs, Francine
