The Devil’s Chessboard: Allen Dulles, the CIA, and the Rise of America’s Secret Government. David Talbot
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Their journey was harrowing. At one point, they were chased up a mountainside by a German patrol, with dogs snarling and bullets flying behind them. Along the way, they were helped by Polish peasants, who fed the famished teenagers potatoes and coffee and guided them toward the Slovak border. Two weeks after crawling out of the woodpile in Auschwitz, they were home and—after being put in touch with Oskar Neumann, the chairman of the local Jewish Council—they began telling their horrific tale. While the fundamental facts about the death camps were widely known by then, Rudi and Fred’s forty-page report was the most thorough and specific to emerge from Auschwitz up to that point. It described the management and daily routine of the camp, and included haunting details about how the prisoners were killed: “The unfortunate victims are brought into Hall B, where they are told to undress. To complete the fiction that they are going to bathe, each person receives a towel and a small piece of soap issued by two men clad in white coats.”
In mid-June, nearly two months after the escapees wrote down their account, the Vrba-Wetzler report was finally smuggled into Switzerland. A British correspondent named Walter Garrett got his hands on a copy, which he took to Allen Dulles on June 22. While the journalist sat with Dulles in his apartment on Herrengasse, the spy read the entire report. “He was profoundly shocked,” Garrett later recalled. “He was as disconcerted as I was and said: ‘One has to do something immediately.’”
Dulles’s pantomime of concern clearly convinced the British reporter. But in fact Dulles had begun receiving reports about the mass extermination of Jews over two years earlier, before he even left the United States for Switzerland. Authoritative reports on the Holocaust had continued to flow into his hands ever since his arrival in Bern, from informants like Schulte and Kolbe.
“One” should indeed have finally taken drastic action. At that point, many of Hungary’s Jews might still have been saved if Allied will had been sufficiently marshaled. Instead, Dulles sent off a routine cable on the Vrba-Wetzler report to Secretary of State Cordell Hull, a man Dulles knew would not lift a finger to help the Jews, even though he was married to a Jewish woman. It was Hull who had advised FDR to reject the ill-fated passengers of the St. Louis. And it was Hull who had blocked Schulte’s report from getting to Rabbi Wise through State Department channels.
Through the efforts of an exiled Jewish businessman in Geneva and a group of students he recruited to make fifty mimeograph copies of the Vrba-Wetzler report, the eyewitness account of life and death inside Auschwitz finally broke in the Swiss press and was then picked up by The New York Times and the BBC. In the ensuing uproar, President Roosevelt and other world leaders successfully pressured the Hungarian government to stop the deportations of its Jewish citizens. But the reprieve didn’t last long; in October 1944 Hitler ordered a Nazi takeover of the government in Budapest and the death trains soon began rolling again.
In the final months of the war, as the United States and Britain finally opened a second front in the war, and Hitler’s forces were caught in an inexorable vise between the Red Army in the east and the Anglo-American military machine in the west, Roosevelt and close advisers like Morgenthau began contemplating the Nazi regime’s postwar fate. The glory that was European civilization had gone up in “human smoke,” in Nicholson Baker’s words. But FDR was determined to keep the vow that he made repeatedly throughout the war. He would bring to justice the perpetrators of this unprecedented degradation of life. The Third Reich would be put on trial and its reign ground to dust.
Once again, however, Allen Dulles and his allies had other plans.
Nuremberg was a haunted city in November 1945 as teams of Allied prosecutors and the world press converged on its bombed-out ruins for the first in a series of historic war crimes trials. The Allies had chosen Nuremberg to put the Third Reich on trial for its aggression and crimes against humanity because the city had been the main stage for Hitler’s pageantry, playing host each year to the Nazi Party’s extravagant propaganda spectacles. Film director Leni Riefenstahl memorialized the 1934 Nuremberg festival in Triumph of the Will, her paean to Hitler’s highly choreographed militarism. In Riefenstahl’s film, the city of medieval spires and cobblestone streets was transformed into a fascist fairyland. Every building was draped with exquisite precision in Nazi bunting. Every golden youth in the teeming crowd was filled with adoration as Hitler rode by, standing erect in his open car and returning the lusty cheers with his own rather limp salute.
But by 1945, Nuremberg had been reduced to rubble. On January 2, Royal Air Force and U.S. Army Air Force bombers swarmed over the city and destroyed the glories of its medieval center in just one hour. More raids followed in February. And then, in April, U.S. infantry divisions attacked the heavily defended city, finally taking it after fiery building-to-building fighting.
When Rebecca West arrived in Nuremberg that fall to cover the war crimes trial for The New Yorker, she found only a ruined landscape and hordes of scavengers. Making her way over the rubble one day, she was forced to hold her breath against “the double stench of disinfectant and of that which was irredeemably infected, for it concealed 30,000 dead.” There was little food or fuel to buy in the shops—and no money for transactions, only cigarettes. At night, a Stygian blackness fell over the ghost city, relieved only by an eerie constellation of flickering candles in shattered windows.
That November, twenty-one prominent representatives of the Nazi regime that had brought Europe to this ruin faced their own moment of retribution as they sat in the defendants’ galley in Nuremberg’s Palace of Justice, one of the few official buildings left standing in Germany. Hitler and Himmler were already gone, as was the Reich’s master propagandist Joseph Goebbels, escaping the executioner by their own hands. But the Nuremberg prosecutors had managed to assemble a representative spectrum from Hitler’s glory days, including Reichsmarschall Hermann Goering, at one time the second-highest-ranking member of the Nazi Party and Hitler’s designated successor. Goering was joined in the dock by dignitaries such as Rudolf Hess, Hitler’s half-mad deputy who had flown to Scotland in 1941 in a wild bid to cut a peace deal with Britain; Ernst Kaltenbrunner, Himmler’s grim, scar-faced executioner, the highest-ranking SS leader to be tried at Nuremberg; Hjalmar Schacht, the brilliant and arrogant international banker who had financed Hitler’s military rise; Albert Speer, the architect of Hitler’s imperial dreams and master of his weapons assembly line; and Julius Streicher, the unhinged politician and publisher who had parlayed his virulent brand of anti-Semitism into a thriving media empire based in Nuremberg.
Nuremberg, which enshrined the legal principle of personal responsibility for one’s actions, even in war, was a showcase of Nazi denial. When Hitler’s wily foreign minister, Joachim von Ribbentrop, was asked by an interrogator whether he was aware that millions had been murdered in the Nazi death camps, he had the gall to exclaim, “That … is an astounding thing to me … I can’t imagine that!” It was as if he were suddenly waking from the bad dream of his own life. The defendants had long before abdicated all of their will to the Führer. As defendant Wilhelm Frick, the Reich’s minister of the interior, declared in 1935, “I have no conscience; Adolf Hitler is my conscience.”
The most egotistical defendants, like Goering and Schacht, struck defiant poses. At times, Reichsmarschall Goering mugged for the courtroom, laughing at the prosecutors’ mispronunciation of German names and puffing his cheeks indignantly when they