The House on Cocoa Beach: A sweeping epic love story, perfect for fans of historical romance. Beatriz Williams

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brownstone on East Thirty-Second Street in New York City, together with Grandpapa and Aunt Sophie. For one thing, I don’t want to frighten her with the idea that a person could burn to death at two o’clock in the morning in his own house, just like that. For another, she’s not that curious about him, not yet. She’s not yet three years old, after all, and she doesn’t know any other little girls. Doesn’t know that most of them have both mothers and fathers, living at home together, sometimes with brothers and sisters, too. One day, of course, she’ll want to know more. She’ll ask me questions, and I’ll have to think of plausible answers.

      And there is another reason, a final reason. The reason I’m here in Florida to begin with, examining this blackened ground with my jaded eyes. I suppose I’ll tell Evelyn about that, too, when the time comes, but for now I’m holding this reason inside my own head and nowhere else. I’ve learned, over the years, to keep my private thoughts strictly to myself.

      Behind us, Mr. Burnside clears his throat in that slight, unnecessary way that lawyers have. I imagine they think it conveys discretion. “Mrs. Fitzwilliam,” he says.

      “Yes, Mr. Burnside?”

      “Have you seen enough? I hate to hurry you, but we do have a whole mess of appointments this morning.”

      Mr. Burnside, you understand, likes to keep to a tight schedule, especially in the face of this shimmering June sun, which forces all business around here to conclude by lunchtime. After which Mr. Burnside will spend the rest of his day inside a high-ceilinged, north-facing room, sipping a cool, strong drink while an electric fan rotates above him. If he can spare the energy, he might turn over a paper or two on his desk.

      On the other hand, he’s an extremely competent man of affairs, as I’ve had plenty of occasion to discover in the past two months, and the sound of his voice—practical, confident, somewhat impatient—is enough to stiffen my resolve. To blow away the dust of regret, or nostalgia, or grief, or whatever it is that’s stinging my eyes, that’s clogging my chest as I hold Simon’s daughter in my arms and try to imagine that Simon is dead. Dead. What a word. An impossible word, as unlike Simon as clay is to fire. I kiss the top of Evelyn’s head, detach her from my arms, and rise to my feet. The early sun catches my back. Not far away, the ocean beats against the yellow sand, and the sound makes me want to take off my shoes and socks and wander, aimless, into the surf.

      Instead, I say: “Are you certain the remains belonged to my husband?”

      “Yes, ma’am. His brother identified the body.”

      “Samuel.”

      “That’s the man. Big fella.”

      “And this was Simon’s house, of course. There’s no mistake about that?”

      “Oh, no, ma’am. No mistake about that. Had the pleasure of visiting here many times myself. Lovely place. Like one of those Italian villas. There were lemon trees in this courtyard, real pretty. A real shame, Mrs. Fitzwilliam. Terrible, terrible shame that you never saw how lovely it was.”

      I gaze at him coldly, and he coughs and turns away, as if to survey the empty, overgrown plot around us. The breeze touches the ends of his pale jacket. His straw hat glows in the sun. He inserts his fingers into his sweating collar and says, “Have you thought about what you’ll do with the place? You can get a good price for the land, if you don’t mind my saying so. Folks are paying top dollar these days for a plot of good Florida land, let alone one as nice and big as this, looking out on the ocean.”

      Across the road, at the edge of the yellow beach, an especially large wave rises to the sky, gathering strength and power, until it can’t bear the strain any longer and dives for shore in a long, elegant undulation, from north to south. An instant later, the boom reaches us, like the firing of a seventy-five-millimeter artillery shell—a sound I know all too well. My nerves flinch obediently.

      But I’m an old hand at disguising the flinch of my nerves. Instead of jumping at the sound of a crashing wave, I brush an imaginary patch of dirt from my dress and reach for Evelyn’s sticky hand.

      “I think we should visit the docks next, don’t you think? So we don’t run late on our schedule.”

      Mr. Burnside frowns, causing his bottlebrush mustache to twitch under his nose.

      “Of course,” he says. “It’s your property, after all.”

      IN ADDITION TO A THOUSAND or so acres of mature citrus, a shipping company, the ruined house on Cocoa Beach, and a hotel in town (in which he kept a private apartment for his own use), Simon has also left me a beautiful sky-blue Twin Six Packard roadster, which Mr. Burnside now drives at thirty exuberant miles an hour toward the long, narrow bridge across the Indian River, where the little boomtown of Cocoa perches on the shore and makes itself a living.

      On another day, I would have liked to drive myself. This is, after all, my car. But the estate is still in probate, and anyway Mr. Burnside knows the way, while Florida’s still a mystery to me. Why, I don’t even know the name for this thick, rampant vegetation that spreads around us, creeping along the edges of the road, but as the Packard plows along the raised bed, top down and windows lowered, I think—for the first time in years—of the hedgerows of Cornwall. The way they block everything else from view, everything ahead of you and everything to the side, so that you never know what’s coming around the next curve. Those shrubs might be hiding anything.

      “How much farther?” I call out above the roar of the engine and the heavy, warm draft blowing past our ears.

      “Bridge is up ahead!”

      “What are these shrubs and trees growing alongside?”

      “That? Mangrove.”

      “Pardon me?”

      “MANGROVE, Mrs. Fitzwilliam! That’s MANGROVE! Grows EVERYWHERE around here, where the ground’s LOW and SWAMPY, and it’s mostly LOW and SWAMPY in these PARTS!”

      Mangrove. Of course. One of those things you hear about—a mangrove swamp, how exotic—but never actually see. And here it is, spreading everywhere, tangled and salty and very much at home.

      “Darned STUFF!” Mr. Burnside continues. “Breeds MOS-QUITOES! I’m sure you’ve noticed all the MOSQUITOES!”

      “Yes!”

      He turns his head closer. “They used to call this Mosquito County, until someone got smart and saw it was keeping the settlers away. Changed the name to Brevard. Now they’ve got big plans to drain these swamps, at least on the mainland side, some of the bigger islands.”

      “What a shame!”

      “Shame? About TIME, I say! You haven’t seen ’em SWARM yet! Here’s the bridge, now.”

      The mangrove falls away, replaced by the tranquil navy blue of the Indian River and the bustling shore on the other side. Across the waterway stretches the wooden bridge, straight as an arrow, except for the drawbridge and its wheelhouse. We crossed it this morning, rattling the boards from their morning slumber, much to Evelyn’s delight. I nudge her now. “Look, darling! It’s the bridge!”

      She scrambles up into my lap and puts her hands on the doorframe. “Bridge! Bridge!”

      “She’s a PRETTY THING!” shouts Mr. Burnside.

      “Thank

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