discreet non-committal voices: ‘Lucy is very attractive to men.’
One can imagine her, when they left at the end of those mercifully so-short visits, standing on the veranda and smiling bitterly after the satisfactory solid women with their straight ‘tailored’ dresses, made by the Dutchwoman at the store at seven-and-six a time, buttoned loosely across their well-used breasts, with their untidy hair permed every six months in town, with their femininity which was asserted once and for all by a clumsy scrawl of red across the mouth. One can imagine her clenching her fists and saying fiercely to the mealie fields which rippled greenly all around her, cream-topped like the sea: ‘I won’t. I simply won’t. He needn’t imagine that I will!’
‘Do you like my new dress, George?’
‘You’re the best-looking woman in the district, Lucy.’ So it seemed, on the face of it, that he didn’t expect, or even want, that she should …
Meanwhile she continued to order cook-books from town, made new recipes of pumpkin and green mealies and chicken, put skin-food on her face at night; constructed attractive nursery furniture out of packing cases enamelled white – the farm wasn’t doing too well; and discussed with George how little Betty’s cough was probably psychological.
‘I’m sure you’re right, my dear.’
Then the rich, over-controlled voice: ‘Yes, darling. No, my sweetheart. Yes, of course, I’ll play bricks with you, but you must have your lunch first.’ Then it broke, hard and shrill: ‘Don’t make all that noise, darling. I can’t stand it. Go on, go and play in the garden and leave me in peace.’
Sometimes, storms of tears. Afterwards: ‘Really, George, didn’t your mother ever tell you that all women cry sometimes? It’s as good as a tonic. Or a holiday.’ And a lot of high laughter and gay explanations at which George hastened to guffaw. He liked her gay. She usually was. For instance, she was a good mimic. She would ‘take off, deliberately trying to relieve his mind of farm worries, the visiting policemen, who toured the district once a month to see if the natives were behaving themselves, or the Government agricultural officials.
‘Do you want to see my husband?’
That was what they had come for, but they seldom pressed the point. They sat far longer than they had intended, drinking tea, talking about themselves. They would go away and say at the bar in the village: ‘Mrs Grange is a smart woman, isn’t she?’
And Lucy would be acting for George’s benefit, how a khaki-clad, sun-raw youth had bent into her room, looking around him with comical surprise, had taken a cup of tea thanking her three times, had knocked over an ashtray, stayed for lunch and afternoon tea, and left saying with awkward gallantry: ‘It’s a real treat to meet a lady like you who is interested in things.’
‘You shouldn’t be so hard on us poor Colonials, Lucy.’
Finally one can imagine how one day, when the house-boy came to her in the chicken-runs to say that there was a baas waiting to see her at the house, it was no sweating policeman, thirsty after fifteen dusty miles on a motor-cycle, to whom she must be gracious.
He was a city man, of perhaps forty or forty-five, dressed in city clothes. At first glance she felt a shudder of repulsion. It was a coarse face, and sensual; and he looked like a patient vulture as the keen heavy-lidded eyes travelled up and down her body.
‘Are you looking for my husband perhaps? He’s in the cow-sheds this morning.’
‘No, I don’t think I am. I was.’
She laughed. It was as if he had started playing a record she had not heard for a long time, and which began her feet tapping. It was years since she had played this game. ‘I’ll get you some tea,’ she said hurriedly and left him in her pretty drawing-room.
Collecting the cups, her hands were clumsy. ‘Why, Lucy!’ she said to herself, archly. She came back very serious and responsible to find him standing in front of the picture which filled half the wall at one end of the room. ‘I should have thought you had sunflowers enough here,’ he said, in his heavy over-emphasized voice, which made her listen for meanings behind his words. And when he turned away from the wall and came to sit down, leaning forward, examining her, she suppressed an impulse to apologize for the picture: ‘Van Gogh is obvious, but he’s rather effective,’ she might have said; and felt that the whole room was that: effective but obvious. But she was pleasantly conscious of how she looked: graceful and cool in her green linen dress, with her corn-coloured hair knotted demurely in her neck. She lifted wide serious eyes to his face and asked: ‘Milk? Sugar?’ and knew that the corners of her mouth were tight with self-consciousness.
When he left, three hours later, he turned her hand over and lightly kissed the palm. She looked down at the greasy dark head, the red folded neck, and stood rigid, thinking of the raw creased necks of vultures.
Then he straightened up and said with simple kindliness: ‘You must be lonely here, my dear,’ and she was astounded to find her eyes full of tears.
‘One does what one can to make a show of it,’ She kept her lids lowered and her voice light. Inside she was weeping with gratitude. Embarrassed, she said quickly: ‘You know, you haven’t yet said what you came for.’
‘I sell insurance. And besides, I’ve heard people talk of you.’
She imagined the talk and smiled stiffly. ‘You don’t seem to take your work very seriously.’
‘If I may I’ll come back another time and try again?’
She did not reply. He said: ‘My dear, I’ll tell you a secret: one of the reasons I chose this district was because of you. Surely there aren’t so many people in this country one can really talk to that we can afford not to take each other seriously?’
He touched her cheek with his hand, smiled, and went. She heard the last thing he had said like a parody of the things she often said and felt a violent revulsion.
She went to her bedroom, where she found herself in front of the mirror. Her hands went to her cheeks and she drew in her breath with the shock. ‘Why, Lucy, whatever is the matter with you?’ Her eyes were dancing, her mouth smiled irresistibly. Yet she heard the archness of her Why, Lucy and thought: I’m going to pieces. I must have gone to pieces without knowing it.
Later she found herself singing in the pantry as she made a cake, stopped herself; made herself look at the insurance salesman’s face against her closed eyelids, and instinctively wiped the palms of her hands against her skirt.
He came three days later. Again, in the first shock of seeing him stand at the door, smiling familiarly, she thought: ‘It’s the face of an old animal. He probably chose this kind of work because of the opportunities it gives him.’
He talked of London, where he had lately been on leave; about the art galleries and the theatres.
She could not help warming, because of her hunger for this kind of talk. She could not help an apologetic note in her voice, because she knew that after so many years in this exile she must seem provincial. She liked him because he associated himself with her abdication from her standards by saying: ‘Yes, yes, my dear, in a country like this we all learn to accept the second rate.’
While he talked his eyes were roving. He was listening. Outside the window in the dust the turkeys were scraping and gobbling. In the next room the houseboy was moving; then there was
