leaves her with a corona of light around her liquorice-black bob. I used it once and ended up with an NHS acrylic weave, made of hay.
She spots me and swings a key on a ribbon, like a hypnotist with a fob watch. ‘At last!’
Mindy isn’t kidding about it being central. Five minutes later we’re there, stood in front of a red-brick Victorian building which has changed from a temple of hard toil to a place of elegant lounging for the moneyed.
‘Fourth floor,’ Mindy says, gazing up. ‘Hopefully there’s a lift.’
There is, but it’s out of order, so we huff up several flights of stairs, heels pounding in time.
‘No parking,’ Mindy reminds me. ‘Is Rhys keeping the car?’
‘Oh yes. Given the way negotiations have gone so far, I’m glad we don’t have any pets or children.’
My mind flashes back to hours of my life I’d pay good money to have erased. We sat and worked out how to pick apart two totally meshed lives, me effectively saying ‘Have it, have it all!’ and Rhys snapping ‘Does it mean so little to you?’
Mindy slots the key in the lock of the anonymous looking Flat 21 and pushes the door open.
‘Shit the sheets,’ she breathes, reverentially. ‘She said it was nice but I didn’t know she meant this nice.’
We walk into the middle of a cavernous room with exposed brickwork walls. A desert of blonde wood flooring stretches out before us. Pools of honeyed light are cast here and there from some vertical paper lamps that look like alien pupae, or as if a member of Spinal Tap might tear their way out of them. The L-shaped sofa in the sitting area is an acre of snowy tundra, scattered with cushions in shades of ivory and beigey-bone. I mentally put a line through any meals involving soy sauce, red wine or flaky chocolate. That’s most Friday nights as I know them buggered.
Mindy and I wander around, going ‘woooh’ and pointing like zombies when we discover the wet room with glass sink, or the queen-sized bed with silvery silk coverlet, or the ice-cream-pink Smeg fridge. It’s like a home that a character in a post-watershed drama might inhabit. The sort of series where everyone is improbably good-looking and has insubstantial-sounding and yet lucrative jobs that leave plenty of time for leisurely brunching and furious rumping.
‘Not sure about that,’ I say, indicating the rug in front of the couch. It appears to be the skin of something that should be looking majestic in the Serengeti, not lying prone under a Heal’s coffee table. The coarse, hairy liver-coloured patches actually make me feel unwell. ‘It’s got a tail and everything. Brrrr.’
‘I’ll see if you can put that away,’ Mindy nods.
‘Tell her I’m allergic to … bison?’ It’s fake, I tell myself. Surely.
Standing in the middle of the living room, we do a few more open-mouthed 360-degree revolutions and I know Mindy’s planning a party already. In case we were in any doubt about the flat’s primary purpose, the word ‘PARTY’ has been spelt out in big burnished gold letters fixed to the wall. There’s also a Warholian Pop Art style print – an Indian girl with fearsome facial geometry gazes down imperiously in four colourways.
‘Is that her?’
Mindy joins me. ‘Oh yeah. Rupa does have an ego the size of the Arndale. See that nose?’
‘The one in the middle of her face?’
‘Uh-huh. Sweet sixteen present. Before …’
Mindy puts a finger on the bridge of her nose and makes a loop in the air, coming back to rest on her top lip.
‘Really?’ I feel a little guilty, discussing a woman’s augmentations in her own flat.
‘Yeah. Her dad’s, like, one of the top plastic surgeons in the country so she got a discount. So, what do you think to the flat, then?’ she says, somewhat redundantly.
‘I think it’s like that advert where they passed the vodka bottle across ordinary life and everything was more exciting looking through it.’
‘I remember that ad,’ Mindy says. ‘It made you think about people you’d slept with when you had beer goggles on though. Shall I tell her you’ll take it? Move in Saturday?’
‘What am I going to do with my things?’ I chew my lip, looking around. I was going to spoil the view by sitting down as it was.
‘Do you have a lot?’ Mindy asks.
‘Clothes and books. And … kitchen stuff.’
‘And furniture?’
‘Yes. A three-bed houseful.’
‘Do you really love it?’
I think about this. I quite like some of it. I have chosen it, after all. But in the event of a house fire, I couldn’t imagine protectively flinging myself on the occasional table nest or the tatty red Ikea couch as the flames licked higher.
‘Why I ask is, you could make a deal with Rhys to leave it. You said he’s keeping the house on? It’s going to be expensive for him to go and re-buy some of the bigger items, and a hassle. You could get money for them and then get things that suit wherever you end up buying. Or you could sell everything you own and buy one amazing piece, like an Eames lounger or a Conran egg chair!’
The Mindy paradox: sense and nonsense sharing a twin room – or even a bed, like Morecambe and not-so-Wise.
‘I suppose I could. It all depends how badly Rhys wants me out, versus how badly he wants to make life difficult for me. Too close to call.’
‘I can talk to him if you want.’
‘Thanks, but … I’ll give it a go first.’
We walk over to the window and the city rooftop panorama spreads out before us, lights winking on as dusk falls.
‘It’s so glamorous,’ Mindy sighs.
‘Too glamorous for me, maybe.’
‘Don’t do that Rachel thing of talking yourself out of something that could be good.’
‘Do I do that?’
‘A bit.’ Mindy puts an arm around me. ‘You need a change of scene.’
I put a reciprocal arm around her. ‘Thank you. What a scene.’
We study it in silence for a moment.
I point.
‘Hang on, is that …?’
‘What?’ Mindy squints.
‘… Swansea?’
‘Piss off.’
8
Mindy has to
