Sins of the Flesh. Colleen McCullough
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Finally, as the big clock on the wall opposite her desk said 4.47 a.m., she eased into the padded armchair behind her desk and opened the cupboard door that occupied her desk’s right side. A safe with a combination lock came into view. Cupping her hand around the striated and sparsely numbered disc, she performed the necessary twirls back and forth until, with a faint “thunk” the last tumbler disengaged. Her hand dropped. A stupid thing to do—anyone trying to see her manipulate the disc would have to have eyes in the end of the chair arm, yet still she did it every single time. That was the obsession, of course. Like knowing no one’s back was going to break because you trod on a crack—but what if someone’s back did break? Therefore you stepped over the crack just to make sure. Rituals were so powerful, so stuffed with meanings that went all the way back to the apes.
“Language,” she said as she lifted bundle after bundle of files out of the safe, “is an expression of the complexity in a brain. Like the verb ‘want.’ An animal can indicate want by making some physical movement or gesture of vocalization aimed at want fulfilment. ‘I want it!’ Only a human can actually say it, including indications of the degree of want, the specific kind of want, the niche want occupies. Without moving any muscles except those of the lips and tongue and upper airway. How do the pathways open up between an infant’s saying ‘I want!’ and a mature adult’s saying ‘I want, but I can’t have my want because to take it would destroy someone else’s superior entitlement to it?’”
Her voice died to a mutter. “What, in the pathways to maturation, can possibly overcome the most primal urge of all—want? Oh, Jess, there is an answer, and you’re the one will find that answer, you are, you are!”
It was a big office, and well furnished, but she hadn’t lit the overhead fluorescents, just flicked on the green-shaded lamp goosenecked to her desk; the room’s far corners were plunged into utter darkness, and unexpected shadows lurked, shook, trembled whenever the worker at the desk changed position. Something in Jess loved this encroaching blackness—as if she, and she alone, held it at bay; it was a harmless demonstration of power, and, being harmless, could be condoned. Mindless power—now that was something else again, never to be condoned.
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