The Bride Stripped Bare. Nikki Gemmell
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You don’t have, any more, a sanctuary in kindness and good deeds and surrender; you’re changing, you can feel the souring. A thrill plumes through you when couples split, a feeling that order’s restored, that it’s the way we’re all meant to be, alone. You feel a little electric charge when friends lose their jobs or their new magazine’s panned, when a baby’s miscarried or the heavens hurl rain on a wedding day. What have you become? Unhinged, no longer a doormat, just like everyone else?
But something is beginning to unfold within you. An idea: to live less tentatively, more selfishly. You’re intrigued by people who seem foolish and passionate and ridiculous, but alive with all the mess that that entails. You’ve always been too cautious. Too gentle for newsroom journalism, Cole said once, not scary or neurotic enough, thank God.
Trapped by blandness. And fear. And a knowing that it’s easier to instruct than to act.
You wonder about those people who just disappear. Theo had a friend who was stuck in a life she didn’t want and one day she said I’ve just got to pop into Tesco and she left her husband in the car park, and never came out. He waited for three hours before raising the alarm.
You wonder about mining a more dangerous seam of yourself. You’d like to try harder to be beautiful, or at least interesting; beauty is power, your mother’s taught you that. She’d say for God’s sake get rid of those glasses, when you were a teenager, try and make yourself presentable, as if you couldn’t possibly be hers.
You glimpse your first grey hair and twang it out, and then you pluck at the tiny almost invisible hairs on your chin and your belly and feel a thrill as they slide out, feel as if your life, your real life, is perhaps beginning. You have to make it begin, you can’t just give up. Before, life was something that always seemed to happen to other people. Like Theo.
the great necessity of life is continued ceaseless change
A resolution, in mid-August. You have to move beyond this mewly time, all whingy and wrong, you have to haul yourself out. A resolution that some of the momentous issues in a relationship can in the end only be ignored if you want the relationship to survive, they can’t be worked through and tossed out. Which is why, perhaps, some people in long-term partnerships have learnt to to live with what they don’t like. To reclaim the calm. You’ve seen it in marriages that’ve weathered infidelity, have seen them contract into a tightness in old age. Do you want the relationship to survive?
It’s easier to stay than to go.
You can’t bear the thought of parties again and singles columns and intimate dinners that don’t work, of always trying to find a way to fill up a Friday night. And you were meant to be trying for a baby soon. Cole wants to be a father some day. When you found him it was like a candle to a cave’s dark and to throw it all away after you’ve got to this point, you just can’t. You’ve had the most satisfying relationship of your life with him: you’re sure the glow of companionship can come back.
Cole wants the marriage to last. Everything is denied. He doesn’t want to bail out.
You don’t want Theo to win. Sometimes you fear this consideration drowns out everything else. You can beat her with this; you can’t recall beating her at anything.
So, a resolution.
You will live with the silences between Cole and you now. For you’ve stopped the talk, both of you, you’re away in your separate rooms: he in his study, you in the bedroom, too much. At least there’s no sex and you’re relieved at that, for the memory of it has now distilled to two things: when he didn’t come it was frustrating and when he did it was messy, often over your stomach and face, like a dog at a post claiming ownership.
So many ways to live like a prisoner.
But a resolution, to find a way back into a happy life. Although God knows when the fury will soften from you.
You concentrate for the moment on making the flat very beautiful, very spare and pale, like the inside of a white balloon. To your taste, for compromise has been lost. You’ve never dared impose your will so much. The builders come to know a woman who’s never been allowed out before, especially with Cole, a woman stroppy, shorttempered, blunt.
And the flat, the beautiful flat, fit for a spread in Elle, is as silent as a skull when you enter it.
An emptiness rules at its core, a rottenness, a silence when one of you retires to bed without saying goodnight, when you eat together without conversation, when the phone’s passed wordlessly to the other. An emptiness when every night you lie in the double bed, restlessly awake, astounded at how closely hate can nudge against love, can wind around it sinuously like a cat. An emptiness when you realise that the loneliest you’ve ever been is within a marriage, as a wife.
provide yourself with a good stock of well-made underlinen
The café in Soho. The Friday before the August Bank Holiday. Hot, festively so. A man is at the table beside you, reading a newspaper, The Times.
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