Sleep No More. Aprilynne Pike
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“Charlotte. I didn’t see you.”
“That’s okay.”
We’re both silent for a few seconds. “I’m so sorry about Bethany.” And somehow, just saying the words—apologizing to someone—makes me feel better. “I know she was your friend,” I add in a mumble.
He nods stiffly.
“If I can … if you ever need, I don’t know, someone to talk to or something,” I blurt, half mortified at what I’m saying.
He stares at me for several long seconds before a ghost of a smile touches his mouth. “That’s really nice of you. I—” He hesitates and for a moment I think he’s actually going to say something—something meaningful. “I’ll remember that you offered. Thanks,” he says, and then wanders away with a small hand flutter instead of saying good-bye.
I watch him go with an ache in my heart. Somehow, seeing Linden hurt like this makes my remorse even worse.
He doesn’t show up to choir.
When school gets out, I know I should hurry home. My house is literally within sight of the front gates of the high school and though I finally convinced my mom to let me walk to school this morning, she wheeled out to the front porch and watched me the entire way.
She’ll stress until I walk back in the door.
But I need a few minutes.
I slump against the worn metal door of my locker, letting my back slide down until my butt hits the floor. I rub at my temples. I’ve been in a blur all day, but my head feels downright cottony now.
Oh no. My eyes fly open. “I’m so stupid,” I mutter to myself. I’ve been so distracted by my own guilt and pain I didn’t recognize the signs. The very last thing I want to do right now is to fight another foretelling; it’s harder when I’m feeling emotionally vulnerable.
And there’s something else. Something new: fear. After the horror of the last vision a tiny quiver clenches in my stomach at the thought of losing a fight again. Of seeing something like that again.
I briefly wonder if I can make it all the way home and into my bedroom before it overtakes me, but even if the pressure in my head weren’t already starting to build, I suspect my mom won’t let me get past her without at least five minutes of talk—she hasn’t been able to focus on anything except Bethany all weekend.
Fine, it’s gotta happen here in the hallway. I can handle this. I can do it.
At least I don’t have to worry about anyone looking at me funny. Everyone is out of it today. I brace my forehead on my knees and stare steadfastly at the tiles on the floor, forcing a black veil over my second sight. Bracing myself to hold it there the way Sierra taught me.
A savage storm rips it away.
Not again! In my head, I grasp for the blackness and for just a second the imaginary drape slides into place and I think I’ve won.
Maybe I even could have won if I weren’t already exhausted. But the last dregs of my mental strength aren’t enough when a fistful of fingers reaches forward and rips the curtain away again and the same vise from last week squeezes my skull until I want to scream in agony.
I can’t erect a strong enough barrier to block it, and then the fingers are pushing into my mind, taking over, and I’m tumbling down the river. Then falling. Falling.
The darkness flees, leaving me standing in a strange grayness.
It’s snowing. Those thick, heavy flakes that fall silently and feel like a blanket being laid over the earth. My vision self breathes a sigh of relief. We haven’t gotten our first real snow yet. Whatever I’m about to see, good or bad, I should have some time. Not like Bethany.
As the vision forces my feet to walk, I start resisting again. Fighting with every ounce of strength I have left. Not because of Sierra or the rules.
Because I’m terrified.
I’ve never been so afraid of what might be waiting for me. I know what a vision this strong can bring and I don’t ever want to see something like that again.
But my feet keep striding through the cottony snow. There’s a large, dark shadow in front of me. Not a person, a thing. A truck, I realize when I get closer. The truck is sitting on a dirt road, but there are no streetlights. The sky is cloudy, so I can’t tell how full the moon is—that would have been helpful; maybe I could have looked it up. The filtered moonlight and distant lights from town are reflecting off the pure white snow and the billowy clouds above, giving the night air a strange orangey glow that always comes with this kind of thick, silent snowfall.
The door of the truck hangs open, and at first I don’t see anyone inside. But there’s something … I gasp as I realize the dark stain I’m seeing on the far side of the windshield is blood. A huge spatter of blood decorating a spider-webbed crack in the glass.
I swallow hard as dread eats at my stomach, but I can’t stop my legs from continuing to carry me to the truck, my neck from peering around the open door. And even though I squeeze my eyes shut, only my physical eyelids close.
My foretelling eyes have to see.
He’s draped facedown on his stomach across the bench seat, with his hand wrapped around his phone. Trying to call for help, I suspect. I try not to see the rest, but bile rises in my throat as I force back a sob and take in the details. It’s gunshot wounds this time, instead of a knife. One, two, three, four, five of them up his back before the veritable crater in his skull that makes me sway on my feet. Each wound is a gaping hole in his skin—through his coat. Five ripped circles stained with still-wet blood that looks shiny black.
His head … I can hardly focus. It’s too much. His hair is sprinkled with fragments of bones and small bits that I’m pretty sure belong inside his skull. The bullet must have done this, then kept going through the windshield on the far passenger side—making the bloody star I saw first.
He never had a chance. I swallow hard and remind myself to observe. I have to be brave enough to face this horror—figure out where he is, who he is. I can’t move my feet to where I want them to go, but if I crane my neck I can see just a little bit better. I force myself to look past the bloody mess of his hair and try to make out his profile in the dim light.
I throw my hand over my mouth. He’s one of the basses in our performance choir. A sophomore, younger than me.
Matthew. Matthew Phelps. He was in one of my art classes last year too.
With my fists clenched, I whirl around, trying to take in my surroundings. I don’t know if I can do anything to save him, but figuring out where we are is definitely the first step. Coldwater is a pretty spread-out community with a forest on the west end of the city. I think that’s where we are now. I’m surrounded by bare, spindly trees, but I’m not in the middle of nowhere. Just off the paved road. There’re a bunch of rich-people houses, up on what passes for mountains in Oklahoma, that don’t have paved roads leading to them. Maybe Matthew lives there.
Maybe he was just going home. And some guy asked him for directions. Then