needs you, Madison.” Trevor leaned forward in his chair, his eyes intent on her perfectly made-up face. “PopTV wants another hit show. And you and I know how to make that happen.” His voice was low, almost conspiratorial.
Madison took a sip of her coconut water. She’d already told her agent, Nick, she was going to say yes—the network had met her financial demands (only slightly begrudgingly), and a new TV show meant more magazine coverage and better endorsement deals—but she wanted to make Trevor work for it. He didn’t know that Madison’s Makeovers wasn’t getting picked up for a second season—no one did yet—and she wasn’t about to tell him. After all, the ratings had been totally decent by PopTV standards. Why else would Trevor Lord, the executive producer of L.A. Candy, and his cohort (aka minion) Dana be here at Soho House (which Madison had picked for its proximity to her apartment and its to-die-for seared-ahi salad, and because she liked to exercise her membership privileges as much as possible) to lure her away from it? Besides, this way she could have her publicist leak a story from “a source close to her” saying that Madison, not the network, had decided to end Madison’s Makeovers so she could film The Fame Game.
Trevor ignored the hovering waiter, who was trying to decide whether or not to refill the producer’s coffee cup. “Madison’s Makeovers is a great show, but it’s not about you. Aren’t you tired of telling people to get a haircut and lose twenty pounds? I mean, Self magazine tells them to do that every month.” Trevor finally glanced up at the waiter, but only to shoo him away. “Your talents are being wasted, Madison,” he said.
Madison raised a carefully plucked eyebrow. “Wow, Trev, you really know how to charm a girl.”
He offered the barest hint of a smile. “You know what I mean.”
Madison turned to Dana, who was, as usual, emanating super-stress vibes. Bluish bags sat below her eyes and her hair looked drier than a pile of autumn leaves. Talk about someone who could use a Madison makeover! She was such a contrast to Trevor, who always appeared effortlessly poised and polished, as if someone had taken a buffer cloth to him. Dana didn’t smile at her, and Madison swiveled back toward Trevor. “I don’t think I do know what you mean,” she said. “Why don’t you spell it out for me?” This was the best part of the process. Being wooed. And if anyone knew how to make a girl feel like the most spectacular thing that ever walked this planet it was Trevor. Unfortunately he could take it away just as quickly. So Madison was going to draw this moment out. Savor it.
“You crave drama. You love to be the center of attention. You want all eyes on you, Madison Parker.” He sat back and folded his arms across his broad chest.
Madison sniffed, unimpressed. Trevor couldn’t come up with anything better than stating the obvious and then acting as if he’d made some brilliant discovery? He thought he was so slick!
Admittedly, during the filming of L.A. Candy, Madison had needed Trevor. He was the one who had the power: He chose the story lines; he decided who got the most airtime. But now? Trevor needed her. Madison knew from Nick that without her, PopTV wouldn’t green-light The Fame Game.
Madison gazed off toward the far side of the restaurant, as if contemplating the view (the Pacific Design Center, the primary-colored structures standing out amid the surrounding white buildings and green trees), and then snapped her blue eyes back to Trevor. “I’m the star?”
“Always,” Trevor said with a smile. “Your fans want to see you.”
Madison couldn’t suppress a small return smile. Of course her fans wanted to see her. For two seasons of L.A. Candy, Madison had shared her life, her ambitions, and even her painful, once-secret past with them. At first Madison had been furious—like, almost homicidally so—at her sister for revealing the trailer-park roots that she’d worked so hard to hide. But once the tabloid storm blew over, she realized that her hardscrabble past had only made her more popular. More relatable. She hadn’t exactly forgiven Sophie (or Sophia, as she now insisted on being called), but she no longer wanted to cut off her air supply at first glance.
“It’ll be similar to L.A. Candy,” Trevor went on. “You and some other girls.”
He said this as if it hardly mattered, but immediately Madison stiffened. “What other girls?” she said coolly.
She understood that this was how these shows worked—the producers got together a group of supposed friends, or a crazy, dysfunctional family, or a bunch of outrageous coworkers at a quirky salon/construction site/tattoo parlor—but she had no interest in sharing the spotlight. She’d done that in L.A. Candy. She’d put in her time, and now it was time for Madison Parker to take center stage. It was her turn to shine.
Trevor shrugged noncommittally. “PopTV likes the format of four girls on the verge of making it.”
“Oh, Trev,” Madison sighed, as if speaking to a child who couldn’t possibly understand. “I’ve already made it. I’m no longer on the verge.”
Trevor and Dana shared a look Madison couldn’t decipher, and she felt an unpleasant jolt of anxiety. Maybe they did know about Madison’s Makeovers after all. Although she hated to admit it, Madison knew that Trevor was right: She hadn’t made it, not yet. Every time she took a step forward, something was there to knock her right back. How was she supposed to know that that innocent-seeming girl from Walnut Creek was allergic to Botox? (But not at all allergic to lawsuits? And that if someone sued the show, they were suing Madison’s production company, too?) And how was she supposed to know that the trainer the show had hired was married? He never wore a ring, and he certainly didn’t mention his wife when he was hooking up with Madison in an airplane bathroom. The network had managed to keep these things quiet so far, but various uptight executives had apparently decided that they couldn’t afford for the show to go on.
“Oh, you’re on the verge all right,” Trevor said. “The verge of hitting the next level.”
Nice save, Madison thought. “And the other three girls?” she asked. “Who are they?”
“Gaby.” Trevor touched his pointer fingers together, ticking off a list. “Plus two others, obviously. We’re still working on casting them.”
Madison nodded. Gaby made sense. She was far from the brightest candle on the cake (and that was putting it nicely), but she was good for a laugh at least. She was the only other person left standing from L.A. Candy, after Scarlett split for Columbia and Jane metamorphosed back into the boring girl next door that Madison had always known she was. So, okay, Madison and Gaby would be reunited on the small screen. Fine. But Madison didn’t believe for one millisecond that Trevor was still searching for the girls who’d play the other two parts.
“Give me a hint about the other two, at least,” she tried.
Trevor looked at Dana, who tapped her long fingers anxiously on the table. “We’re not sure yet, but we want someone in the music industry. And we need someone who is trying to be an actress,” he said. “I mean, this is L.A., after all. Every waitress has a demo reel and a head shot.”
Madison stifled a laugh. An Adele wannabe and some misguided silver-screen striver! The musician, whatever. But the actress? Madison would like to meet the poor girl who thought that a reality show was a ticket to future starring roles. Unless you were already established, a reality show was death to an acting career. That was Hollywood 101. Sure, you gained notoriety, but you spent your entire career battling the stigma of being a “reality star.” No serious producer would have you in his movie unless it was a one-line cameo during which you mocked your small-screen self. Sad.
Madison toyed with a lock of her
