The Lost Landscape. Joyce Carol Oates

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the little girl carefully printed, beneath the drawings

      HAPPY CHICKEN

      Sometimes, visiting relatives would peer at the little girl and me from the kitchen doorway, as the little girl sat on the floor beside my box drawing me, and I was tilting my head blinking and clucking at her.

      The little girl would overhear people saying Is that just a—chicken? Or some special kind of guinea hen, that’s smarter?

      For it had not ever been known, that a “chicken” could be a pet, in such a way. At least, not in this part of Erie County, New York.

      Between a chicken and a little girl there is not a shared language as “language” is known. Yet, Happy Chicken always knew his name and a few other (secret) words uttered by the little girl and the little girl always knew what Happy Chicken’s special clucks meant, that no one else could understand and so when the Mother, or the Father, or any adult, asked the little girl what on earth she and the little red chicken were talking about, the little girl would repeat that it was a secret, she could not tell.

      Sometimes, at unpredictable moments, I felt an urge to “kiss” the little girl—a quick, light jab of my beak against the girl’s hands, arms, or face.

      And the little girl had a special little kiss on the top of the head just for me.

      I WAS A YOUNG chicken less than a year old at this time in the little girl’s life when she hadn’t yet learned to run on plump little-girl legs without tripping and falling and gasping for breath and crying.

      If the Mother was near, the Mother hurried to pick up the little girl, and comfort her. If the Grandmother was near, the Grandmother was likely to cluck at the little girl like an indignant hen and tell her to get up, she wasn’t hurt bad.

      If the Father was near, the Father would pick up the girl at once, for the Father’s heart was lacerated when he heard his little daughter cry, no matter that she hadn’t been hurt bad. (But the Father was not often nearby for he worked in a factory seven miles away in Lockport, called Harrison Radiator.)

      But always if an adult wiped the little girl’s eyes and nose the little girl soon forgot why she’d been crying even if she’d bruised or scratched her leg—the little girl cried easily but also forgot easily.

      When you are a little girl you cry easily and forget easily.

      Nor is it difficult to appear happy when you are a young chicken and without memory as the smooth blank inside of an egg.

      The Mother had chosen the little girl’s name Joy-ce Carol because this seemed to her a happy name, there was joy in the name, when people spoke the name they smiled.

      The Mother was a happy person, too. The Mother was not much older than a schoolgirl when the little girl was born but the little girl had no notion of what “born” was and so the little girl had not the slightest notion of how old, or how young, her pretty curly-haired Mother was, no more than Happy Chicken had a notion of anyone’s age.

      This was the time when the little girl was an only child and so it was a happy time for the little girl who had her own room (separated by just a walk-in closet from her parents’ room) upstairs in the clapboard farmhouse. One day soon it would be revealed that the little girl was just the firstborn in the family. There would come another, a baby brother with the special name Robin, competing for attention and for love the way the squawking chickens competed for seed scattered in the barnyard at their feeding time.

      The little girl had no notion of this amazing surprise to come. The little girl had no notion of anything that was to come except a promise of a drive to Pendleton for ice cream, or a visit with the Other Grandmother (the Father’s mother) who lived in Lockport, or a holiday like Christmas or Easter, or the little girl’s birthday which was the most special day of all June 16 when dark-red peonies bloomed in profusion along the side of the house as the little girl was told, just for her.

      On her fourth birthday, the little girl was allowed to feed cake-crumbs to me, while the adults looked on laughing. Happy Chicken was allowed to sit on the little girl’s lap, if the little girl held me snug, and my wings tucked in, inside her arms.

      Pictures were taken with the Father’s Brownie Hawkeye camera.

      Pictures of little Joyce Carol and Happy Chicken, 1942.

      With a frown of distaste the Grandmother would say, in her broken English, A chicken is dirty. A chicken should stay on the floor.

      The Grandmother did not like me though sometimes the Grandmother pretended to like me. In the Grandmother’s eyes, a chicken was never anything more than a chicken. And a chicken was only of use, otherwise worthless.

      Outdoors, when the little girl was nowhere near, and the Grandmother approached, I knew to flee, and to hide. Always to flee and to hide away from the other chickens, so brainlessly scratching and pecking in the dirt, in the darkest corner of the barn or far away in the orchard.

      A chicken is not dirt-y, the little girl protested. Happy Chicken is nice and clean.

      And so when a small dollop of hot wet mess came out of my anus, which I could not help, and onto the little girl’s shorts, the adults pointed and laughed, and the Mother quickly cleaned it away with wadded tissues as the Grandmother made her clucking-tsking noise.

      The little girl was embarrassed, and ashamed. But the little girl always forgave me. And soon forgot whatever it was I’d done, because she was such a little girl, and forgot so easily, and was soon again stroking and petting me, and kissing the bone-hard top of my head.

      Happy Chicken—I love you.

      BECAUSE SHE WAS SUCH a little girl the little girl was always hoping that all the chickens would like her, and not just Happy Chicken who was her pet. Naively the little girl hoped that the rooster—(who was even more handsome than Happy Chicken, and much larger)—would like her. And so the little girl was continually being surprised—and hurt—when the rooster ignored her or worse yet bristled his feathers indignantly and rushed to peck at her hands or bare knees sharp enough to draw blood.

      Many times this happened, that the little girl cried Oh!—and ran away frightened, and sometimes Mr. Rooster would chase her, and if the Grandfather was watching he would double over in laughter as if he’d never seen anything so funny. The Grandfather had a loud sharp laugh like bottles popping corks. His barrel chest would shake, his small shrewd eyes would shrink in the fleshy ridges of his face, his laughter turned into snorts, wheezing, coughing. Such loud, protracted coughing. And still, the Grandfather was laughing. For nothing amused the Grandfather more than someone chased by that goddamn bird unless it was the sight of the Grandmother’s white sheets billowing on the clothesline so hard, in such wind, clothespins slipped and a sheet sank to the ground and the Grandmother came running out of the house, furious, agitated, muttering in a strange guttural speech the little girl did not understand and that frightened her, like the loud shrieks and squawks of the chickens when something threw them into a panic, so the little girl stood very still and cringing and shutting her eyes pressing her hands over her ears like one who is waiting for something distressing to go away, stop.

      If the little girl was inside the farmhouse, and heard a sudden squabble outside, a sign that someone or something was agitating the chickens, the little girl would run outside immediately to search for me. Oh oh oh—where

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