see something.”
I shake my head, pushing into my memory. “No.”
Then I remember the pictures on my phone, scroll through the shots and show him the clearest one, which isn’t clear at all. He takes the device and squints at it.
“Hard to see his face, you’re right. Email it to me,” he says. “I’ll have our guys work their magic. Maybe we’ll get something.”
He hands the phone back to me. I quickly forward the image to his email address. We sit a moment, both of us lost in thought.
“So, look,” he says, dropping a hand on my arm. “The next time you see him, call me right away. Linger if you can safely. I’ll get there fast or send someone.”
“Okay,” I agree.
We talk awhile longer. He promises that he’s following up this lead with everything he has. He must have other cases, other priorities, but when I’m with him he always makes me feel like Jack is the most important thing on his mind. He’s convinced his superiors not to close the case, won’t turn it over to cold cases, even though he’s hinted that there’s pressure on him to do that. It’s been nearly a year.
“This new information,” he says. “I have a feeling about it.”
I do, too. Why does that make me feel worse instead of better?
“I’m not letting this go,” he says. “I promise you that.”
* * *
Though I’m not really dressed for it in heels and a pencil skirt, I walk up Fifth Avenue. My head is vibrating, thoughts spinning—Detective Grayson, and killers for hire, how maybe for a thousand dollars someone ended my husband’s life. A thousand dollars. And if that’s true, is the man who killed Jack the same hooded man following me? I swallow hard, there’s a bulb of fear and anger stuck in my throat.
I let the current of the city take me. Its energy pumps and moves; it doesn’t stop for any reason, ever, not even the death of the most important person in your life. It just keeps pulsing, pushing, a flow that you have no choice but to follow.
At the light, I dig into my bag and find that amber vial Layla gave me—not the sleeping pills, but the pills she said were for nerves. I dry swallow a white one. No idea what it is. I really don’t care as long as it quiets the siren of anxiety in my head.
Then I put my headphones in, and listen to my go-to, a David Bowie playlist. I keep walking, heading toward the office. I’m just getting into it, feeling lighter, less mired down, when the music stops and the phone starts ringing. Dr. Nash returning my call.
“Poppy?” she says when I answer. “Everything okay?”
Still marching up the street, I tell her everything—the dreams, Layla’s ideas, Detective Grayson’s revelations. I always think it looks crazy, when someone has her headphones in, gesticulating, walking, talking to someone whom no one else can hear. The modern age has turned us all into ranting schizophrenics.
“That’s a lot,” Dr. Nash says when I’m done. “Why don’t you come in on Thursday? We can talk it through.”
I almost tell her. That I’ve been mucking with my dosage, taking mystery pills, drinking, that last night I took Layla’s stronger sleeping meds, two of them. That I just took something else without even knowing what it is. But what does that make me? I stay quiet.
“Okay,” I agree. “Why am I dreaming more?”
It feels disingenuous to ask this question when I know she only has part of the information she needs to answer it. Still I’m hoping for an answer that makes me feel better.
“You’re probably not dreaming more?” It sounds like a question. “Perhaps you’re just remembering more, which—could be a good thing.”
How? I wonder. How can it be a good thing to lose Jack again night after night? I know her answer about dreams being the gateway to our subconscious, how it’s a place where we work out the things our conscious mind presses away. That pain is a doorway we must pass through to get to the other side of grief and loss. She’s saying something to that effect as I flash on the filthy bathroom floor, the heat of that stranger’s kiss.
“I’d like you to stay on this lower dosage,” she says.
Here again I almost spill it, then don’t. I silently vow to give Layla back her pills, stay on the dosage Dr. Nash prescribed. I’ll tough out any hard nights ahead. Because I want to get off the pills, too. I don’t want her to know how badly I need them, how painful is the night. Daytime is easy; I can busy-addict myself into constant motion. It’s when dusk falls, and energy lags, that the demons start whispering in my ears. When the sun goes down, darkness creeps in, coloring my world gray.
“If you dream vividly again, don’t forget that journal,” Dr. Nash is saying. “Write everything down for our session. Poppy, I really do want us to think of this as good news.”
“Good news,” I repeat, not feeling it.
“If your memories of that lost time are coming back, it means that you’re stronger. And if Detective Grayson has a lead, you may be closer to closure on what happened to Jack. I know you don’t think it matters, but it could be so healing to finally understand.”
That sketched face swims before me, just a drawing of someone who may or may not be real. Was that the last face Jack saw? The thought gnaws at my stomach, cinches my shoulders tight. Why wasn’t I with him?
I want to argue with her. How would it be healing to think someone hired a man to kill Jack? Who would do that? Why? A thought, something dark, tugs at me, something from one of my dreams last night. When I chase after it, it disappears.
“Maybe,” I say instead.
“I’ll see you Thursday,” she says. “But call me if you need me. Day or night. You know that.”
Then, just as I end the call and stop to put my phone in my bag—there he is, following a half a block behind me. A hulking man in a black hoodie, head bent. He stops suddenly when I turn to him, disappears into a doorway.
I quickly dial Detective Grayson, but he doesn’t pick up. Most people would be running away. But instead, I start moving back downtown in his direction.
“He’s here,” I tell Grayson’s voice mail. “Following me up Fifth Avenue. I’m at Fifth and Eighteenth, moving south, back downtown. He ducked into a doorway and I’m following.”
Which is crazy. Maybe even—dare I say it—suicidal. But I keep walking, hugging closer to the buildings, waiting for him to pop back out of the shadows. It’s broad daylight, the avenue as ever a rush of professionals, artists, students, tourists, shoppers flitting between Sephora and Armani Exchange, H&M, Victoria’s Secret; traffic a stuttering wave of sound and motion. But it’s all distant white noise as I move toward where I’m sure I saw him disappear. I press myself against the building and then spring into the doorway that’s set back from the building wall.
There’s no one there. How can that be?
I reach and pull on the handle of the large black metal double door between
