Torn. Chris Jordan
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“I heard it was Roland Penny. He’s harmless, Haley. Roland would never hurt the children.”
“Who?”
“Roland Penny. Kids used to call him ‘roll of pennies.’ Local boy. The cops have pictures from inside. Cell phone images. They recognize him.”
I want to believe her, that everything will be okay, but something in me can’t. Something in me expects the worst.
“Someone got shot,” I say. “That’s what we heard.”
Helen nods. “They think it was poor Leo Gannett. He’s been chief for years and he’s got a long history with Roland Penny, from when Roland was a kid.”
Just listening to her, my heart starts to slow, approaching something like normal. “How do you know all this?”
Helen smiles, her eyes crinkling with affection. “My sister’s boy, Thomas. He’s with the State Police Emergency Response Team. That’s him over there by the ambulance. Isn’t he a handsome boy? Listen to me, Haley. They’ve got it under control. They know who they’re dealing with. That’s what Thomas says and I believe him.”
“They’re going to start shooting, aren’t they?”
More men with SWAT lettered on their backs, a whole team armed with deadly looking rifles is assembling near one of the emergency exit doors.
“Not unless they have to,” Helen assures me. “They know about all the children, Haley. They won’t risk hurting the kids.”
“What does he want, this crazy man? What does he want?”
Helen shakes her head and sighs.
10. Can You Help Me Occupate My Brain?
Nobody warned him about the smell. Pack a hundred and fifty little kids in a gymnasium, scare the pee out of them, and you get these nasty, eye-watering fumes. Roland has been to the old Yankee Stadium exactly once in his life, on a church-sponsored outing for troubled youths, and the stadium lavatories smelled a lot like this, overflowing with urine and puked-up beer. No beer stink today, so it could be worse. And if the little brats are weeping and wailing—and many of them are—he can’t hear a thing, thanks to the Black Sabbath tracks bruising his eardrums. Turns out to be a good idea, the iPod, providing a useful soundtrack to events that have been ever so carefully orchestrated. Helps him concentrate. Leave the earth to Satan and his knaves. Yeah. Go Ozzy.
As to the plan, so carefully conceived by The Voice, so far so good. The essential action, taking out the cue-ball cop, had proved even easier than Roland had imagined. He’s destroyed the man thousands of times in his imagination, sometimes roasting him alive, but this had been as simple as raising the weapon and applying the slightest pressure on the customized trigger. What with the music pumping through his earbuds, he never even heard the pop. And old cue ball went down like a puppet with cut strings. Roland was expecting him to be blown backward, like in the movies, but the reality was he simply dropped where he stood, dead before he hit the floor.
True, there was a disturbing amount of blood, but Roland managed not to obsess on that, and whipped the blue tarp out of his handy little cart, covering both the body and the blood, exactly as he had been instructed. Out of sight, out of mind. Besides, it felt really good, knowing his old nemesis was no longer in the world. And when he saw the stricken looks of shock and horror coming from all those little faces in the stands, and the teachers recoiling in fear, man, he got pumped. What I’m talkin’ about, dude! Carpe diem like the book said. Seize the day. Make it your own. Establish who you are and what you desire. Ignore all contrary voices, tune them out, find your inner voice and concentrate on what you want. Visualize it. Make it so.
And he’d done it, he’d made it so. Told the stubby little principal to take the chains and padlocks he’d provided. She had followed his command, chained the exit doors, and then when a glimpse of defiance flashed in her beady little eyes, he promptly cuffed her with the late cue ball’s own official cop cuffs and commanded that she sit down, shut up, or get tarped. After that she was compliant, didn’t have the courage to look him in the eye.
“Listen up, toadstools! Anybody moves, I open fire, okay? And when the clip is empty, I detonate the bomb! Did I mention the bomb? No? Well, I got a bomb. And it’s really cool. Fifty pounds of C-4, which is enough to turn you all into jelly beans!”
Roland is unaware that with the music blasting, he’s shouting in a way that makes him sound like a raving madman. A babbling, out-of-control psycho. But that makes him all the more effective. None of his captives doubt that he will kill again at the slightest provocation.
“So stay in your seats!” he shouts. “Don’t move! You want to use your phones, make a few calls, go ahead! Let ’em know I got it under control!”
He raises his other hand, showing off the Sony TV remote he has cleverly modified, guided by The Voice. “See this! It’s a detonator! Tell all your friends! Press this button, we all go boom!”
Roland and The Voice had debated the cell phone issue when the plan was being formulated. At first Roland thought he should confiscate all the phones, take control of communication, but The Voice reminded him how difficult that might be. Many of the teachers would have cells, a lot of the kids might have them stashed, and texting made it easy to send messages without being obvious. One man couldn’t search all those kids and teachers, not by himself, and the whole purpose of the plan was that he do it alone, his own personal one-man show. Thus proving that he was ready to move on to the next level.
So the idea was, embrace the captives’ ability to communicate with the outside world. No need for Roland to use his own cell, or share his own identifying vocal patterns with the authorities. Let little Kelly or Timmy make the call. That way he can concentrate on managing the situation, not get distracted by some dippy hostage negotiator. Excuse me, Mr. Penny, would you kindly step into our telescopic sights? No way. The Voice was right. Let the communication flow. Concentrate on the plan. Execute.
And whatever you do, don’t look at the tarp, or what seems to be flowing out from under it.
“People think I’m insane because I’m drowning all the time!” he shouts, unaware that he’s singing along with the heavy-metal lyrics pounding into his head. “Can you help me occupate my brain?” he screams. “Oh yeah!”
He’s right. Everybody in the gymnasium, students and teachers, and staff, they all think he’s totally insane.
11. The Calculus Of Heaven
Noah is pretty sure what it means to be turned into jelly beans. That’s what happens when a bomb goes off. You get blown into pieces no bigger than jelly beans. Not that he intends to explain it to the other kids, many of whom are confused about what the crazy bad man said. Jelly beans? Is the bad man going to give us candy?
Noah is not even slightly confused by what has happened. He gets it. He understands that none of this is pretend. The bad man is not a funny clown; he’s a killer. It’s all very real. The bad man really shot the white-gloved policeman and then quickly covered the body with a blue tarp. The bad man made Mrs. K lock the exit doors, weaving bright new chains through the push bars. The bad man keeps waving his ugly black gun, alternating between making threats and singing along with his stupid iPod.
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