Velocity. Dean Koontz
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Instead, she found meaning in the species of the cadaver, in the circumstances of its discovery, in its position related to the points of the compass, and in other arcane aspects of its condition.
Her predictions seldom if ever came true, but Ivy persisted.
“Whatever it turns out to mean,” she told Billy as she picked up her order pad and a pencil, “it’s a bad sign. A dead possum never indicates good fortune.”
“I’ve noticed that myself.”
“Especially not when its nose is pointing north and its tail is pointing east.”
Thirsty men trailed through the door soon after Ivy, as if she were a mirage of an oasis that they had been pursuing all day. Only a few sat at the bar; the others kept her bustling table to table.
Although the tavern’s middle-class clientele were not high rollers, Ivy’s income from tips exceeded what she might have earned had she attained a doctoral degree in economics.
An hour later, at five o’clock, Shirley Trueblood, the second evening waitress, came on duty. Fifty-six, stout, wearing jasmine perfume, Shirley had her own following. Certain men in barrooms always wanted mothering. Some women, too.
The day-shift short-order cook, Ben Vernon, went home. The evening cook, Ramon Padillo, came aboard. The tavern offered only bar food: cheeseburgers, fries, Buffalo wings, quesadillas, nachos…
Ramon had noticed that on the nights Ivy Elgin worked, the spicy dishes sold in greater numbers than when she wasn’t waitressing. Guys ordered more things in tomatillo sauce, went through a lot of little bottles of Tabasco, and asked for sliced jalapeños on their burgers.
“I think,” Ramon once told Billy, “they’re unconsciously packing heat into their gonads to be ready if she comes on to them.”
“No one in this joint has a chance at Ivy,” Billy assured him.
“You never know,” Ramon had said coyly.
“Don’t tell me you’re packing in the peppers, too.”
“So many I have killer heartburn some nights,” Ramon had said. “But I’m ready.”
With Ramon came the evening bartender, Steve Zillis, whose shift overlapped Billy’s by an hour. At twenty-four, he was ten years younger than Billy but twenty years less mature.
For Steve, the height of sophisticated humor was any limerick sufficiently obscene to cause grown men to blush.
He could tie knots in a cherry stem with just his tongue, load his right nostril with peanuts and fire them accurately into a target glass, and blow cigarette smoke out of his right ear.
As usual, Steve vaulted over the end gate in the bar instead of pushing through it. “How’re they hangin’, Kemosabe?”
“One hour to go,” Billy said, “and I get my life back.”
“This is life,” Steve protested. “The center of the action.”
The tragedy of Steve Zillis was that he meant what he said. To him, this common tavern was a glamorous cabaret.
After tying on an apron, he snatched three olives from a bowl, juggled them with dazzling speed, and then caught them one at a time in his mouth.
When two drunks at the bar clapped loudly, Steve basked in their applause as if he were the star tenor at the Metropolitan Opera and had earned the adulation of a refined and knowledgeable audience.
In spite of the affliction of Steve Zillis’s company, this final hour of Billy’s shift passed quickly. The tavern was busy enough to keep two bartenders occupied as the late-afternoon tipplers delayed going home and the evening drinkers arrived.
As much as he ever could, Billy liked the place during this transitional time. The customers were at peak coherency and happier than they would be later, when alcohol washed them toward melancholy.
Because the windows faced east and the sun lay west, softest daylight painted the panes. The ceiling fixtures layered a coppery glow over the burnt-red mahogany paneling and booths.
The fragrant air was savory with the scents of wood flooring pickled in stale beer, candle wax, cheeseburgers, fried onion rings.
Billy didn’t like the place enough, however, to linger past the end of his shift. He left promptly at seven.
If he’d been Steve Zillis, he would have made a production of his exit. Instead, he departed as quietly as a ghost dematerializing from its haunt.
Outside, less than two hours of summer daylight remained. The sky was an electric Maxfield Parrish blue in the east, a paler blue in the west, where the sun still bleached it.
As he approached his Ford Explorer, he noticed a rectangle of white paper under the driver’s-side windshield wiper.
Behind the steering wheel, with his door still open, he unfolded the paper, expecting to find a handbill of some kind, advertising a car wash or a maid service. He discovered a neatly typed message:
If you don’t take this note to the police and get them involved, I will kill a lovely blond schoolteacher somewhere in Napa County.
If you do take this note to the police, I will instead kill an elderly woman active in charity work.
You have six hours to decide. The choice is yours.
Billy didn’t at that instant feel the world tilt under him, but it did. The plunge had not yet begun, but it would. Soon.
Mickey Mouse took a bullet in the throat. The 9-mm pistol cracked three more times in rapid succession, shredding Donald Duck’s face.
Lanny Olsen, the shooter, lived at the end of a fissured blacktop lane, against a stony hillside where grapes would never grow. He had no view of the fabled Napa Valley.
As compensation for his unfashionable address, the property was shaded by beautiful plum trees and towering elms, brightened by wild azaleas. And it was private.
The nearest neighbor lived at such a distance that Lanny could have partied 24/7 without disturbing anyone. This offered no benefit to Lanny because he usually went to bed at nine-thirty; his idea of a party was a case of beer, a bag of chips, and a poker game.
The location of his property, however, was conducive to target shooting. He was the most practiced shot in the sheriff’s department.
As a boy, he’d wanted to be a cartoonist. He had talent. The Disney-perfect portraits of Mickey Mouse and Donald Duck, fixed to the hay-bale backstop, were Lanny’s work.
Ejecting the spent magazine from his pistol, Lanny said, “You should have been here yesterday. I head-shot twelve Road