Robin Hood Yard. Mark Sanderson
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He preferred being on foot – relying on his own resources – to being driven by someone else. London was a never-ending variety show, every pedestrian a character in an impromptu promenade performance. It was impossible not to cheer.
Even so, as he strode down Ludgate Hill, St Paul’s standing proud behind him, his spirits sank. He’d two meaty stories to pursue, but what was the point if the country was waltzing towards war? His flat feet would keep him out of the army yet he was determined to make himself useful. Perhaps Adler could recommend him to the Ministry of Information when it was finally re-established.
He’d read too much to harbour any illusions about the reality of war. Chamberlain had declared there must be “no more Passchendaeles” – Johnny’s father had been killed in the battle in 1917 – but, for all his good intentions, he was a politician not a magician. Peace couldn’t be produced, like a rabbit, out of a hat. Before long, ignorant armies would once again clash by night. If Johnny couldn’t report on it he could at least help pick up the pieces: carry a stretcher or drive an ambulance. Matt, Lizzie and Lila Mae were the only family he had. It wouldn’t matter if he were blown to bits.
What bollocks! He shook his head to dispel the gloom. Evil had to be confronted wherever it lurked. He nodded to the commissionaire and headed for the lifts, noticing in passing that the sunburst ceiling, dazzlingly lit, made the doorman’s shoes shine.
A pall of silver cigarette smoke drifted over the stalls. Johnny, sprawled on the front row, smirked at the portrayal of hard-drinking, hard-talking newspapermen in I Cover the Waterfront. He could see why the American tale of people-trafficking had taken five years to reach these shores.
The ABC in Islington High Street had been the Empire until a few months ago. Movies had replaced music-hall turns in 1932. When he was a child his mother had often treated him to a Saturday afternoon show. In those days the Victorian concert venue had been known as The Grand. The more things changed the more they remained the same.
There was no food at home so he’d hopped off the tram at the Angel and bought a couple of stale rolls – at a discount – from the French & Vienna Bread Co. next door and smuggled them into the picture house.
If he was with a girl he usually steered her to the back row where, inevitably, the film took second place to smooching. However, when alone, he liked to be as close to the screen as possible so that the characters were literally larger than life.
Claudette Colbert, especially in the brothel sequence, was captivating – although he preferred her darting eyes in It Happened One Night – but Ernest Torrence’s evil sea-captain stole every scene. His best line came as one of the Chinamen he’d drowned was fished out of the Pacific: “Not more’n a day. Crabs ain’t got ’im yet.” The Scottish actor was dead now: gallstones.
As he cut through the crowd of couples dawdling in the foyer, reluctant to return to the real world, he regretted not asking Rebecca for a date. Once outside, all thoughts of her disappeared as torrential icy rain threatened to drown him.
His flat was not far away so he decided to make a run for it. Dead leaves made the pavements treacherous. Each time he skidded the gutters seemed to gurgle with laughter.
Key in hand, he turned into Cruden Street. There was someone huddled in the doorway.
“About fucking time,” said Matt.
Monday, 31 October, 8.30 a.m.
Despite reports to the contrary, the world was not coming to an end. Planet Earth had not been invaded by Martians. Johnny grinned at the gullibility of the public. The War of the Worlds was a radio play, not reality. Did no one read H. G. Wells across the Atlantic? All the same, he couldn’t wait to hear the programme.
Orson Welles, the director, claimed the whole thing had been a prank to mark Halloween. If so, why had it been broadcast the day before? And why had it created so much hoo-ha?
There was nothing new about using fake news bulletins for dramatic effect on the radio: Ronald Knox had used them in Broadcasting from the Barricades on the BBC, during which rioters were supposed to have taken over the streets of London. Johnny suspected the American press, like its British counterpart, was suspicious of the relatively new medium, afraid of its ability to report news so much quicker, and was seizing the opportunity to bash the competition. However, with Germany and Japan banging the drums of war, it had been cynical of Welles to capitalize on fears of global invasion.
“The balloon won’t go up for another year or so, if Wells is to be believed,” said PDQ. “In The Shape of Things to Come he predicts that a new world war will begin in January 1940.”
“Let’s hope he’s wrong.”
“Let’s hope you haven’t done anything wrong. Stone wants to see you.”
The red light above the door to the editor’s office went off and the green light came on. Johnny tapped on the polished wood and entered.
“Ah, Steadman. What have you been up to now?” Victor Stone peered at him over the top of his half-moon glasses.
“Sir?”
“I’ve had a call from our new Lord Mayor. Anything to tell me?”
“Wish I had.”
Stone smiled. “Stand at ease. Must be getting old, Steadman – no one’s complained about you recently. Quite the opposite, in fact. Leo said what a personable chap you were. I gather you met on Saturday.”
So Adler and his boss were on first-name terms …
“He wants to know who attacked him. Doesn’t trust the police.”
“Quite. Yet they’ve already ascertained the attackers used pig’s blood. Talk about adding insult to injury.”
“Attackers? Adler said the man was alone.”
“Indeed. But, according to the times established by the bluebottles, a single individual couldn’t have attacked all five banks as well as Adler.”
Where was Stone getting his information from? Why hadn’t anyone told him this? It was supposed to be his story. Johnny knew better than to ask.
“Is Adler clean?”
“As far as I know. Go on …”
Conscious of the black eyes boring into him, Johnny obliged. “Well, pigs aren’t kosher, are they? Jews consider them unclean. The blood could be a reference to some sort of dirty business. Insider dealing is even more common than people suspect.”
“Adler has only got where he is today by being whiter than white. He is extremely conscious of his reputation.”
“He that filches from me my good name …”
Johnny, not for the first time, had opened his mouth without thinking. Iago was a villain and, at this moment, quoting from Othello immediately raised the spectre of Shylock.
“Precisely.