Sam Bourne 4-Book Thriller Collection. Sam Bourne
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‘Blades: the new guns. Could be a fashion piece,’ quipped the Post, to much laughter from the Veteran Reporters’ Club whose monthly meeting Will felt he had just interrupted. He suspected this was a dig at him, suggesting he (and perhaps the Times itself) were too effete to give the macho business of murder its due.
‘Have you seen the corpse?’ Will asked, sure there was a term of the trade he was conspicuously failing to use. ‘Stiff’, perhaps.
‘Yeah, right through there,’ said the dean, nodding towards the squad cars as he brought a cup of Styrofoam coffee to his lips.
Will headed for the space between the police vehicles, a kind of man-made clearing in this urban forest. There were a couple of unexcited cops milling around, one with a clipboard, but no police photographer. Will must have missed that.
And there on the ground, under a blanket, lay the body. He stepped forward to get a better look, but one of the cops moved to block his path. ‘Authorized personnel only from here on in, sir. All questions to the DCPI over there.’
‘DCPI?’
‘Officer serving the Deputy Commissioner of Public Information.’ As if speaking to a dim-witted child who had forgotten his most rudimentary times tables.
Will kicked himself for asking. He should have bluffed it out.
The DCPI was on the other side of the corpse, talking to the TV guy. Will had to walk round until he was only a foot or two from the dead body of Howard Macrae. He stared hard into the blanket, hoping to guess at the face that lay beneath. Maybe the blanket would reveal an outline, like those clay masks used by sculptors. He kept looking but the dull, dark shroud yielded nothing.
The DCPI was in mid-flow. ‘. . . our guess is that this was either score-settling by the SVS against the Wrecking Crew, or else an attempt by the Houston prostitution network to take over Macrae’s patch.’
Only then did she seem to notice Will, her expression instantly changing to denote a lack of familiarity. The shutters had come down. Will got the message: the casual banter was for Carl McGivering only.
‘Could I just get the details?’
‘One African-American male, aged forty-three, approximately a hundred and eighty pounds, identified as Howard Macrae, found dead on Saratoga and St Marks Avenues at 9.27pm this evening. Police were alerted by a resident of the neighbourhood who dialled 911 after finding the body while walking to the 7-Eleven.’ She nodded to indicate the store: over there. ‘Cause of death appears to be severing of arteries, internal bleeding and heart failure due to vicious and repeated stabbing. The New York Police Department is treating this crime as homicide and will spare no resources in bringing the perpetrator to justice.’
The blah-blah tone told Will this was a set formulation, one all DCPIs were required to repeat. No doubt it had been scripted by a team of outside consultants, who probably wrote a NYPD mission statement to go with it. Spare no resources.
‘Any questions?’
‘Yes. What was all that about prostitution?’
‘Are we on background now?’
Will nodded, agreeing that anything the DCPI said could be used, so long as Will did not attribute it to her.
‘The guy was a pimp. Well-known as such to us and to everyone who lives here. Ran a brothel, on Atlantic Avenue near Pleasant Place. Kind of like an old-fashioned whorehouse, girls, rooms – all under one roof.’
‘Right. What about the fact that he was found in the middle of the street? Isn’t that a little strange, no attempt to hide the body?’
‘Gangland killing, that’s how they work. Like a drive-by shooting. It’s right out there in the open, in your face. No attempt to hide the body ’cause that’s part of the point. To send a message. You want everyone to know, “We did this, we don’t care who knows about it. And we’d do it to you.”’
Will scribbled as fast as he could, thanked the DCPI and reached for his cell phone. He told Metro what he had: they told him to come in, there was still time to make the final edition. They would only need a few paragraphs. Will was not surprised. He had read the Times long enough to know this was not exactly hold-the-front-page material.
He did not let on to the desk, to the DCPI or to any of the other reporters there that this was in fact the first murder he had ever covered. At the Bergen Record, homicides were rarer fare and not to be wasted on novices like him. It was a pity because there was one detail which had caught Will’s eye but which he had put out of his mind almost immediately. The other hacks were too jaded to have noticed it at all, but Will saw it. The trouble was, he assumed it was routine.
He did not realize it at the time, but it was anything but.
Saturday, 12.30am, Manhattan
At the office, he hammered the ‘send’ key on the keyboard, pushed back his chair and stretched. It was half-past midnight. He looked around: most of the desks were empty, only the night layout area was still fully staffed – cutting and slicing, rewriting and crafting the finished product which would spread itself open on Manhattan breakfast tables in just a few hours’ time.
He strode around the office, pumped by a minor version of the post-filing high – that surge of adrenalin and relief once a story is done. He wandered, stealing a glance at the desks of his colleagues, bathed only in the flickering light of CNN, on mute.
The office was open plan, but a system of partitions organized the desks into pods, little clusters of four. As a newcomer, Will was in a far-off corner. His nearest window looked out onto a brick wall: the back of a Broadway theatre bearing a now-faded poster for one of the city’s longest-running musicals. Alongside him in the pod was Terry Walton, the former Delhi bureau chief who had returned to New York under some kind of cloud; Will had not yet discovered the exact nature of his misdemeanour. His desk consisted of a series of meticulous piles surrounding a single yellow legal pad. On it was handwriting so dense and tiny, it was unintelligible to all but the closest inspection: Will suspected this was a kind of security mechanism, devised by Walton to prevent any snoopers taking a peek at his work. He was yet to discover why a man whose demotion to Metro meant he was hardly working on stories sensitive to national security would take such a precaution.
Next was Dan Schwarz, whose desk seemed to be on the point of collapse. He was an investigative reporter; there was barely room for his chair, all floor space consumed by cardboard boxes. Papers were falling out of other papers; even the screen on Schwarz’s computer was barely visible, bordered by a hundred Post-it notes stuck all around the edge.
Amy Woodstein’s desk was neither anally neat like Walton’s nor a public health disaster like Schwarz’s. It was messy, as befitted the quarters of a woman who worked under her very own set of deadlines – always rushing back to relieve a nanny, let in a childminder or pick up from nursery. She had used the partition walls to pin up not yet more papers, like Schwarz, or elegant, if aged, postcards, like Walton, but pictures of her family. Her children had curly hair and wide, toothy smiles – and, as far as Will could see, were permanently covered in paint.