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Say
That to my Face
F I C T I O N
David Prete
FOR MY SISTER
Were it possible for us to see further than our knowledge reaches, and yet a little way beyond the outworks of our divining, perhaps we would endure our sadnesses with greater confidence than our joys. For they are the moments when something new has entered into us, something unknown; our feelings grow mute in shy perplexity, everything in us withdraws, a stillness comes, and the new, which no one knows, stands in the midst of it and is silent.
—Rainer Maria Rilke
Contents
The Biggest, Most Silent Thing
After We Left Yonkers and Before We Came Back
This was the part of the ride I loved the best. It was my part. When I got up to a good speed and pulled the skid brake, it made the back wheels of my Big Wheel lock and kick out to one side, which sent me into a spin and then a stop. If I got scared and tried to stop the spin with my limbs, chances were I’d get hurt: I could scrape up my feet or tip myself and go shitcan-over-teakettle onto the pavement. Either way, if I tried to stop what it was I had gotten myself into, I’d end up face-ass down on the street.
At four and a half, as I would fall asleep, I’d remember the rides I took that day. I could feel the motion of the skids playing themselves over in me as I lay in bed. Like spending the whole day in the ocean and that same night still feeling the waves going back and forth in my body as if the tide got stuck there. I’d hear the sound of the plastic tire grinding against the asphalt and feel my eyes watering from the wind. It was simply the best thing that ever happened to a kid since the beginning of kids. That’s what I thought about in my fifth year when I would fall asleep.
The other thing I would think about was why there were four different homes in which I was falling asleep.
WHEN MY PARENTS were married they lived in the Bronx. When they got divorced it was decided that my mother, my sister and I would move a few miles north, into my grandparents’ house in Yonkers. My mom was twenty-one years old and broke. Her parents’ house was small, so my sister, my mother and I shared a bedroom. It was a converted attic with a pitched roof and a crawlspace behind one of the walls. Just big enough for three beds and three dressers. The one decorative touch was an almost-life-size poster of Robert Redford playing the Sundance Kid. Our mother hung the poster directly over the headboard of her bed. We lived in that house with our grandparents from when I was one year old until I was six.
The address was 15 Verona Avenue. Verona Avenue was a long and steep hill. The bottom of the hill intersected Central Park Avenue, which was a major six-lane roadway that ran through all of Yonkers. During a hard rainstorm the water would come down that hill and overflow the gutters. That’s when my sister and I put plastic bags over our sneakers and splashed around in what all the adults were cursing the city about.
After dinner, before we would go to bed, I’d get up on my grandfather’s lap. Everyone knew what that meant. My grandfather would yell playfully but really loud, “Get the hell outta here! Now I gotta scratch his back?”
I’d play like he really wasn’t going to. “Ah, Gramps, come ooooooon.”
Then he’d slap me on the back and shake his head at me as if to say, Look at the prince here, sit me on his lap and scratch. We had a pretty smooth routine.
My grandfather was the best back-scratcher I ever knew. The guy was a butcher. He worked with his hands. He understood the force of cleaving and the subtlety of carving. He had thick heavy fingernails, which he kept very well. They were perfect for our routine. He had his clipper and nail buffer (not a file, a two-sided nail buffer), which he kept on his nightstand right next to the whetstone he used to sharpen his butcher’s knives. He took as good care of his nails as he did all of his tools.
There was also a paved walkway that ran from the front of the house all the way to the back, eventually connecting to the back patio. Hugging this walkway was a fence that separated my grandparents’ house from their neighbors’. This walkway was a long enough strip for me to get some pretty good speed on my Big Wheel and hit some nice spins. If ever I rode to the front of the house my mother would yell, “Stay away from the street!” then mumble to herself, “That Big Wheel scares the shit out of me.”
The house at 15 Verona Avenue was where I would fall asleep during most weekdays. House Number One.
If I wasn’t there on a weeknight, it was because I went with my sister to sleep at House Number Two—Aunt Marie and Uncle Ernie’s place. They had two daughters, our cousins, Dina and Vicky. They were not our blood relations. They were self-declared family, friends
