Scumbler. William Wharton

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      WILLIAM WHARTON

       Scumbler

       Acquiescence, Wishes …

       Dreams

      Why? Why?

      ‘cause I’m

      Gonna die.

      That’s why.

      SCUMBLING: to modify the effect of a painting by overlaying parts of it with a thin application of opaque or semi-opaque color.

      – American College Dictionary

      Table of Contents

       Title Page

       Dedication

       Epigraph

       1. The Rats’ Nester

       2. Self-Portrait

       3. Slum Landlord

       4. Riding Easy

       5. The People’s Painter

       6. Notes From the Underground

       7. Chicken

       8. Mouth-to-Mouth

       9. Accident-Prone

       10. The New York Buyer

       11. Time Out of Mind

       12. Full of Shit

       13. Woman to Woman

       14. A Marriage

       15. Nature Nest

       16. Crs = ss

       17. Ugly Orgy

       18. Firemen’s Ball

       19. A Piercing Thought

       20. Miracle of the Bells

       21. Auto-da-fé

       22. 23 Skidoo

       23. The Ultimate Nest

       Also by William Wharton

       Copyright

       About the Publisher

      1

      The Rats’ Nester

      Right now, here in Paris, we have seven different nests. That’s not counting our old water mill, two hundred miles from Paris. I spend half my time rousting out, fixing up, furnishing these nesting places.

      Rats’ nesting’s what it all is; can’t seem to keep myself from burrowing, digging in; always stuffing bits and pieces into one corner or another.

      Even before we snuck away from California, we had four nests and forty acres; not a single one of those places there you’d call a real home: a trailer dug into the side of a hill, a tent nestled against a cave, then the shack on top of a hill we called home before it burned down. There was also that place I built with rock and cement at the edge of a streambed in a gully up on the forty.

      We furnished all those nests complete to knives and forks; every one a hideout, places we could run to if things got too bad; holes where we could go to ground, wait it out, hide from the crazy ones, learn to like radioactive eggs, a purple sun over green skies, a stinking stagnating dead world.

      A family man’s got to think ahead these days, especially someone like me, living on the outside, ex-con, a man who had his first nest – wife, two little ones, house, everything – snatched out from under him. I’m always looking for someplace for us to hide.

      In California I cadged stuff from the Salvation Army, junk shops. Here in Paris I haunt flea markets; sometimes I can fix up a whole hideout for less than fifty bucks.

      A MAN FOR A WOMAN. EACH TO EACH

      OTHER: MOTHERING FATHER.

      FATHERING MOTHER.

      We’ve been living in Paris more than twenty years now; I’m not sure why anymore; maybe I’m a new kind of bum, rats’-nest bum. Every New Year’s morning, I check with the family, ask if they want to go back.

      No, they like to stay, like being aliens.

      I still think of myself as a serious artist, paint hard and heavy when I’m not caught up in nesting fevers, father juices.

      Don’t get me wrong. I’m not talking about masterpieces, museums; used to dream that war; just don’t care so hard anymore. When the end gets closer, those kinds of crazy ideas don’t mean much; everything gets sucked into the

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