The Diaries of Jane Somers. Doris Lessing
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Out she goes to the cold smelling kitchen and reaches about – yes, oh joy, there is a full unopened tin. So happy is Maudie that she even does a little dance there, clutching the tin to her chest. Oh, petty, petty, she cries, I can feed you. At last the tin is opened, though Maudie cuts her forefinger on the tin opener. The cat eats every bit. Maudie thinks, and now she should go out, to save me letting her out later … but the cat won’t go out, she takes herself back into the room with the fire, sinks to sleep on Maudie’s bed. Which has not been made. Maudie should make up her bed – she thinks, it’s not nice for Janna. She does not, but sits in the chair by the fire, and leans forward to stack it up with coal, and then sleeps like the dead for three hours. Though she does not know what time it is, five in the afternoon, when she wakes, for her clock has stopped.
The cat is still asleep, the fire is out … she builds it up again. She could do with something. She has to have a cup of tea. She makes herself a full pot, brings the biscuits, and has a little feast at her table. She feels so much better for the tea that it is easy to disregard how she has to go out to the toilet once more, twice, three times. Her bowels are like an angry enemy down there, churning and demanding. What’s wrong with you then? she cries, rubbing her hand round and round on the little mound of her belly. Why won’t you leave me alone?
She ought to have a wash … she ought … she ought … but Janna will come, Janna will …
But Maudie sits there, waiting, and Janna does not come, and Maudie gets up to let out the insistent cat, and Maudie fetches the coal, and Maudie attends to the fire, and Maudie searches about to see if there is a little brandy, for suddenly she feels bad, she feels trembly, she could fall to the ground and lie there, she is so empty and tired … No brandy. Nothing.
She can go out to the off-licence? No, no, she could not possibly get herself up the steps. Janna has not come and it is getting dark. That means it must be getting on for ten. Janna is not coming … and there is no milk, no tea, no food for poor petty, nothing.
And Maudie sits by her roaring furious fire thinking bitterly of Janna, who does not care, wicked unkind cruel Janna … In the middle of all this, loud knocks at the door, and Maudie’s relief explodes into a raucous shout: Oh, all right, I’m coming. And scrambles along the passage, crabwise, to the door, afraid Janna might fly off before she gets there. Terrible, terrible, she mutters, and her face, as she opens the door, is fierce and accusing.
‘Oh my God, Maudie,’ cries Janna, ‘let me in, I’m dead. What a day.’
Oh then, if she’s tired I can’t ask her … thinks Maudie, and stands aside as Janna comes crashing in, all energy and smiles.
In the room, Maudie sees Janna smile as she sees the wonderful fire, and sees, too, a wrinkling of her nose, which is at once suppressed.
Janna says, ‘I said to the Indian man, Don’t close, because he was closing, wait, I must get Mrs Fowler some things.’
‘Oh, I don’t need anything,’ says Maudie, at once reacting to the news that she has to be beholden to the Indian man, with whom she quarrels nearly every time she goes in … he overcharges, he is cheating her over her change …
Janna, thank goodness, has taken no notice, but is whirling around in the kitchen, to see what is missing, and out she rushes with a basket, before poor Maudie can remember the batteries. In such a hurry, she always is! And they are all like that, rushing in, rushing out, before I have time to turn myself round.
In no time Janna comes crashing back, slam the outside door, slam-bang this door, with a basket full of stuff which Maudie checks, with such relief and thankfulness. Everything is here, nice fresh fish for the cat and a tin of Ovaltine. Janna has thought of everything.
Has she noticed the cat mess, the unwashed stuff in the sink … ?
Maudie goes quietly to sit by the fire, on a smile from Janna which says, It is all right. Janna cleans up the cat mess, does the washing-up, puts away the crockery, and does not think, because she is young and so healthy, to leave out on the kitchen table some saucers and a spoon and the tin opener so that Maudie won’t have to bend and peer and rummage about.
Maudie sits listening to Janna working away, looking after me – and thinks, oh, if she doesn’t remember about the commode …
But when Janna comes in, she brings a small bottle of brandy and two glasses, and, having handed Maudie her brandy, she says, ‘I’ll just …’ and whisks out the dirty pot and takes it away.
I hope there is nothing left in it for her to notice, Maudie worries, but when Janna brings back the scoured pot, smelling nicely of pine forests, she says nothing.
Janna lets herself crash down into the chair near the fire, smiles at Maudie, picks up her glass of brandy, swallows it in a mouthful, says: ‘Oh, Maudie, what a day, let me tell you …’ And she sighs, yawns – and is asleep. Maudie sees it, can’t believe it, knows it is so, and is in a rage, in a fury. For she has been waiting to talk, to listen, to have a friend and some ordinary decent communication, perhaps a cup of tea in a minute, never mind about her bowels, and her bladder … And here is Janna, fast asleep.
It is so dark outside. Maudie pulls the curtains over. Maudie goes out to the back door and sees that all the dirty saucers are gone from under the table, and the cat mess gone, and there is a smell of disinfectant. She lets in the cat, and takes the opportunity for a quick visit to the lavatory. She comes back, and pokes up the fire, and sits down opposite Janna, who is sleeping like … the dead.
Maudie has not had this opportunity before, of being able to stare and look and examine openly, to pore over the evidence, and she sits leaning forward, looking as long as she needs into the face of Janna, which is so nicely available there.
It’s an agreeable face, thinks Maudie, but there’s something … Well, of course, she’s young, that’s the trouble, she doesn’t understand yet. But look at her neck there, folded up, you can see the age there, and her hands, for all they are so clean and painted, they aren’t young hands.
Her clothes, oh her lovely clothes, look at that silk there, peeping out, that’s real silk, oh I know what it’s worth, what it is. And her pretty shoes … No rubbish on her, ever. And she didn’t get any change out of what she paid for that hat of hers! Look at it, she flings it down on the bed, that lovely hat, the cat is nearly on top of it.
Look at those little white quills there … the Rolovskys used to say that they never had anyone to touch me for making those little quills. I could do them now, it is all here still, the skill of it in my fingers … I wonder if …
Maudie carefully gets up, goes to the bed, picks up the lovely hat, goes back to her chair with it. She looks at the satin that lines the hat, the way the lining is stitched in – blown in, rather; oh yes, the one who did this hat knew her work all right! And the little white quills …
Maudie dozes off, and wakes. It is because the fridge upstairs is rumbling and crashing. But almost at once it stops – that means it has been on for a long time, because it runs for an hour or more. Janna is still asleep. She hasn’t moved. She is breathing so lightly that Maudie is afraid, and peers to make sure …
Janna is smiling in her sleep? Or is it the way she is lying? Oh, she’s going to have a stiff neck all right … is she going to stay here all night then? Well, what am I expected to do? Sit up here while the night goes? That’s just like them, they think of nobody but themselves, they don’t think of me …