The Great Christmas Knit Off. Alexandra Brown
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‘It was lovely to meet you,’ I say, doing a little wave.
‘You too, love. Enjoy your stay in Tindledale. And do look me up if you’re ever in Stoneley. We have the import/export company on the old Market Briar road – can’t miss our barn which doubles as a warehouse. Cheerio.’
‘Thank you.’ I smile and wave again as she steps off the train and walks past the window and into the arms of her husband who is waiting to greet her at the end of the platform with a big grin on his face and an enormous bouquet of festive winter blooms – rich reds, oranges and greens, and there’s even one of those little dried pumpkins on a stick nestling next to a silver-sprayed sprig of mistletoe which he plucks from the bunch and holds high above her head before leaning in for a Christmas kiss. Laughing, she bats his chest before pulling him in close. They clearly adore each other and it’s so nice to see. Maybe there’s hope for me yet …
Leaning back against the seat, I close my eyes and realise that I really am exhausted. A few minutes later I become conscious that Basil’s beside me, so I open one eye and do a quick scan of the carriage. The guy by the window is still engrossed in his newspaper and there’s nobody else here, so I put my hand around Basil and stroke his silky soft ear. He takes the cue and snuggles into the side of my thigh, curling into a ball and making himself as small as possible, instinctively knowing that he needs to be on his best behaviour or he’ll be back on the hard train floor.
*
The train stops moving and I jolt awake.
‘Er, excuse me … are we here?’ I ask the ticket inspector, as I wipe away the condensation that’s gathered on the window, but he’s already heading back off down the carriage, and the guy with the newspaper has gone too. I must have nodded off.
I peer out through the gap on the glass.
And gasp.
We’re on the set of Frozen! Or so it seems. Outside there’s a magical winter wonderland where Olaf could appear at any given moment – I’m convinced of it. The platform is covered in a beautiful layer of crisp, clean white snow, untouched and definitely not mottled with dirt like the sludgy grey sleet at home. It’s perfect. Just like one of Mum’s special festive placemats with the perfect Christmassy scene on them that she keeps for best, or for when Gloria from next door pops in for her annual New Year drinks soirée.
Feeling very excited, I quickly pull on my parka, loop my hand through Basil’s lead and gather up my stuff before heading for the door. I can’t wait to grab a taxi to the Duck & Puddle pub; with a bit of luck, Basil and I will make it there just in time to surprise Cher and Clive before last orders.
But where’s the taxi rank?
Basil and I are standing underneath an old-fashioned Dickensian-looking streetlight! And I don’t believe it – we’re in the middle of nowhere surrounded by snow-dappled trees and standing on a postage-stamp-size patch of tarmac that I’m assuming must count as a car park around here. And it’s deserted, apart from what looks like half of a dilapidated two-berth caravan. It’s hard to tell as the top has been cut off and the rest ‘left to nature’; brambles, ten feet high with an intricate crocheted maze of snow-dusted spider webs weaving between the leaves, are sprouting from it at jaunty angles. Basil and I are the only ones here and the tiny ticket office, aka a converted Portakabin, is all locked up; we had to exit the platform via a rickety wooden side gate. So now what? There isn’t even a bus stop or a phone box that I can see, and the snow is falling thicker and faster.
We start walking.
Well, I’m walking, trudging like a Sherpa really, dragging my wheelie suitcase behind me, whereas Basil is bouncing along up front, biting the snow as if it’s a real thing and generally having a good time.
We’ve been walking for at least ten minutes when we come to a fork in the road. There’s one of those traditional white wooden country signposts, so I stop walking and, after catching my breath, I reach up and wipe the snow away to see if we’re even going in the right direction.
Tindledale 2¼
Two and a quarter miles! Sweet Jesus, when was the last time I walked that far? From what I can see, it’s uphill all the way and my backside still aches from the Zumba class. Maybe coming here wasn’t such a good idea after all. On the numerous occasions when the Clio has conked out, I’ve just taken the tube or jumped on a bus. Getting around is easy in London, but not here it seems. I scan the narrow, twisting country lane, hopeful for a bus stop, but there’s nothing, just trees and hedges and darkness and silence. I never knew the countryside could be this quiet. No car alarms. No shouting. No TV. No belting Dubstep from next door at 3 a.m. on a school night. No nothing. Just nature at night-time, I suppose. It’s peaceful. And I never noticed it before when camping with the Brownies as a child, but then there were ten giggling girls in sleeping bags right beside me.
There aren’t even any streetlights now. Only a pretty pearlescent hue from the full moon high up in the inky, twinkly starry night sky. Oh well. It could be fun, in a Dorothy-following-the-yellow-brick-road kind of way; only my road is glistening snow-white to light the way. I click the heels of my (fittingly) red Converse trainers together and try to ignore the fact that they’re already soaked through. Right on cue, Basil, thinking it’s some kind of new game, leaps up at me. Catching him with my gloved hands, I laugh and pull him in close, letting him nuzzle into my face, his whiskery nose tickling my cheeks and making me smile. He can be my Toto.
‘Come on. We better get on with it then,’ I say, placing him back on the snowy ground, and making a mental note to buy a new mobile first thing in the morning.
Figuring it will be easier to push the suitcase up the hill, I lengthen the strap on my handbag and swing it over my head, cross-body style, before pulling the bobble hat and hood down over my forehead to act as a kind of snow shield, then I manoeuvre the suitcase into position like a mini snowplough, and start trudging. And trudge some more. And more again. Past a quaint, brick-built school with a tiny playground and an impressive clock tower at one end of the roof, a row of the cutest chocolate-box cottages I’ve ever seen, with wrought-iron gates leading into long front gardens surrounded by mature hedges and dotted with wooden bird feeders and wind chimes. One of the cottages has a pile of wellies and muddy boots stacked up in the porch by the front door and I can’t help thinking how lovely it is, that they can leave stuff like that outside without the fear of somebody nicking it. That would never happen in London – I put a herb planter on my windowsill once and it lasted exactly a day before it disappeared. I keep trudging until, eventually, I spot a hazy glow in the distance. A flicker.
As we get closer, I see a single white column candle in a glass-covered storm lamp at the foot of a stone war memorial set in the middle of a very tiny village square. There’s a festive holly wreath lying next to the candle, its crimson red berries a vivid contrast in the white of the snow, and for some reason it takes my breath away. It’s poignant and magical and I stand mesmerised for a few minutes at the significance of the sight before me. Even Basil stops bounding and stands completely still, instinctively sensing the reverence of the moment.
The snow stops and I notice a bus shelter to my left with a wooden bench inside. Hurrah! I stagger in and sit down, grateful for the breather. Two and a quarter miles, uphill, in deep snow, is very hard work.
‘Evening!’