The King’s Last Song. Geoff Ryman
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These were the great people of Kambujadesa? The young prince didn’t like them at all. They were ugly, their houses were ugly, and they smelled.
This was Yashodharapura, abode of the Gods, the perfect city. The soldiers should come and take away all such people.
The procession moved on, into the precinct of the holy mountain, Yashodharaparvata.
Here in the old centre of the City, everything was better. Wives of temple workers, all of them royal tenants, waved tiny banners. Their hair was held in handsome fittings, and they wore collars of intricate bronze.
Nice people, smiling people. They dipped and bowed and held up their hands for princes, as was fitting.
Their houses stood on firm stilts and were linked by covered walkways. Airy cloth bellied outward from the rooms. The Prince glimpsed the canals beyond, full of boats. Amid fruit trees, carved stone steps led down to small reservoirs.
Prince Nia turned around and saw stone steps going all the way up the miraculous hill of Yashodharaparvata. The trees were hung with celebratory banners, and the gates to the hilltop temple had sprouted poles that supported ladders of coloured cloth. From the top of the hill, golden kites swooped and dipped. The kites reflected white sunlight that continued to dapple the inside of the Prince’s eyes long after he looked away.
The procession passed into orchards and rice fields and dust began to drift over the howdah like smoke.
Suddenly they came upon a new, raw desert. All the trees had been cleared, their fresh yellow stumps staring out of the earth. Dust blew as if out of a thousand fires, and above rose the new temple, the Vishnuloka.
The Prince was disappointed. The five towers were not that much bigger than the spire of Mount Meru. They were made of raw uncarved stone, unfinished and undecorated blocks that bore down on each other. The towers looked like the toy buildings he himself made out of clay cubes. Some banners trailed limply from the scaffolding.
Ahead of them, pickaxes rose and fell out of a great ditch. Men struggled up the banks, passing baskets of dirt to queues of women and children who swept the baskets away hand-to-hand into the distance. Boys ran back with empty baskets. To the Prince the workers looked like busy termites swarming around their nests.
More banners bobbed on poles that marked where the entrance would be. The elephant passed between them and rocked the children up onto a causeway that crossed the moat. The moat looked like a dry riverbed running due north, sweltering with a few puddles.
The elephant did a slow dance round to join a row of waiting elephants. The Prince saw the puffy faces of other children in howdahs sagging in the sun. They waited again, on a plain of churned earth.
The Prince craned his neck to the right. ‘I can’t see the rest of the parade,’ he said.
‘Aw, poor little baby,’ said the boy whose feet had been peed on.
Another elephant full of unwanted princes churned up the dust and came to rest beside them. Dust polished the Prince’s eyes every time he blinked.
Finally an elephant strode past them, shaded by two heaving parasols. The howdah was carved and balanced on a beautiful rug, and on it stood a high-born warrior. He wore a felt coat and a diadem and a bronze tiara, rising up like an open lotus. He stood holding his arrows in his hand.
That was more like it!
White horses pranced, lifting their feet high, but holding to formation. Their riders rode on their unsaddled backs, hands on hips.
Behind the horsemen came a ballistic elephant, a crossbow on its back. Its protecting infantry marched in rows alongside it.
A third elephant followed, with a solid shell of wood over its back. Resting one foot outside the ornate howdah, a real warrior prince stood in full armour with a crown and a metal breastplate tied across his chest.
Prince Nia squealed in delight, and leaned so far out of the howdah that he nearly fell.
Soldiers trooped past. These were nobles. They wore flower-cloth chemises and their topknots were held in metal tiaras in the shape of totemic beasts: eagles or tigers or deer, which showed that they were fast, or fierce.
More horses wheeled past, white like falling water. The Prince’s military heart danced. Then, oh! Their riders stood up and pulled back their bows and let loose flaming arrows. They arched up into the blue sky over the southern moat.
Nia was beside himself. He yelled and shouted and pummelled the shoulders of the bigger boys next to him. Suddenly affectionate, they laughed with him, pleased by his fervour, sharing it.
‘Steady, Little Warrior,’ one of them chuckled.
The other rocked him by the shoulders. ‘You will have your chance of battle soon enough.’
The little prince cried aloud. ‘We are the soldiers of the world! We are the warriors of the Gods!’
Some of the troops heard him, and they waved and smiled. The sun was in the sky at the same time as a pale daylight moon. Auspicious or what?
The soldiers passed and boring high-rankers followed. Women reclined in carved palanquins. Fly whisks and fans replaced swords. The elephants had a bit more glitter, but who cared? Glitter does not need skill.
One elephant, bigger than the rest, heaved its way through the fog of dust. The howdah was a bit bigger than most, too. An old man wearing a temple-tower tiara stood up in the howdah with all the usual stuff. He had a lean, pinched face like an old woman.
It was not until the man had passed with a forest of parasols and nothing further followed that Prince Hereditary Slave realized: that must have been the King. That old man had been Sun Shield, Suryavarman. The King, it seemed, was just another soldier.
The dust settled, but the thought remained.
Luc Andrade steps down a little stiffly from a white Toyota pick-up.
He feels thin-legged and pot-bellied. Too old really for beige Gap jeans and blue tennis shoes. Out in front of him stretch the plains of Cambodia.
Luc sighs. He loves the heat, the silver sky, and the wild flowers clustering in the shade. The palm trees always remind him of Don Quixote with his lance – tall, stretched thin and riding off into the blue distance. And perhaps of himself.
In the back of the pick-up truck, Map and two of his friends from the Patrimony Police are gathering up tents and rifles. Mr Yeo Narith steps out of the cab. Luc has spent a lifetime reading Cambodian smiles and Narith’s wan, tight smile is still angry.
No one is supposed to excavate anywhere in the precincts of Angkor without an APSARA representative being present. APSARA defends the interests of the artefacts and the monuments. They contend with tourist agencies, art thieves, airways passing too near the monuments, or museums in Phnom Penh – interests of all kinds. The last thing APSARA needs is to find it cannot trust its archaeological partners.