she said to Malcolm, to be kind.
‘Yes,’ he said. ‘It doesn’t matter, once in a while.’
‘You could have invited some of them to come tonight,’ she said, although she’d rather not have to meet grown men who dressed up in Civil War uniforms and disported themselves over the moors, pretending to kill each other. It was bad enough being married to one.
‘I thought it was just for the neighbours,’ Malcolm said. ‘You said you weren’t going to invite anyone else.’
Upstairs, Jane shut her door. It was too early to go to bed, but it was accepted that she spent time in her room; homework, her mother said hopefully, but, really, Jane sat in her room reading. There were forty books on the two low shelves, and a blank notebook. She had read them all, apart from The Mayor of Casterbridge, a Christmas present from a disliked aunt; she had been told that Jane liked reading old books and that, with a life of Shelley, now lost, unread, had been the result. Jane’s books were of orphans, of love between equals, of illegitimate babies, treading round the mystery of sex and sometimes ending just before it began.
Her room was plain. Three years before she had been given the chance to choose its décor. Her mother had made the offer as the promise of a special treaty enacted between women, something to be conveyed only afterwards to the men. Jane had appreciated the tone of her mother’s confiding voice, but was baffled by the possibilities. It was that she had no real idea what role her bedroom’s décor was supposed to play in her mother’s half-angry plans for social improvement, and she was under no illusions that if she actually did choose wallpaper, curtains, paint, bedspread, carpet, even, that her choice would be measured against her mother’s unshared ideas and probably found disappointing. Would it be best to ask for an old-fashioned style, ‘with character’, as her mother said, a pink teenage girl’s bedroom? Or to opt for her own taste, whatever that might be?
In the end she delayed and delayed, and now her bedroom was a blank series of whites and neutrals. She had failed in whatever romance her mother had planned for her; and, with its big picture window, the room showed no sign of turning into a garret. It looked out on to a suburban street. Daniel’s room, at the back of the house, had the view of the moor, which meant nothing to him. Over her bed, one concession: a poster, bought in a sale, of a Crucible Theatre production of Romeo and Juliet. Daniel had seen it, not her – he’d done the play for O level. Someone had given him the poster, but it was over her bed that two blue-lit figures embraced, one already dead.
She wondered what the new people over the road would be like, and let her thoughts go on their romantic course.
It was the next day, in London. The house had been packed into a van. It was driving northwards, towards Sheffield. On every box was written, in large felt-tip letters, the name SELLERS.
‘Nice day for it,’ the driver said.
‘Yeah, you don’t want to be moving in the rain,’ the other man put in.
The driver was on Sandra’s right, his mate, the chief remover, on her left. On the far side the boy, ten or fifteen years younger than the others, who had said nothing.
‘Why do you say that?’ Sandra said. She was pressed up against the man on her left, and the driver’s operations meant that his left hand banged continually against her thigh. The lorry’s cabin was meant only for the comfort of three. There was a dull, dusty smell in the cabin, of unwashed sweaters and ancient cigarette stubs. The floor was littered with brown-paper sandwich wrappers.
‘Well, stands to reason,’ the chief remover said. ‘If it’s raining, that’s no fun.’
‘And there are always customers who insist on tarpaulins,’ the driver said.
‘Tarpaulins?’ Sandra said. ‘Whatever for?’
‘It’s their right,’ the chief remover said. ‘Say you’re moving a lot of pictures, or books, or soft furnishings—’
‘The customer, they don’t like it if you carry them out into the rain, and sometimes you have to leave them outside for a minute or two, and if it’s raining—’
‘Hence the tarpaulin,’ the driver said. Behind them, the full tinny bulk of the removals van thundered like weather. There was a distant rattle, perhaps furniture banging against the walls or a loose exhaust pipe. Below, the roofs of cars hurtled past.
‘Because,’ the chief remover said, ‘if something gets wet, even for a couple of minutes, if the whole load gets rained on, you get to the other end, see, and it’s offloaded and put in place, and a day or two later, there’s a call to the office, a letter, maybe, complaining that the whole lot stinks of damp.’
‘Hence the tarpaulin,’ the driver said again.
‘Course,’ the chief remover said, ‘nine times out of ten, it’s not the furniture, it’s the house, the new house, because a house left empty for a week, it does tend to smell of damp, but they don’t take that into consideration. But the tarpaulins, it doubles the work for us, it does.’
They were nearing the motorway now, having crossed London. The traffic that had held them steady on the North Circular for an hour was thinning, and the removals van was moving in bigger bursts. The car with Sandra’s parents in it, her brother in the back, had long been lost in the shuffle of road lanes, one moving, one holding; a music-hall song her grandmother used to sing was in her head: ‘My old man said follow the van…you can’t trust the specials like an old-time copper…’ No, indeed you couldn’t, whatever it meant.
She went back to being interested and vivacious before she had a chance to regret her request to travel up to Sheffield in the van, rather than in the car. ‘You must see everything in this job,’ she said vividly.
‘Yeah, that’s right,’ the boy surprisingly said, snuffling with laughter.
‘Don’t mind him,’ the driver said. ‘He can’t help himself.’
‘It’s a shame, really,’ the chief remover said.
‘A bit like being a window-cleaner, I expect,’ Sandra said, before the boy could say he’d seen nothing to match her and her jumping into the van like that. She was fourteen; he was probably five years older, but she was determined to despise him. ‘I mean, you get to see everything, everything about people.’
‘You’d be surprised,’ the chief remover said.
‘That’s the worst of it over,’ the driver said. The road was widening, splitting into lanes, its sides rising up in high concrete barriers, and the London cars were flying, as if for sheer uncaged delight, and the four of them, in their rumbling box, were flying too. ‘Crossing London, that’s always the worst.’
‘You see some queer stuff,’ the chief remover said. ‘People are different, though. There’s some people who, you turn up, there’s nothing done. They expect you to put the whole house into boxes, wrap up everything, tidy up, do the job from scratch.’
‘Old people, I suppose,’ Sandra said.
‘Not always,’ the driver said. ‘You’d be surprised. It’s the old people, the ones it’d be a task for, that aren’t usually a problem.’
‘It’s the younger ones, the hippies, you might call them, expect you to do everything,’ the chief remove said. ‘My aunt, you
