With a Zero at its Heart. Charles Lambert

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       Dedication

      For my mother, Olive Kate Florrie Lambert (née Preece)

      1916–2011

      and my father, Vincent Lambert

      1905–2006

      Table of Contents

       Cover

       Title Page

       Animals or the whelp of an alien god

       Language or death and cucumbers

       Money or brown sauce sandwiches

       Theft or uniformly golden

       Art or human-sized quilts

       Work or but in the doing

       Music or the global studio

       Fear or the famished wall

       Colours or cradling fire

       Death or a sprig of leaves

       Home or some other healing agent

       Waiting or from star to star

       Hunger or heavy bones

       Nature or the purposes of love

       Correspondence or coterminous with the cat

       Cinema or what the centaur meant

       Celebration or marking time

       Books or utterly pliant and clinging

       Coda or one bright brief beat

       Also by Charles Lambert

       Copyright

       About the Publisher

       chapterhead.tif

      1

      He has never seen a ship inside a bottle but the day he discovers their existence he knows that he wants one more than anything in the world. He is seven years old. He imagines men no bigger than his fingertip working at the building of the ship, singing as they nail long boards to the hull and sew the rigid sailcloth panels for the mast, tall and straight as a tree, and coat the ship with burning tar to make sure it never sinks. He watches them gather on the deck. There is a bird above their heads. He imagines he is on a ship and there is glass all around him, as far as the eye can see.

      2

      He comes across the pendant in his great-aunt’s drawer. It is heavy, warm in his hand, the size of a just-fledged bird. At the heart of the pendant is the skeletal form of some insect, some winged insect, more than an inch long, longer than any insect he has ever seen, its flesh eaten out and engulfed by the same warm yellow that surrounds it. It is hollowed and sustained, its wings barely furled, it floats in this substance for which he has no name, which could be plastic but isn’t. There is a loop for a chain at the top, but he will never wear it. It is amber. The insect has been trapped inside for a million years.

      3

      His father buys him a bicycle, but it is the wrong sort. The bicycle he wants has swept-down racing handlebars and no mudguards and is green and white. This one has small wheels and can fold into two. It is the colour of bottled damsons. He pushes his new bicycle into the road and rides away as hard and fast as he can, but it is not fast enough; it will never be fast enough to escape the shame of the thing that bears him. His eyes are blinded by tears. When he skids and scrapes the skin from his arms he is glad. He shows his father the blood. This is your blood, he thinks but dare not say.

      4

      He finds an owl pellet in the barn beside his house. It is round, the weight of a dove’s egg, and roughly made, as though pressed from earth or some other substance he can’t identify. He does what he’s read in his book, soaking and prising it apart. Some of it crumbles and is thrown away, but he’s left in the end with a tangle of tiny bones, as

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