Don’t Turn Around: A heart-stopping gripping domestic suspense. Amanda Brooke
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The Confession
The rhythmic slap of my ballet shoes against the linoleum-covered steps echoes down the stairwell. As my pace slows, my head droops and my gaze falls onto the worn and familiar treads that lead to the seventh floor and home. I know each and every scuff mark, every chip of paint, and even the crumpled tissues and sweet wrappers discarded by my thoughtless neighbours are familiar to me. Unlike my apartment block’s gleaming city-centre exterior, its spine has an air of abandonment. The stairwell is rarely used and less frequently cleaned, and there have been times when I’ve taken it upon myself to return with rubber gloves and a bin bag, but no more. Believe me, I’ve tried, but nothing I do ever makes a difference.
My legs are trembling by the time I reach my floor and I take a moment to catch my breath. Drawn to the window with its view of the Liverpool waterfront, I follow the line of docks until they’re rudely interrupted by the modern edifice of a thirteen-storey office block that sits awkwardly between Canning Dock and the Pier Head. This is Mann Island, and although it hasn’t been an island for centuries, the place where I work certainly looks stranded next to the iconic outlines of the Port of Liverpool, Cunard and Liver Buildings. The Three Graces had been basking in the afterglow of a crisp autumn day when I’d set off on the short trek home along the Strand, but the world has darkened since, and the Graces have been reduced to silhouettes, pockmarked with yellow, fluorescent lights. As I step back from the window, my eyes refocus and I catch my reflection.
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