Facing the Other Way: The Story of 4AD. Martin Aston

Copyright

      The Friday Project

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      First published in Great Britain by The Friday Project 2013

      Copyright © Martin Aston 2013

      Martin Aston asserts the moral right to be

      identified as the author of this work

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      Source ISBN: 9780007489619

      Ebook Edition © September 2013 ISBN: 9780007522019

      Version: 2015-12-03

       ALSO BY MARTIN ASTON

      Björkgraphy

      Pulp

Acknowledgements

      In the category of Indispensible, I have to start with Ivo Watts-Russell, for resisting his normal impulse to let the music alone do the talking, and for granting me so much time, commitment and unexpected copy-editing skills. And to Tate, Moke and Emmett, for their part in hosting me. To George, for his part too. Thanks also to Vaughan Oliver, for dedication and contributing extraordinary artwork. To Mat Clum, for his patience and endurance over the course. To the Mieren Neukers of Ladywell, for insight and encouragement. To my HarperCollins editor Scott Pack, for commissioning this book, and project editor Rachel Faulkner, editorial assistant Alice Tarbuck and copy editor Nicky Gyopari, for the finesse. To 4AD, especially Steve Webbon, Rich Walker, Annette Lee, Simon Halliday and Ed Horrox, for assistance/archive. To Madeleine Sheahan, for advice and Spanish translation, and Craig Roseberry, the one and only 4AD Whore – I know what this means to you. And finally, to three 4AD fan websites, Lars Magne Ingebrigtsen’s eyesore.no, Jeff Keibel’s fedge.net and Maximillian Mark Medina’s themysteryparade.com, for comprehensive listings.

      Thanks to my two families – in London, Mum, David, Penny, Katie, Vicki and Christopher, Louis, Tess, and in Michigan, Mom Clum, Doug and family, Liz and family, Nate and Bruce, Mindy and Tom.

      Many thanks to everyone I interviewed for the book, but especially Miki Berenyi, Mark Cox, Nigel Grierson, Robin Guthrie, Kristin Hersh, Robin Hurley, Matt Johnson, Brendan Perry, Simon Raymonde, Chris Staley and Anka Wolbert. Special thanks to John Grant and John-Mark Lapham, for sound and vision.

      Thanks to my nearest-and-dearest: Brenda and Trish, Kurt, Mark, Pixie, Eloise and James, Sara, Will and Harriet, Merle and Gary, Joanna MLNOV, Laura, Yael, Meir and family, Duncan, Amanda, Madeleine, Mary Pat, Gordon, Catherine and Arvo, Nicole, Angela, Hop, Sarah and Foster, Cat my foxymoron, Dr John and Michael, Kat, Peter, Gabby and Trixie, Emma, Jessica and family, Clare and Antoine, Yas, Lauren and Sam, Jesper, Christine and Naomi, David, Yvette and family, Christina, Olivia and Bif, Patrick and Karl, Justin, Lisa and family, Cushla, Felicity, Dean and Britta, the Nervas, the Dutch, Jon and Patricia, Diana and Tim, cousin Jenny, Jim Fouratt, Steve, Mr Stroopy Mumblepants and Spencer, Bob and Jeff, Pat, John, Lynn, Siuin, Debbie, Jude, Sigrid, Amy, Laurence, Miriam and Viva, Jane, Richard, Huw and Dan, Edori and family, Susie and Mark, Lisa, and my Nunhead pals (Karolina, Lukasz, Hugo and Hannah, Claire, Andrew and Eva, John and Katrina, Carolyn, Jeremy and Max).

      Thanks also to Tony Bacon, Ralf Henneking, James Nice, LightBrigade PR, José Enrique Plata Manjarrés and Andy Pearce, and to anyone I have inadvertently missed out, and also not credited for quotes, which I’ve done my upmost to do.

      I finally want to thank Tim Carr, one of the insightful people I talked to for this book, and one of 4AD’s greatest supporters, in memoriam.

Dedication

      This is dedicated to my father Basil, in memoriam, and to my mother Patricia. Thanks for not insisting I pursue a career in merchant banking.

      To Moray, in memoriam. I hope you are grooving in your home disco, reading, writing and meditating, looking forward to tralaalaa o’clock.

Epigraph

      Imagine a scene on a beach. A barbecue for friends and colleagues. Some of them like each other and some of them don’t. The man in charge, responsible for inviting them all, and responsible for feeding them, suddenly self-combusts. In his confused, mad dash to reach the water, to put out the flames, he ricochets into those closest to him and knocks them down, even starting minor fires over their bodies. Before he reaches the ocean, he passes through a pile of fireworks lying on the beach for use in a display later that night. All hell breaks loose, with everyone on the beach scattering, trying to save themselves. The man has now reached the water and finds he has gone out too far and has forgotten how to swim. He is drowning but unable to call for help. He is totally aware of the chaos on the beach that he is responsible for and has left behind but, because he’s drowning, can do nothing to prevent the destruction. He is puzzled as to why no one is coming to his rescue. Meanwhile, everyone to a man back on the beach is thinking, ‘You stupid cunt. What did you do that for, you’ve ruined everything’ and ‘For fuck’s sake, just swim’.

      (George, 2013)