An Almond for a Parrot: the gripping and decadent historical page turner. Wray Delaney
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The taste for such luxury as Mrs Truegood had shown me had spoiled me for all else. I had lived less than three months in the light and the rest of my days rolled out before me in a never-ending line of chamber pots filled with my father’s shit.
Summer crept along, heating up the streets, heating up the house. Everything was stagnant apart from the hornets’ nest in the attic where I had been ordered to sleep with Cook as before. What, I asked myself, would happen if I stood very still in the blue chamber? Would life pass me by altogether until I turned to dust? I missed Mercy. What hurt the most was the thought that I had meant nothing to her. That alone was a splinter in my heart.
There was no money for meat and vittles, there was no money for wine. There was no money for the removal of the hornets’ nest. Cook and me had to move out of the attic. It had become unusable, filled with the incessant angry whirling of hornets’ wings. It came to symbolise everything that was rotten in our house.
The merchants soon refused to give my father any more credit. He only minded about the wine merchant. It was in want of alcohol that he sent Cook to hire some clothes for me so that we might see the wine merchant together. The thought of being out of the house raised my spirits no end and I saw it as a chance of escape. Before leaving I had had the wit to snatch up the book my dancing master had given me. But Mr Truegood kept his hand on my arm with the ferocity of a crab. There being a customer with the wine merchant, we walked back and forth outside shop until Mr Truegood was certain there was no one else inside but the wine merchant.
‘Tell him…’ he said as he pushed me at the door, ‘tell him to deliver the wine and you will be the payment.’
My only hope was that the dancing master’s book might have some currency. The wine merchant sat behind his counter, an owl in an ivy bush, so woolly was his wig. He had the startled look that owls have when light is shone upon them.
‘Not another bottle until my bills are paid,’ he said. ‘One way, or another.’
He eyed my assets, which the ill-fitting gown showed immodestly well. I had a nasty feeling that ‘another’ would have a Mr Smollett approach attached to it, and I put the book on the counter and asked if it would pay a part of the bill. The wine merchant sighed.
‘I have prayer books from all the drunks in London. I don’t need more.’
But he opened the book and stopped. On the front page was an illustration that had arrested me when I first saw it. It showed a woman undone, her pretty breasts all pert, her nipples pointing up to heaven, her legs lusciously parted, and between them was her maid, kissing that most tender spot. It made me sad to remember how Mercy was so expert in this. The wine merchant’s eyes widened and he cleared his throat. Quickly I took the book back.
‘Forgive me, sir,’ I said and made to leave. ‘It was foolish to ask.’
Outside I could see my father, his face red with rage, waving his arms and shooing me back.
‘Not so hasty,’ said the wine merchant. ‘If you would show me the book again…’ I could see where this was leading. A customer tried to enter the shop and the wine merchant said firmly that it was closed. ‘I will take the book in lieu of payment this time, Miss er, er…’
‘Truegood,’ I said, handing him the book.
‘The book and one kiss. But if the old devil runs the bill up again I will take from you the pleasure to be found in… in… this illustration.’ He showed me Plate Three. It was without doubt the dullest of all the illustrations to be found there: a man flattened out on top of his lady, his breeches round his ankles and only a small part of his carrot inside her. He looked in ecstasy; she looked bored.
I agreed to the wine merchant’s terms. So this was what it was to be a whore.
‘Seal the bargain with a kiss,’ he said.
I had never kissed an owl before but I imagine the wine merchant and an owl might have more in common than either would have expected. I pulled away for want of breath. He still didn’t let go and his hand found its way under my skirt and petticoat and I having nothing on that would stop his hand from further roaming it went straight to the point.
I eased myself away and left the order for the wine on the counter.
‘When he has drunk this,’ said the wine merchant, ‘I will be needing proper payment.’
I left him smelling the tips of his fingers.
By the time the wine had run out my father had gambled everything away.
It was the morning that the grandfather clock was removed that marked the end of my time in Milk Street. I had forgotten all about seeing the small boy trapped inside until Cook mentioned it.
‘Do you remember when you saw the boy inside the clock?’
‘Did you see him too?’ I asked, for she had never said.
‘I don’t know. It was so long ago. Perhaps…’
Two servants turned up with a cart to take away the grandfather clock. My father, drunk and maudlin, showed them upstairs to where the clock stood.
‘Handsome,’ said one of the men.
The other opened it to take out the pendulum and the weights and he was there, the small boy, curled up, cowering, waiting to be hit.
I held my peace, my heart beating, then my father said, more to himself than to anyone else, ‘I used to hide in there when I was a lad, to keep out the way of my father’s temper.’ He stopped, moved back in surprise, and was saved from falling over the bannister by one of the men.
‘Careful now, sir,’ he said.
‘Did you see that?’ my father asked. ‘Did you see that?’
I had seen.
‘See what?’ said the other man.
My father looked at me. ‘Did you see?’ he said. ‘Did you see the boy?’
‘Yes,’ I said, ‘I did.’
‘It was me,’ shouted my father. ‘It was me – Samuel. Me…’
His eyes filled with tears.
Now, wouldn’t that make a rounded tale, sir, if finally my father had become regretful of how he had treated his one and only child? Perhaps in a pantomime such tales run round that way. Not in this one, I assure you.
Fowls in a Plain Way
Prepare the fowl for roasting