George had turned and punched him in the face, a good clean hit. Afterwards he could never explain to anyone why he had done something so undisciplined. ‘Nekulturny,’ Katya said, in a voice of disappointment. She didn’t understand any better than George himself, because the only unusual thing about what had happened was his reaction. The fact was that other children often referred to him as black and sometimes when they knew about his mother they called him ‘the Russian’, but there was something about the way that Gerhard put those two words together which had sparked a moment of instant and blinding rage.
What happened next was even less cultured than his mother feared. In the afternoon of the following day he was escorted to the gym where the boxers were sparring, skipping and punching a bag. In one corner the director of physical education was supervising two shadow boxers, calling out instructions as they punched and shuffled. ‘Left – left – right – move your feet.’
George waited, standing to attention, wondering how they would punish him. He had been in the gym many times before, and a couple of years earlier he had been put through a couple of perfunctory lessons along with the rest of his class, more for the purposes of assessment than anything else. This was different. The boys in the room were veterans of countless competitions with other polytechnics. Some of them had been in teams which fought abroad, in places as distant as Krakow or Tbilisi, even Moscow, and it was rumoured that Kruger, the sixteen-year-old star of the school, would qualify for the Olympic trials the following year.
George rolled his eyes around, hoping to catch sight of Kruger, but in a moment the teacher turned away from his corner with his arm outstretched, the finger pointing. His eyes, a brilliant blue, seemed to be sighting along a gun barrel aimed directly at the boy. It was a typical pose. The teacher, Wolf Hauser, had been a champion middleweight in the army and he still possessed the mannerisms of a soldier, awesome and overpowering to the smaller boys. George stared back, frozen to the spot.
‘You,’ Hauser said. ‘I hear you have a good punch. Come and show me.’
Later on, remembering the event, George had come to the conclusion that the colour of his skin had more to do with his recruitment to the boxing squad than the power of his punching. The only blacks Hauser had ever encountered were the American and African boxers he had faced in the ring. Sooner or later he would have thought of recruiting the school’s solitary black pupil. If George had been older he might have refused Hauser’s offer, but by the time he understood more about himself and the people around him the drill of training and fighting in competition had become a part of life. When he was conscripted his exploits in the ring were already in his file, part of the official record, and one or two members of his training unit had seen him fighting as a schoolboy in Berlin. Being known as a top sportsman saved him from the extremes of harassment and bullying, and he served out his time in one of the better tank regiments, exercising up and down Thuringia or trundling across Hungary in joint operations. During these years he began to nourish the dream of joining the Olympic squad. This wasn’t a matter of love for the sport. It was as if, by some wonderful accident, his fists had given him the chance of a future which would otherwise be denied to him. He had no serious connections in the Party, and he didn’t possess even a drop of German blood, but if he could fight his way into the Olympic team and survive a few rounds all the doors would open. A nice flat in Berlin, a decent car, a coaching job, and trips abroad. He could have had it all, except for what happened in his last fight, which was against an ageing middleweight from Torun, whose face must have been sculpted from stone. George had put him down eventually, but the shooting pains in his right hand told him something was wrong, and the X-rays confirmed that he had broken a bone. It was several months before he could train again, and by then his chance had gone.
His mother had never quite understood. Perhaps that was why he felt so much resentment at the fact that when Valentin turned up she was wild with happiness to embrace one of her own blood again, and they stayed up, night after night, long past her bedtime, drinking and talking together in Russian, too fluent for George to join in. He had suppressed his anger and the next day, for her sake, he had taken the man out to bars and found him somewhere to stay, steering him gently away from districts like the Savignyplatz where a loud-mouthed Russian could wind up with his face smashed.
It was then, on their second meeting, that Valentin had made his proposition. A friend back home, he said, somewhere in Belarus, he was vague about this, possessed a store of valuable objects, paintings and statues, that he wished to sell. George’s immediate reaction was to laugh. He had heard all this before. Russians sold everything, like hucksters at a market, even the boots off their feet.
The trade in icons was an old story. Back at the beginning of the decade there were genuine icons to be had, but in the last half-dozen years, Russians, along with entrepreneurs from every other ethnic group in the former Union, had been distributing crudely painted bits of wood, some of them barely dry.
‘You can’t sell those things any more,’ George said curtly. ‘Nowadays the collectors go to Moscow or Petersburg and arrange their own fakes.’
Valentin shook his head impatiently.
‘These are not icons, and they’re real. I can show you an example.’ He mentioned a name George had never heard of. ‘An artist of the Peredvizhniki.’ George had a vague idea that the Peredvizhniki were landscape painters.
‘You brought one here? To Katya’s apartment? A stolen painting?’
Valentin looked round and made a shushing sound.
‘It’s not stolen.’
His friend, Valentin said, had been given the paintings by some dead relative who perhaps had stolen them, or had been given them by someone who had. No one knew. But there it was, a collection of priceless works of art about which he could tell no one or sell in Russia.
George had been sceptical, until Valentin took him back to the room he had rented above a Turkish café off the Oranienstrasse in East Kreuzberg, and showed him the picture, a rectangle, about three feet by two, which was a landscape – in the foreground a field of waving corn, in the distance tucked into the bottom corner a house with a windmill beside it. It was a beautiful picture, full of detail, painted some time in the nineteenth century, George guessed, although he really knew nothing about it. In the corner scrawled below the house was the signature – Levitan.
In the end it had been surprisingly easy to find a buyer. Later on it struck him that it had been much too easy, but by then it was too late and the damage was already done.
The problem was where he’d started. Thomas Liebl. George had promised himself, when he moved across Berlin after the Wall, never to have anything more to do with some of the people who had previously been a part of his life. But when he began wondering how to dispose of Valentin’s painting, Liebl’s huge body lurched into his head, and although he racked his brains trying to think of an alternative, he knew all the time that he would go back. It wasn’t an appealing prospect. There had been moments in his life when he pictured ripping a knife across the man’s bloated belly, and although that was now a long time in the past, he still couldn’t think of Liebl without a shadow of the rage and fear he used to feel then. The odd thing was that at their first meeting he’d felt nothing but amusement at seeing the man. Liebl had looked like a cartoon character, a huge version of a crudely carved wooden doll, an ovoid shape with short legs and a bulging round gut tapering upwards to a balding head over which a few strands of greasy black hair were carefully pasted.
At the time, George was managing the workers’ canteen at a food processing factory in Prenzlauer Berg. In the early eighties it was a place of factories, workers’ tenements, hole-in-the-wall cafés and hostels, a district where he could arrive and depart more or less unnoticed. The catering job was the sort of position he had held since he left the army; in George’s mind it represented
