Love and War in the Apennines. Eric Newby

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Love and War in the Apennines - Eric Newby

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      Once a day, but never together, we were let out to exercise on the pathway which surrounded the manège. Here ‘by chance’, we met other ‘prisoners’, an extraordinarily sleazy collection of renegades and traitors, most of them South African or Irish, dressed in various British uniforms, some in civilian clothes, who called us ‘old boy’ and offered to fix us up with nights on the town and escape routes into the Vatican in exchange for information.

      I enjoyed being alone. It was so long since I had been. From my room, high up under the eaves of the barracks, I used to watch a solitary, elegant officer taking a succession of chargers around the tan. He was a wonderful horseman, even I could tell this without knowing anything about horses. The days were poignantly beautiful. The leaves on the plane trees were golden. Here, in Rome, in late August, it was already autumn. I was nearly twenty-three and this was my first visit to Europe. Locked up, isolated in the centre of the city, I felt like the traitor Baillie-Stewart, ‘the Officer in the Tower’, or, even less romantically, someone awaiting court martial for conduct scandalous and unbecoming, looking out across the Park in the years before the war.

      After a few days we were dispersed, the officers to one camp, the men to another. We all survived the war and so did Socks, the dachshund. Pat, in accordance with Desmond’s last wishes, took her to Beirut where she took up residence with Princess Aly Khan. And George recovered sufficiently within a few days to make one of the most cold-bloodedly successful escape attempts from the camp to which we were sent when he, in company with a number of others, marched out through the main gate disguised as Italian soldiers. Unfortunately, they were all re-captured soon afterwards.

       CHAPTER TWO Grand Illusion

      A year later, on the seventh of September, 1943, the day before Italy went out of the war, I was taken to the prison hospital with a broken ankle, the result of an absurd accident in which I had fallen down an entire flight of the marble staircase which extended from the top of the building to the basement while wearing a pair of nailed boots which my parents had managed to send me by way of the Red Cross. The prison camp was on the outskirts of a large village in the Pianura Padana, the great plain through which the river Po flows on its way from the Cottian Alps to the sea. The nearest city was Parma on the Via Emilia, the Roman road which runs through the plain in an almost straight line from Milan to the Adriatic.

      ‘That’s right, knock the bloody place clown,’ someone said, unsympathetically, as it shuddered under the impact. The doctor who examined my ankle, who was also a prisoner, took much the same view. He couldn’t do much, anyway, because he hadn’t got any plaster of paris. It was, however, he said, ‘on order’ and for the time being he did it up with some adhesive plaster which was a rather wobbly arrangement.

      The only other occupant of the hospital was another officer who was suffering from a boil on his behind. He was the one who had proposed that we should dig a tunnel, the most dreary and unimaginative way of getting out of any prison, on which a number of us had been working for some months, and which we had only recently abandoned because events seemed to have rendered it unnecessary. The head of the shaft of this tunnel was in a bedroom on the piano nobile of the building, practically in mid-air, and the shaft went down through the middle of one of the solid brick piers which supported it and down into the cellars. When we reached mother earth, somewhere below the floor of the cellar, if ever, he had planned to construct a chamber, in which the spoil could be put into sacks and hauled to the surface, and from it the tunnel would be driven outwards under the wire. The shaft had a false lid, designed and made by a South African mining engineer. It was a marvellous piece of work – a great block of cement with tiles set in it that was so thick that when the carabinieri tapped the floor of the bedroom with hammers, which they sometimes did, the lid gave off the same sound as the rest of it. This lid was so heavy that special tools had had to be devised to lift it.

      No one from our camp ever reached Switzerland before the Italian Armistice in 1943. It was generally believed that two British prisoners of war had succeeded in getting there, but I have never met anyone who actually knew who they were or which camps they came from. It was very difficult to get out of a prison camp in Italy. Italian soldiers might be figures of fun to us, but some of them were extraordinarily observant and very suspicious and far better at guarding prisoners than the Germans were. It was also very difficult to travel in Italy if you did get out. The Italians are fascinated by minutiae of dress and the behaviour of their fellow men, perhaps to a greater degree than almost any other race in Europe, and the ingenious subterfuges and disguises which escaping prisoners of war habitually resorted to and which were often enough to take in the Germans: the documents, train tickets and ration cards, lovingly fabricated by the camp’s staff of expert forgers; the suits made from dyed blankets; the desert boots cut down to look like shoes and the carefully bleached army shirts were hardly ever sufficiently genuine-looking to fool even the most myopic Italian ticket collector and get the owner past the barrier, let alone survive the scrutiny of the occupants of a compartment on an Italian train. The kind of going over to which an escaping Anglo-Saxon was subjected by other travellers was usually enough to finish him off unless he was a professional actor or spoke fluent Italian. And in Italy, before the Armistice, there were no members of the Resistance or railway employees of the Left, as there were in France, to help escaping prisoners out of the country along an organised route.

      The building in which we were housed had originally been built as an orfanotrofio, an orphanage, with the help of money contributed by pilgrims to the shrine of the miraculous Madonna del Rosario who, in 1628, had performed the first of a succession of miracles when, in answer to his prayers, she raised a man called Giovanni Pietro Ugalotti from his death bed.

      The foundations had been laid back in 1928, but the work had proceeded so slowly that the war began before it could be completed, and it remained empty until the spring of 1943 when it became a prisoner of war camp for officers and a few other ranks who acted as orderlies.

      It was a large, three-storeyed building with a sham classical façade, so unstable that if anyone jumped up and down on one of the upper floors, or even got out of bed heavily, it appeared to wobble like a jelly. To those of us who were lodged on one of these upper floors, it seemed so unstable that we were convinced that if any bombs fell in the immediate neighbourhood it would collapse.

      Next door to the orfanotrofio was the santuario in which the miraculous Madonna del Rosario was enshrined, and on its walls there were large quantities of ex-votos contributed by those who had been cured of some bodily affliction or saved from disaster by divine intervention – crutches, pale wax replicas of various parts of the human body that had been restored to health, primitive paintings of ships sinking, houses and barns on fire, or being struck by lightning, motor cars and aeroplanes crashing and farm carts being overturned, from all of which, and many other more fantastic mishaps, the occupants were depicted as emerging or being ejected relatively unscathed.

      Behind the santuario, and joined to it, there was a convent in which a body of nuns resided in complete seclusion from which they never emerged except in case of grave illness or when they were being conveyed to another house of their order. Otherwise, their nearest approach to contact with the outer world was when they participated in the masses celebrated in the santuario, at which times they could look out on the congregation in

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