It wasn’t a good conversation. Leave it at that. I called her on Thursday and left her a message. She didn’t call back. I texted and emailed her yesterday and again this morning. Zip.”
“Did you tell her you were going to Ireland?”
“No, I did not.” Yank grunted, as if he was already regretting having called Colin. “All right, thanks for taking a look. I just wanted to be sure she wasn’t in Boston passed out in my apartment.”
“What about passed out at home in Virginia?”
“Not your problem.”
“Yank, I don’t have to tell you that you need her back in touch soon. With all that’s going on, we can’t have your wife AWOL.”
“That’s right, Donovan. You don’t have to tell me.”
“Yank...” Colin hesitated a half beat. “Have you talked to the director lately?”
“Yeah. He says he’s retiring.” Yank sounded relieved at the change in subject. “He’s moving to Mount Desert Island to be a grandfather and write his memoirs. That’s why you two bonded, you know. He loves Maine.”
“Maybe he and I could do puffin tours together.”
“I could see that, but I don’t know who’d scare tourists more, you or him. I’ve heard some rumors about his replacement. All the names give me hives, but it’ll be what it’ll be. Hey, you wouldn’t want to spray for roaches before you leave my place, would you? There’s a can of Raid under the sink.”
A can of Raid and a million roaches. Colin debated, then said, “I’ll spray for roaches if you stop at the Celtic Whiskey Shop on Dawson Street in Dublin before you leave and pick me up a good bottle of Irish whiskey.”
“Done.”
“Let me know when Lucy is back in touch.”
Colin disconnected. He sprayed for roaches—and sprayed actual roaches—and then got the hell out of Yank’s walk-up as fast as he could. The only reason the place didn’t have rats was because it was on the third floor. Needless to say, there was no security in the building. There was barely a front door.
Colin welcomed the bright, cool November air. He had woken up to Yank’s email asking him to check his apartment for Lucy and telling him where to find a spare key in his office a few blocks from Emma’s place. She’d already left on her run. Bemused by Yank’s request, Colin had walked over to the highly secure, unassuming waterfront building that housed HIT, short for “high impact target” and the name Yank had chosen for his handpicked team. Yank had shoehorned Colin into HIT in October. Colin had packed his bags for Ireland a few weeks later to decompress. He’d expected to hike the Irish hills and drink Irish whiskey and Guinness alone, but Emma had joined him in his little cottage in the Kerry hills. She hadn’t waited for an invitation, but that was Emma Sharpe. His ex-nun, art historian, art conservationist, art-crimes expert—the love of his life—was the bravest woman he knew. Which had its downside, since she’d do anything regardless of the risk.
He saw he had a text message from her.
Meeting CI on Bristol Island. Back soon. Had a good run.
A confidential informant? Emma? Bristol Island? Where the hell was Bristol Island? Colin texted back.
Are you alone?
He buttoned his coat and continued toward the HIT offices and her apartment, looking up Bristol Island on his phone. It was one of more than thirty Boston Harbor islands, unusual in that it was privately owned and not part of the Boston Harbor National Recreational Area. He waited but Emma didn’t respond to his text. He didn’t want to call her in the middle of a delicate meeting. As with Lucy Yankowski, Emma’s silence didn’t necessarily mean anything.
It didn’t necessarily not mean anything, either.
Emma picked her way across the cold, hard sand beach at the far end of Bristol Island, which was connected to a mainland peninsula by a short, private bridge. It barely qualified as an island. She’d parked at a marina—the upscale Bristol Island Marina, quiet on a Saturday morning in late November—and found the trail her caller had mentioned. She’d followed it through a tangle of mostly stunted, mostly bare-branched trees and brush, a few rust-colored leaves hanging from the occasional gray branch. The trail ended at a crescent-shaped beach dotted with a half-dozen run-down cottages that looked as if they were one good nor’easter from being swept into the harbor.
The only white cottage was the second one, tucked between a gray-shingled cottage that had all but collapsed into the sand and a tiny brown cottage, the only one with its windows boarded up. Water, sand, trees and brush had encroached on what yards the cottages had once had. They looked to be about a hundred years old, probably a former summer colony of families who had once enjoyed sea breezes and clam-digs on this refuge in the shadows of the city.
Emma didn’t see any footprints in the mix of sand and sea grass between her and the white cottage. Her caller could have come by a different route, perhaps an offshoot of the trail she had taken. It was low tide. A few scrappy-looking seagulls were investigating the offerings in the lapping waves. The biggest of the lot flew onto a rickety pier and watched her as if it knew something she didn’t.
She was aware of the city just across the water, but it seemed as if it should be farther away. In early July, she had taken the inter-island shuttle and explored a few of the islands in the outer harbor. She’d enjoyed a solo picnic with a panoramic view of the Boston skyline. She’d been glad to be back in New England and a member of Matt Yankowski’s team, and she’d just played a vital role in the arrest of Viktor Bulgov, Colin’s notorious arms trafficker and a Picasso enthusiast. She hadn’t known Colin then. She’d only surmised that a deep-cover agent had been tracking Bulgov, gathering evidence on him and his network and their illegal activities.
She stepped over broken beer bottles next to a fire circle piled with charred logs and came to the white cottage, its sagging porch no more than six inches off the sand. Its front door was ajar, but sand that had blown onto the worn floorboards of the porch appeared to be undisturbed.
“Rachel Bristol? It’s Emma Sharpe.”
A seagull cried behind her, and a breeze stirred in the snarl of bare brush between the white cottage and the ones on either side of it. As she stepped onto the porch, she noticed a red smear and splatters, wet, oozing into the peeling gray paint and cracks of the floorboards to the left of the front door.
Blood.
And pale, slender fingers—a woman’s hand, limp and unmoving, on the edge of the porch.
Emma pulled back her jacket and placed a hand on the butt of her nine-millimeter. As she
