Mexico Set. Len Deighton

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Mexico Set - Len  Deighton

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a verbal report. Nothing in writing for the time being. Not you, not me, not Biedermann.’ Dicky was keeping all the exits covered. Nothing in writing until Dicky heard the results and arranged the blames and the credits with godlike impartiality.

      Werner shot me a glance. ‘Sure thing, Dicky,’ I said. Dicky Cruyer was such a clown at times, but there was another, very clever Dicky who knew exactly what he wanted and how to get it. Even if it did sometimes mean giving way to one of those nasty little reflex actions.

       3

      The jungle stinks. Under the shiny greenery, and the brightly coloured tropical flowers that line the roadsides like the endless window displays of expensive florists, there is a squelchy mess of putrefaction that smells like a sewer. Sometimes the road was darkened by vegetation that met overhead, and strands of creeper fingered the car’s roof. I wound the window closed for a moment, even though the air-conditioning didn’t work.

      Dicky wasn’t with me. Dicky had flown to Los Angeles, giving me a contact phone number that was an office in the Federal Building. It was not far from the shops and restaurants of Beverly Hills, where by now he would no doubt be sitting beside a bright blue pool, clasping an iced drink, and studying a long menu with that kind of unstinting dedication that Dicky always gave to his own welfare.

      The big blue Chevvy he’d left for me was not the right sort of car for these miserable winding jungle tracks. Imported duty-free by Tiptree, Dicky’s embassy chum, it didn’t have the hard suspension and reinforced chassis of locally bought cars. It bounced me up and down like a yo-yo in the potholes, and there were ominous scraping sounds when it hit the bumps. And the road to Tcumazan was all pot-holes and bumps.

      I’d started very early that morning, intending to cross the Sierra Madre mountain range and be in a restaurant lingering over a late lunch to miss the hottest part of the day. In fact I spent the hottest part of the day crouched on a dusty road, with an audience of three children and a chicken, while I changed the wheel of a flat tyre and cursed Dicky, Henry Tiptree and his car, London Central and Paul Biedermann, particularly Biedermann for having chosen to live in such a Godforsaken spot as Tcumazan, Michoacan, on Mexico’s Pacific coast. It was a place to go only for those equipped with private planes or luxury yachts. Getting there from Mexico City in Tiptree’s Chevvy was not recommended.

      It was early evening when I reached the ocean at a village variously called ‘Little San Pedro’ or ‘Santiago’, according to who directed you. It was not on the map under either name; even the road leading there was no more than a broken red line. Santiago consisted only of a rubbish heap, some two dozen huts constructed of mud and old corrugated iron, a prefabricated building surmounted by a large cross and a cantina with a green tin roof. The cantina was held together by enamelled advertisements for beer and soft drinks. They had been nailed, sometimes upside-down or sideways, wherever cracks had appeared in the walls. More adverts were urgently needed.

      The village of Santiago is not a tourist resort. There were no discarded film packets, paper tissues or vitamin containers to be seen littering the streets or even on the dump. From the village there was not even a view of the ocean; the water-front was out of sight beyond a flight of wide stone steps that led nowhere. There were no people in sight; just animals – cats, dogs, a few goats and some fluttering hens.

      Alongside the cantina a faded red Ford sedan was parked. Only after I pulled in alongside did I see that the Ford was propped up on bricks and its inside gutted. There were more hens inside it. As I locked up the Chevvy, people appeared. They were coming from the rubbish heap: a honeycomb of tiny cells made from boxes, flattened cans and oil-drums. It was a rubbish heap, but not exclusively so. No women or children emerged from the heap; just short, dark-skinned men with those calm, inscrutable faces that are to be seen in Aztec sculpture: an art form obsessed with brutality and death.

      The smell of the jungle was still there, but now there was also the stink of human ordure. Dogs – their coats patchy with the symptoms of mange – smelled each other and prowled around the garbage. One outside wall of the cantina was entirely covered with a crudely painted mural. The colours had faded but the outline of a red tractor carving a path through tall grass, with smiling peasants waving their hands, suggested that it was part of the propaganda for some long-forgotten government agricultural plan.

      It was still very hot, and my damp shirt clung to me. The sun was sinking, long shadows patterned the dusty street, and the electric bulbs which marked the cantina doorway made yellow blobs in the blue air. I stepped over a large mongrel dog that was asleep in the doorway and pushed aside the small swing-doors. There was a fat, moustachioed man behind the bar. He sat on a high stool, his head tipped forward on to his chest as if he was sleeping. His feet were propped high on the counter, the soles of his boots pushed against the drawer of the cash register. When I entered the bar he looked up, wiped his face with a dirty handkerchief and nodded without smiling.

      There was an unexpected clutter inside; a random assortment of Mexican aspirations. There were sepia-coloured family photos, the frames cracked and wormeaten. Two very old Pan-American Airways posters depicted the Swiss Alps and downtown Chicago. Even the girlie pictures revealed the ambivalent nature of machismo: Mexican film stars in decorous swimsuits and raunchy gringas torn from American porno magazines. In one corner there was a magnificent old juke-box but it was for decoration only; there was no machinery inside it. In the other corner there was an old oil-drum used as a urinal. The sound of Mexican music came quietly from a radio balanced over the shelf of tequila bottles that, despite their varying labels, looked as if they’d been refilled many times from the same jug.

      I ordered a beer and told the cantinero to have one himself. He got two bottles from the refrigerator and poured them both together, holding two bottles in one hand and two glasses in the other. I drank some beer. It was dark, strong and very cold. ‘Salud y pesetas,’ said the bartender.

      I drank to ‘health and money’ and asked him if he knew anyone who could mend my punctured tyre. He didn’t answer immediately. He looked me up and down and then craned his neck to see my Chevvy, although I had no doubt he’d watched me arrive. There was a man who could do such work, he said, after giving the matter some careful thought. It might be arranged, but the materials for doing such jobs were expensive and difficult to obtain. Many of the people who claimed such expertise were clumsy, inexpert men who would fix patches that, in the hot sun and on the bad roads, would leak air and leave a traveller stranded. The brakes, the steering and the tyres: these were the vital parts of a motor car. He himself did not own a car but one of his cousins had a car and so he knew about such things. And on these roads a stranded traveller could meet bad people, even bandidos. For a puncture I needed someone who could make such a vital repair properly.

      I drank my beer and nodded sympathetically. In Mexico this was the way things were done; there was nothing to be gained by interrupting his explanation. It was for this that he got his percentage. He shouted loudly at the faces looking in through the doorway and they went away. No doubt they went to tell the man who fixed flats that his lucky day had finally come.

      We each had another beer. The cantinero’s name was Domingo. Awakened by the sound of the cash register, the dog looked up and growled. ‘Be quiet, Pedro,’ said the bartender and edged a small plate of chillies across the counter towards me. I declined. I left some money on the counter in front of me when I asked him how far it was to the Biedermann house. He looked at me quizzically before answering. It was a long, long way by road, and the road was very bad. Rain had washed it out in places. It always did at this time of year. On a motorcycle or even in a jeep it was possible. But in my Chevvy, which Domingo called my double bed – cama matrimonial – there would be no chance of driving there. Better to take the track and go on foot, the way the villagers went.

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