Freedom. Jonathan Franzen
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“You haven’t followed my rules, either,” Patty said.
“Because, I swear to God, this is not what you think it is. I am your friend. But there’s somebody else here who’s definitely not your friend.”
“A girl?”
“Look, I’ll make her go away. We’ll get rid of her and then the three of us can party.” Eliza giggled. “He got really, really, really excellent coke for his birthday.”
“Wait a minute. It’s just the three of you? That’s the party?”
“It’s so great, it’s so great, you’ve got to try it. Your season’s over, right? We’ll get rid of her and you can come up and party. Or we can go to my place instead, just you and me, if you’ll wait one second I’ll get some drugs and we can go to my place. You’ve got to try it. You won’t understand if you don’t try it.”
“Leave Carter with somebody else and go do hard drugs with you. That sounds like a real plan.”
“Oh God, Patty, I’m so sorry. It’s not what you think. He said he was having a party, but then he got the coke and he changed his plan a little bit, and then it turned out he only wanted me here because the other person wouldn’t come over if it was just the two of them.”
“You could have left,” Patty said.
“We were already partying, which if you’d try it you’d understand why I didn’t leave. I swear to you that’s the only reason I’m here.”
The night did not end, as it should have, with a cooling or cessation of Patty’s friendship with Eliza but instead with Patty swearing off Carter and apologizing for not having told Eliza more about her feelings for him, and with Eliza apologizing for not having paid closer attention to her and promising to follow her own rules better and not do any more hard drugs. It’s now clear to the autobiographer that an available twosome and a white anthill of powder on the nightstand would have been exactly Carter’s notion of an outstanding birthday treat for himself. But Eliza was so frantic with remorse and worry that she told her lies with great conviction, and the very next morning, before Patty had had a waking hour to think things over and conclude that her supposed best friend had done something twisted with her supposed boyfriend, Eliza showed up all a-panting at the door of Patty’s quad, wearing her idea of running clothes (a Lena Lovich T-shirt, knee-length boxing shorts, black socks, Keds), to report that she’d just jogged three lengths around the quarter-mile track and to insist that Patty teach her some calisthenics. She was afire with a plan for them to study together every evening, afire with affection for Patty and fear of losing her; and Patty, having opened her eyes painfully to Carter’s nature, went ahead and closed them to Eliza’s.
Eliza’s full-court press continued until Patty agreed to live in Minneapolis for the summer with her, at which point Eliza became scarcer again and lost interest in fitness. Patty spent much of that hot summer alone in a roachy sublet in Dinkytown, feeling sorry for herself and experiencing low self-esteem. She couldn’t understand why Eliza had been so hell-bent on living with her if she was going to come home most nights at 2 a.m. or not come home at all. Eliza did, it was true, keep suggesting to Patty that she try new drugs or go to shows or find a new person to sleep with, but Patty was temporarily disgusted by sex and permanently by drugs and cigarette smoke. Plus her summer job in the P.E. Department paid barely enough to cover the rent, and she refused to emulate Eliza and beg her parents for cash infusions, and so she felt more and more inadequate and lonely.
“Why are we friends?” she finally said one night when Eliza was punking herself up for another outing.
“Because you’re brilliant and beautiful,” Eliza said. “You’re my favorite person in the world.”
“I’m a jock. I’m boring.”
“No! You’re Patty Emerson, and we’re living together, and it’s great.”
These were literally her words, the autobiographer remembers them vividly.
“But we don’t do anything,” Patty said.
“What do you want to do?”
“I’m thinking of going home to my parents’ for a while.”
“What? Are you kidding? You don’t like them! You’ve got to stay here with me.”
“But you’re gone practically every night.”
“Well, let’s start doing more things together.”
“But you know I don’t want to do those kinds of things.”
“Well, let’s go to a movie, then. We’ll go to a movie right now. What do you want to see? Do you want to see Days of Heaven?”
And so began another of Eliza’s full-court presses which lasted just long enough to get Patty over the hump of the summer and make sure she didn’t flee. It was during this third honeymoon of double features and wine spritzers and wearing out the grooves of Blondie albums that Patty began to hear about the musician Richard Katz. “Oh my God,” Eliza said, “I think I might be in love. I think I might have to start being a good girl. He’s so big, it’s like being rolled over by a neutron star. It’s like being erased with a giant eraser.”
The giant eraser had just graduated from Macalester College, was working demolition, and had formed a punk band called the Traumatics which Eliza was convinced were going to be huge. The only thing confounding her idealization of Katz was his choice of friends. “He lives with this nerdy hanger-on guy Walter,” she said, “this kind of straitlaced groupie, it’s weird, I don’t get it. At first I thought he was Katz’s manager or something, but he’s way too uncool for that. I come out of Katz’s room in the morning and there’s Walter at the kitchen table with this big fruit salad he’s made. He’s reading the New York Times and the first thing he asks me is whether I’ve seen any good theater lately. You know, like, plays. It’s totally Odd Couple. You’ve got to meet Katz to understand how weird it is.”
Few circumstances have turned out to be more painful to the autobiographer, in the long run, than the dearness of Walter and Richard’s friendship. Superficially, at least, the two of them were an odder couple than even Patty and Eliza. Some genius in the Macalester College housing office had put a heartbreakingly responsible Minnesota country boy in the same freshman dorm room as a self-absorbed, addiction-prone, unreliable, street-smart guitar player from Yonkers, New York. The only thing the housing-office person could have known for sure they had in common was being financial-aid students. Walter had fair coloration and a stalky build, and though taller than Patty he was nowhere near as tall as Richard, who was 6’4” and heavy-shouldered and as dark-complected as Walter was light. Richard bore a strong resemblance (noticed and remarked on, over the years, by many more people than just Patty) to the Libyan dictator Muammar el-Qaddafi. He had the same black hair, the same tan pockmarked cheeks, the same satisfied-strongman-reviewing-the-troops-and-rocket-launchers mask of a smile,* and he looked about fifteen years older than his friend. Walter resembled the officious “student manager” that high-school teams sometimes have, the unathletic kid who assists the coaches and wears a jacket and necktie to games and gets to stand on the sideline with a clipboard. Jocks tend to tolerate this kind of manager because